The Grand Babylon Hotel Arnold Bennett (ebook reader web TXT) 📖

“Never mind⁠—that is, if you consent to accompany me. A cellar is the same by night as by day. Therefore, why not now?”

Babylon shrugged his shoulders. “As you wish,” he agreed, with his indestructible politeness.

“And now to find this Mr. Hubbard, with his key of the cupboard,” said Racksole, as they walked out of the room together. Although the hour was so late, the hotel was not, of course, closed for the night. A few guests still remained about in the public rooms, and a few fatigued waiters were still in attendance. One of these latter was despatched in search of the singular Mr. Hubbard, and it fortunately turned out that this gentleman had not actually retired, though he was on the point of doing so. He brought the keys to Mr. Racksole in person, and after he had had a little chat with his former master, the proprietor and the ex-proprietor of the Grand Babylon Hotel proceeded on their way to the cellars.

These cellars extend over, or rather under, quite half the superficial areas of the whole hotel⁠—the longitudinal half which lies next to the Strand.

Owing to the fact that the ground slopes sharply from the Strand to the river, the Grand Babylon is, so to speak, deeper near the Strand than it is near the Thames. Towards the Thames there is, below the entrance level, a basement and a sub-basement. Towards the Strand there is basement, sub-basement, and the huge wine cellars beneath all. After descending the four flights of the service stairs, and traversing a long passage running parallel with the kitchen, the two found themselves opposite a door, which, on being unlocked, gave access to another flight of stairs. At the foot of this was the main entrance to the cellars. Outside the entrance was the wine-lift, for the ascension of delicious fluids to the upper floors, and, opposite, Mr. Hubbard’s little office. There was electric light everywhere.

Babylon, who, as being most accustomed to them, held the bunch of keys, opened the great door, and then they were in the first cellar⁠—the first of a suite of five. Racksole was struck not only by the icy coolness of the place, but also by its vastness. Babylon had seized a portable electric handlight, attached to a long wire, which lay handy, and, waving it about, disclosed the dimensions of the place. By that flashing illumination the subterranean chamber looked unutterably weird and mysterious, with its rows of numbered bins, stretching away into the distance till the radiance was reduced to the occasional far gleam of the light on the shoulder of a bottle. Then Babylon switched on the fixed electric lights, and Theodore Racksole entered upon a personally-conducted tour of what was quite the most interesting part of his own property.

To see the innocent enthusiasm of Félix Babylon for these stores of exhilarating liquid was what is called in the North “a sight for sair een.”

He displayed to Racksole’s bewildered gaze, in their due order, all the wines of three continents⁠—nay, of four, for the superb and luscious Constantia wine of Cape Colony was not wanting in that most catholic collection of vintages. Beginning with the unsurpassed products of Burgundy, he continued with the clarets of Médoc, Bordeaux, and Sauterne; then to the champagnes of Ay, Hautvilliers, and Pierry; then to the hocks and moselles of Germany, and the brilliant imitation champagnes of Main, Neckar, and Naumburg; then to the famous and adorable Tokay of Hungary, and all the Austrian varieties of French wines, including Carlowitz and Somlauer; then to the dry sherries of Spain, including purest Manzanilla, and Amontillado, and Vino de Pasto; then to the wines of Malaga, both sweet and dry, and all the “Spanish reds” from Catalonia, including the dark “Tent” so often used sacramentally; then to the renowned port of Oporto. Then he proceeded to the Italian cellar, and descanted upon the excellence of Barolo from Piedmont, of Chianti from Tuscany, of Orvieto from the Roman States, of the “Tears of Christ” from Naples, and the commoner Marsala from Sicily. And so on, to an extent and with a fullness of detail which cannot be rendered here.

At the end of the suite of cellars there was a glazed door, which, as could be seen, gave access to a supplemental and smaller cellar, an apartment about fifteen or sixteen feet square.

“Anything special in there?” asked Racksole curiously, as they stood before the door, and looked within at the seined ends of bottles.

“Ah!” exclaimed Babylon, almost smacking his lips, “therein lies the cream of all.”

“The best champagne, I suppose?” said Racksole.

“Yes,” said Babylon, “the best champagne is there⁠—a very special Sillery, as exquisite as you will find anywhere. But I see, my friend, that you fall into the common error of putting champagne first among wines. That distinction belongs to Burgundy. You have old Burgundy in that cellar, Mr. Racksole, which cost me⁠—how much do you think?⁠—eighty pounds a bottle. Probably it will never be drunk,” he added with a sigh. “It is too expensive even for princes and plutocrats.”

“Yes, it will,” said Racksole quickly. “You and I will have a bottle up tomorrow.”

“Then,” continued Babylon, still riding his hobbyhorse, “there is a sample of the Rhine wine dated 1706 which caused such a sensation at the Vienna Exhibition of 1873. There is also a singularly glorious Persian wine from Shiraz, the like of which I have never seen elsewhere. Also there is an unrivalled vintage of Romanée-Conti, greatest of all modern Burgundies. If I remember right Prince Eugen invariably has a bottle when he comes to stay here. It is not on the hotel wine list, of course, and only a few customers know of it. We do not precisely hawk it about the dining-room.”

“Indeed!” said Racksole. “Let us go inside.”

They entered the stone apartment, rendered almost sacred by the preciousness of its contents, and Racksole looked round with a strangely intent and curious air. At the far side was a