Short Fiction Ray Bradbury (always you kirsty moseley TXT) 📖

me a civil answer, young lady, or inside you come!”

Mink whirled in consternation, mixed with irritation. “I can’t quit now. It’s almost time. I’ll be good. I’m sorry.”

“Did you hit Peggy Ann?”

“No, honest. You ask her. It was something⁠—well, she’s just a scaredy-pants.”

The ring of children drew in around Mink where she scowled at her work with spoons and a kind of square shaped arrangement of hammers and pipes. “There and there,” murmured Mink.

“What’s wrong?” said Mrs. Morris.

“Drill’s stuck. Half way. If we could only get him all the way through, it’ll be easier. Then all the others could come through after him.”

“Can I help?”

“No’m, thanks. I’ll fix it.”

“All right. I’ll call you for your bath in half an hour. I’m tired of watching you.”

She went in and sat in the electric-relaxing chair, sipping a little beer from a half-empty glass. The chair massaged her back. Children, children. Children and love and hate, side by side. Sometimes children loved you, hated you, all in half a second. Strange children, did they ever forget or forgive the whippings and the harsh, strict words of command? She wondered. How can you ever forget or forgive those over and above you, those tall and silly dictators?

Time passed. A curious, waiting silence came upon the street, deepening.

Five o’clock. A clock sang softly somewhere in the house, in a quiet, musical voice, “Five o’clock⁠ ⁠… five o’clock. Time’s a wasting. Five o’clock,” and purred away into silence.

Zero hour.

Mrs. Morris chuckled in her throat. Zero hour.

A beetle-car hummed into the driveway. Mr. Morris. Mrs. Morris smiled. Mr. Morris got out of the beetle, locked it and called hello to Mink at her work. Mink ignored him. He laughed and stood for a moment watching the children in their business. Then he walked up the front steps.

“Hello, darling.”

“Hello, Henry.”

She strained forward on the edge of the chair, listening. The children were silent. Too silent.

He emptied his pipe, refilled it. “Swell day. Makes you glad to be alive.”

Buzz.

“What’s that?” asked Henry.

“I don’t know.” She got up, suddenly, her eyes widening. She was going to say something. She stopped it. Ridiculous. Her nerves jumped. “Those children haven’t anything dangerous out there, have they?” she said.

“Nothing but pipes and hammers. Why?”

“Nothing electrical?”

“Heck, no,” said Henry. “I looked.”

She walked to the kitchen. The buzzing continued. “Just the same you’d better go tell them to quit. It’s after five. Tell them⁠—” Her eyes widened and narrowed. “Tell them to put off their Invasion until tomorrow.” She laughed, nervously.

The buzzing grew louder.

“What are they up to? I’d better go look, all right.”

The explosion!

The house shook with dull sound. There were other explosions in other yards on other streets.

Involuntarily, Mrs. Morris screamed. “Up this way!” she cried, senselessly, knowing no sense, no reason. Perhaps she saw something from the corners of her eyes, perhaps she smelled a new odor or heard a new noise. There was no time to argue with Henry to convince him. Let him think her insane. Yes, insane! Shrieking, she ran upstairs. He ran after her to see what she was up to. “In the attic!” she screamed. “That’s where it is!” It was only a poor excuse to get him in the attic in time⁠—oh God, in time!

Another explosion outside. The children screamed with delight, as if at a great fireworks display.

“It’s not in the attic!” cried Henry. “It’s outside!”

“No, no!” Wheezing, gasping, she fumbled at the attic door. “I’ll show you. Hurry! I’ll show you!”

They tumbled into the attic. She slammed the door, locked it, took the key, threw it into a far, cluttered corner.

She was babbling wild stuff now. It came out of her. All the subconscious suspicion and fear that had gathered secretly all afternoon and fermented like a wine in her. All the little revelations and knowledges and sense that had bothered her all day and which she had logically and carefully and sensibly rejected and censored. Now it exploded in her and shook her to bits.

“There, there,” she said, sobbing against the door. “We’re safe until tonight. Maybe we can sneak out, maybe we can escape!”

Henry blew up, too, but for another reason. “Are you crazy? Why’d you throw that key away! Damn it, honey!”

“Yes, yes, I’m crazy, if it helps, but stay here with me!”

“I don’t know how in hell I can get out!”

“Quiet. They’ll hear us. Oh, God, they’ll find us soon enough⁠—”

Below them, Mink’s voice. The husband stopped. There was a great universal humming and sizzling, a screaming and giggling. Downstairs, the audio-televisor buzzed and buzzed insistently, alarmingly, violently. Is that Helen calling? thought Mrs. Morris. And is she calling about what I think she’s calling about?

Footsteps came into the house. Heavy footsteps.

“Who’s coming in my house?” demanded Henry, angrily. “Who’s tramping around down there?”

Heavy feet. Twenty, thirty, forty, fifty of them. Fifty persons crowding into the house. The humming. The giggling of the children. “This way!” cried Mink, below.

“Who’s downstairs?” roared Henry. “Who’s there!”

“Hush, oh, nonononono!” said his wife, weakly, holding him. “Please, be quiet. They might go away.”

“Mom?” called Mink, “Dad?” A pause. “Where are you?”

Heavy footsteps, heavy, heavy, very heavy footsteps came up the stairs. Mink leading them.

“Mom?” A hesitation. “Dad?” A waiting, a silence.

Humming. Footsteps toward the attic. Mink’s first.

They trembled together in silence in the attic, Mr. and Mrs. Morris. For some reason the electric humming, the queer cold light suddenly visible under the door crack, the strange odor and the alien sound of eagerness in Mink’s voice, finally got through to Henry Morris, too. He stood, shivering, in the dark silence, his wife beside him.

“Mom! Dad!”

Footsteps. A little humming sound. The attic lock melted. The door opened. Mink peered inside, tall blue shadows behind her.

“Peek-a-boo,” said Mink.

Asleep in Armageddon4

You don’t want death and you don’t expect death. Something goes wrong, your rocket tilts in space, a planetoid jumps up, blackness, movement, hands over the eyes, a violent pulling back of available power in the fore-jets, the crash.⁠ ⁠…

The darkness. In the darkness, the senseless pain. In the pain,