The Man in the Brown Suit Agatha Christie (i read books .TXT) 📖

“Y⁠—es, but they’re not very convincing. For instance, the night he tried to throw me overboard on the Kilmorden, he says he followed Rayburn up on deck and Rayburn turned and knocked him down. Now we know that’s not true.”

“No,” said Suzanne unwillingly. “But we only heard the story at secondhand from Sir Eustace. If we’d heard it direct from Pagett himself, it might have been different. You know how people always get a story a little wrong when they repeat it.”

I turned the thing over in my mind.

“No,” I said at last, “I don’t see any way out. Pagett’s guilty. You can’t get away from the fact that he tried to throw me overboard, and everything else fits in. Why are you so persistent in this new idea of yours?”

“Because of his face?”

“His face? But⁠—”

“Yes, I know what you’re going to say. It’s a sinister face. That’s just it. No man with a face like that could be really sinister. It must be a colossal joke on the part of Nature.”

I did not believe much in Suzanne’s argument. I know a lot about Nature in past ages. If she’s got a sense of humour, she doesn’t show it much. Suzanne is just the sort of person who would clothe Nature with all her own attributes.

We passed on to discuss our immediate plans. It was clear to me that I must have some kind of standing. I couldn’t go on avoiding explanations forever. The solution of all my difficulties lay ready to my hand, though I didn’t think of it for some time. The Daily Budget! My silence or my speech could no longer affect Harry Rayburn. He was marked down as the man in the brown suit through no fault of mine. I could help him best by seeming to be against him. The Colonel and his gang must have no suspicion that there existed any friendly feeling between me and the man they had elected to be the scapegoat of the murder at Marlow. As far as I knew, the woman killed was still unidentified. I would cable to Lord Nasby, suggesting that she was no other than the famous Russian dancer Nadina who had been delighting Paris for so long. It seemed incredible to me that she had not been identified already⁠—but when I learnt more of the case long afterwards I saw how natural it really was.

Nadina had never been to England during her successful career in Paris. She was unknown to London audiences. The pictures in the papers of the Marlow victim were so blurred and unrecognizable that it is small wonder no one identified them. And, on the other hand, Nadina had kept her intention of visiting England a profound secret from everyone. The day after the murder a letter had been received by her manager purporting to be from the dancer, in which she said that she was returning to Russia on urgent private affairs and that he must deal with her broken contract as best he could.

All this, of course, I only learned afterwards. With Suzanne’s full approval, I sent a long cable from De Aar. It arrived at a psychological moment (this again, of course, I learnt afterwards). The Daily Budget was hard up for a sensation. My guess was verified and proved to be correct and the Daily Budget had the scoop of its lifetime. “Victim of the Mill House murder identified by our special reporter.” And so on. “Our reporter makes voyage with the murderer. The man in the brown suit, what he is really like.”

The main facts were, of course, cabled to the South African papers, but I only read my own lengthy articles at a much later date! I received approval and full instructions by cable at Bulawayo. I was on the staff of the Daily Budget, and I had a private word of congratulation from Lord Nasby himself. I was definitely accredited to hunt down the murderer, and I, and only I, knew that the murderer was not Harry Rayburn! But let the world think that it was he⁠—best so for the present.

We arrived at Bulawayo early on Saturday morning. I was disappointed in the place. It was very hot, and I hated the hotel. Also Sir Eustace was what I can only describe as thoroughly sulky. I think it was all our wooden animals that annoyed him⁠—especially the big giraffe. It was a colossal giraffe with an impossible neck, a mild eye and a dejected tail. It had character. It had charm. A controversy was already arising as to whom it belonged⁠—me or Suzanne. We had each contributed a tiki to its purchase. Suzanne advanced the claims of seniority and the married state, I stuck to the position that I had been the first to behold its beauty.

In the meantime, I must admit, it occupied a good deal of this three-dimensional space of ours. To carry forty-nine wooden animals, all of awkward shape, and all of extremely brittle wood, is somewhat of a problem. Two porters were laden with a bunch of animals each⁠—and one promptly dropped a ravishing group of ostriches and broke their heads off. Warned by this, Suzanne and I carried all we could, Colonel Race helped, and I pressed the big giraffe into Sir Eustace’s arms. Even the correct Miss Pettigrew did not escape, a large hippopotamus and two black warriors fell to her share. I had a feeling Miss Pettigrew didn’t like me. Perhaps she fancied I was a bold hussy. Anyway, she avoided me as much as she could. And the funny thing was, her face seemed vaguely familiar to me, though I couldn’t quite place it.

We reposed ourselves most of the morning, and in the afternoon we drove out to the Matoppos to see Rhodes’s grave. That is to say, we were to have done so, but at the last moment Sir Eustace backed