The Mill on the Floss George Eliot (ereader android .txt) 📖

and she was considering how she might open a conversation with the injured gypsy, and not only gratify his feelings but efface the impression of her cowardice, when, as they reached a crossroad. Maggie caught sight of someone coming on a white-faced horse.

“Oh, stop, stop!” she cried out. “There’s my father! Oh, father, father!”

The sudden joy was almost painful, and before her father reached her, she was sobbing. Great was Mr. Tulliver’s wonder, for he had made a round from Basset, and had not yet been home.

“Why, what’s the meaning o’ this?” he said, checking his horse, while Maggie slipped from the donkey and ran to her father’s stirrup.

“The little miss lost herself, I reckon,” said the gypsy. “She’d come to our tent at the far end o’ Dunlow Lane, and I was bringing her where she said her home was. It’s a good way to come after being on the tramp all day.”

“Oh yes, father, he’s been very good to bring me home,” said Maggie⁠—“a very kind, good man!”

“Here, then, my man,” said Mr. Tulliver, taking out five shillings. “It’s the best day’s work you ever did. I couldn’t afford to lose the little wench; here, lift her up before me.”

“Why, Maggie, how’s this, how’s this?” he said, as they rode along, while she laid her head against her father and sobbed. “How came you to be rambling about and lose yourself?”

“Oh, father,” sobbed Maggie, “I ran away because I was so unhappy; Tom was so angry with me. I couldn’t bear it.”

“Pooh, pooh,” said Mr. Tulliver, soothingly, “you mustn’t think o’ running away from father. What ’ud father do without his little wench?”

“Oh no, I never will again, father⁠—never.”

Mr. Tulliver spoke his mind very strongly when he reached home that evening; and the effect was seen in the remarkable fact that Maggie never heard one reproach from her mother, or one taunt from Tom, about this foolish business of her running away to the gypsies. Maggie was rather awestricken by this unusual treatment, and sometimes thought that her conduct had been too wicked to be alluded to.

XII Mr. and Mrs. Glegg at Home

In order to see Mr. and Mrs. Glegg at home, we must enter the town of St. Ogg’s⁠—that venerable town with the red fluted roofs and the broad warehouse gables, where the black ships unlade themselves of their burdens from the far north, and carry away, in exchange, the precious inland products, the well-crushed cheese and the soft fleeces which my refined readers have doubtless become acquainted with through the medium of the best classic pastorals.

It is one of those old, old towns which impress one as a continuation and outgrowth of nature, as much as the nests of the bowerbirds or the winding galleries of the white ants; a town which carries the traces of its long growth and history like a millennial tree, and has sprung up and developed in the same spot between the river and the low hill from the time when the Roman legions turned their backs on it from the camp on the hillside, and the long-haired sea-kings came up the river and looked with fierce, eager eyes at the fatness of the land. It is a town “familiar with forgotten years.” The shadow of the Saxon hero-king still walks there fitfully, reviewing the scenes of his youth and love-time, and is met by the gloomier shadow of the dreadful heathen Dane, who was stabbed in the midst of his warriors by the sword of an invisible avenger, and who rises on autumn evenings like a white mist from his tumulus on the hill, and hovers in the court of the old hall by the riverside, the spot where he was thus miraculously slain in the days before the old hall was built. It was the Normans who began to build that fine old hall, which is, like the town, telling of the thoughts and hands of widely sundered generations; but it is all so old that we look with loving pardon at its inconsistencies, and are well content that they who built the stone oriel, and they who built the Gothic façade and towers of finest small brickwork with the trefoil ornament, and the windows and battlements defined with stone, did not sacreligiously pull down the ancient half-timbered body with its oak-roofed banqueting-hall.

But older even than this old hall is perhaps the bit of wall now built into the belfry of the parish church, and said to be a remnant of the original chapel dedicated to St. Ogg, the patron saint of this ancient town, of whose history I possess several manuscript versions. I incline to the briefest, since, if it should not be wholly true, it is at least likely to contain the least falsehood. “Ogg the son of Beorl,” says my private hagiographer, “was a boatman who gained a scanty living by ferrying passengers across the river Floss. And it came to pass, one evening when the winds were high, that there sat moaning by the brink of the river a woman with a child in her arms; and she was clad in rags, and had a worn and withered look, and she craved to be rowed across the river. And the men thereabout questioned her, and said, ‘Wherefore dost thou desire to cross the river? Tarry till the morning, and take shelter here for the night; so shalt thou be wise and not foolish.’ Still she went on to mourn and crave. But Ogg the son of Beorl came up and said, ‘I will ferry thee across; it is enough that thy heart needs it.’ And he ferried her across. And it came to pass, when she stepped ashore, that her rags were turned into robes of flowing white, and her face became bright with exceeding beauty, and there was a glory around it, so that she shed a light on the water like the moon in its brightness. And she said, ‘Ogg, the son of Beorl, thou art blessed in that