The Sun Also Rises Ernest Hemingway (classic literature list .txt) 📖

“They’re not important,” Bill said. “After a while you never notice anything disgusting.”

“It is a bit strong just at the start,” Brett said. “There’s a dreadful moment for me just when the bull starts for the horse.”

“The bulls were fine,” Cohn said.

“They were very good,” Mike said.

“I want to sit down below, next time.” Brett drank from her glass of absinthe.

“She wants to see the bullfighters close by,” Mike said.

“They are something,” Brett said. “That Romero lad is just a child.”

“He’s a damned good-looking boy,” I said. “When we were up in his room I never saw a better-looking kid.”

“How old do you suppose he is?”

“Nineteen or twenty.”

“Just imagine it.”

The bullfight on the second day was much better than on the first. Brett sat between Mike and me at the barrera, and Bill and Cohn went up above. Romero was the whole show. I do not think Brett saw any other bullfighter. No one else did either, except the hard-shelled technicians. It was all Romero. There were two other matadors, but they did not count. I sat beside Brett and explained to Brett what it was all about. I told her about watching the bull, not the horse, when the bulls charged the picadors, and got her to watching the picador place the point of his pic so that she saw what it was all about, so that it became more something that was going on with a definite end, and less of a spectacle with unexplained horrors. I had her watch how Romero took the bull away from a fallen horse with his cape, and how he held him with the cape and turned him, smoothly and suavely, never wasting the bull. She saw how Romero avoided every brusque movement and saved his bulls for the last when he wanted them, not winded and discomposed but smoothly worn down. She saw how close Romero always worked to the bull, and I pointed out to her the tricks the other bullfighters used to make it look as though they were working closely. She saw why she liked Romero’s capework and why she did not like the others.

Romero never made any contortions, always it was straight and pure and natural in line. The others twisted themselves like corkscrews, their elbows raised, and leaned against the flanks of the bull after his horns had passed, to give a faked look of danger. Afterward, all that was faked turned bad and gave an unpleasant feeling. Romero’s bullfighting gave real emotion, because he kept the absolute purity of line in his movements and always quietly and calmly let the horns pass him close each time. He did not have to emphasize their closeness. Brett saw how something that was beautiful done close to the bull was ridiculous if it were done a little way off. I told her how since the death of Joselito all the bullfighters had been developing a technic that simulated this appearance of danger in order to give a fake emotional feeling, while the bullfighter was really safe. Romero had the old thing, the holding of his purity of line through the maximum of exposure, while he dominated the bull by making him realize he was unattainable, while he prepared him for the killing.

“I’ve never seen him do an awkward thing,” Brett said.

“You won’t until he gets frightened,” I said.

“He’ll never be frightened,” Mike said. “He knows too damned much.”

“He knew everything when he started. The others can’t ever learn what he was born with.”

“And God, what looks,” Brett said.

“I believe, you know, that she’s falling in love with this bullfighter chap,” Mike said.

“I wouldn’t be surprised.”

“Be a good chap, Jake. Don’t tell her anything more about him. Tell her how they beat their old mothers.”

“Tell me what drunks they are.”

“Oh, frightful,” Mike said. “Drunk all day and spend all their time beating their poor old mothers.”

“He looks that way,” Brett said.

“Doesn’t he?” I said.

They had hitched the mules to the dead bull and then the whips cracked, the men ran, and the mules, straining forward, their legs pushing, broke into a gallop, and the bull, one horn up, his head on its side, swept a swath smoothly across the sand and out the red gate.

“This next is the last one.”

“Not really,” Brett said. She leaned forward on the barrera. Romero waved his picadors to their places, then stood, his cape against his chest, looking across the ring to where the bull would come out.

After it was over we went out and were pressed tight in the crowd.

“These bullfights are hell on one,” Brett said. “I’m limp as a rag.”

“Oh, you’ll get a drink,” Mike said.

The next day Pedro Romero did not fight. It was Miura bulls, and a very bad bullfight. The next day there was no bullfight scheduled. But all day and all night the fiesta kept on.

In the morning it was raining. A fog had come over the mountains from the sea. You could not see the tops of the mountains. The plateau was dull and gloomy, and the shapes of the trees and the houses were changed. I walked out beyond the town to look at the weather. The bad weather was coming over the mountains from the sea.

The flags in the square hung wet from the white poles and the banners were wet and hung damp against the front of the houses, and in between the steady drizzle the rain came down and drove everyone under the arcades and made pools of water in the square, and the streets wet and dark and deserted; yet the fiesta kept up without any pause. It was only driven under cover.

The covered seats of the bullring had been crowded with people sitting out of the rain watching the concourse of Basque and Navarrais dancers and singers, and afterward the Val Carlos dancers in their costumes danced down the street in the rain, the drums sounding hollow and damp, and the chiefs of