This Side of Paradise F. Scott Fitzgerald (mini ebook reader .txt) 📖

The time is February. The place is a large, dainty bedroom in the Connage house on Sixty-eighth Street, New York. A girl’s room: pink walls and curtains and a pink bedspread on a cream-colored bed. Pink and cream are the motifs of the room, but the only article of furniture in full view is a luxurious dressing-table with a glass top and a three-sided mirror. On the walls there is an expensive print of Cherry Ripe, a few polite dogs by Landseer, and the King of the Black Isles, by Maxfield Parrish.

Great disorder consisting of the following items: (1) seven or eight empty cardboard boxes, with tissue-paper tongues hanging panting from their mouths; (2) an assortment of street dresses mingled with their sisters of the evening, all upon the table, all evidently new; (3) a roll of tulle, which has lost its dignity and wound itself tortuously around everything in sight, and (4) upon the two small chairs, a collection of lingerie that beggars description. One would enjoy seeing the bill called forth by the finery displayed and one is possessed by a desire to see the princess for whose benefit⁠—Look! There’s someone! Disappointment! This is only a maid hunting for something⁠—she lifts a heap from a chair⁠—Not there; another heap, the dressing-table, the chiffonier drawers. She brings to light several beautiful chemises and an amazing pajama but this does not satisfy her⁠—she goes out.

An indistinguishable mumble from the next room.

Now, we are getting warm. This is Alec’s mother, Mrs. Connage, ample, dignified, rouged to the dowager point and quite worn out. Her lips move significantly as she looks for it. Her search is less thorough than the maid’s but there is a touch of fury in it, that quite makes up for its sketchiness. She stumbles on the tulle and her “damn” is quite audible. She retires, empty-handed.

More chatter outside and a girl’s voice, a very spoiled voice, says: “Of all the stupid people⁠—”

After a pause a third seeker enters, not she of the spoiled voice, but a younger edition. This is Cecelia Connage, sixteen, pretty, shrewd, and constitutionally good-humored. She is dressed for the evening in a gown the obvious simplicity of which probably bores her. She goes to the nearest pile, selects a small pink garment and holds it up appraisingly.

Cecelia

Pink?

Rosalind

Outside. Yes!

Cecelia

Very snappy?

Rosalind

Yes!

Cecelia

I’ve got it!

She sees herself in the mirror of the dressing-table and commences to shimmy enthusiastically.

Rosalind

Outside. What are you doing⁠—trying it on?

Cecelia ceases and goes out carrying the garment at the right shoulder.

From the other door, enters Alec Connage. He looks around quickly and in a huge voice shouts: Mama! There is a chorus of protest from next door and encouraged he starts toward it, but is repelled by another chorus.

Alec

So that’s where you all are! Amory Blaine is here.

Cecelia

Quickly. Take him downstairs.

Alec

Oh, he is downstairs.

Mrs. Connage

Well, you can show him where his room is. Tell him I’m sorry that I can’t meet him now.

Alec

He’s heard a lot about you all. I wish you’d hurry. Father’s telling him all about the war and he’s restless. He’s sort of temperamental.

This last suffices to draw Cecelia into the room.

Cecelia

Seating herself high upon lingerie. How do you mean⁠—temperamental? You used to say that about him in letters.

Alec

Oh, he writes stuff.

Cecelia

Does he play the piano?

Alec

Don’t think so.

Cecelia

Speculatively. Drink?

Alec

Yes⁠—nothing queer about him.

Cecelia

Money?

Alec

Good Lord⁠—ask him, he used to have a lot, and he’s got some income now.

Mrs. Connage appears.

Mrs. Connage

Alec, of course we’re glad to have any friend of yours⁠—

Alec

You certainly ought to meet Amory.

Mrs. Connage

Of course, I want to. But I think it’s so childish of you to leave a perfectly good home to go and live with two other boys in some impossible apartment. I hope it isn’t in order that you can all drink as much