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the door. She was a teacher but she was also a woman. As she looked at George Willard, the passionate desire to be loved by a man, that had a thousand times before swept like a storm over her body, took possession of her. In the lamplight George Willard looked no longer a boy, but a man ready to play the part of a man.

The school teacher let George Willard take her into his arms. In the warm little office the air became suddenly heavy and the strength went out of her body. Leaning against a low counter by the door she waited. When he came and put a hand on her shoulder she turned and let her body fall heavily against him. For George Willard the confusion was immediately increased. For a moment he held the body of the woman tightly against his body and then it stiffened. Two sharp little fists began to beat on his face. When the school teacher had run away and left him alone, he walked up and down the office swearing furiously.

It was into this confusion that the Reverend Curtis Hartman protruded himself. When he came in George Willard thought the town had gone mad. Shaking a bleeding fist in the air, the minister proclaimed the woman George had only a moment before held in his arms an instrument of God bearing a message of truth.

George blew out the lamp by the window and locking the door of the printshop went home. Through the hotel office, past Hop Higgins lost in his dream of the raising of ferrets, he went and up into his own room. The fire in the stove had gone out and he undressed in the cold. When he got into bed the sheets were like blankets of dry snow.

George Willard rolled about in the bed on which he had lain in the afternoon hugging the pillow and thinking thoughts of Kate Swift. The words of the minister, who he thought had gone suddenly insane, rang in his ears. His eyes stared about the room. The resentment, natural to the baffled male, passed and he tried to understand what had happened. He could not make it out. Over and over he turned the matter in his mind. Hours passed and he began to think it must be time for another day to come. At four o’clock he pulled the covers up about his neck and tried to sleep. When he became drowsy and closed his eyes, he raised a hand and with it groped about in the darkness. “I have missed something. I have missed something Kate Swift was trying to tell me,” he muttered sleepily. Then he slept and in all Winesburg he was the last soul on that winter night to go to sleep.

Loneliness

He was the son of Mrs. Al Robinson who once owned a farm on a side road leading off Trunion Pike, east of Winesburg and two miles beyond the town limits. The farmhouse was painted brown and the blinds to all of the windows facing the road were kept closed. In the road before the house a flock of chickens, accompanied by two guinea hens, lay in the deep dust. Enoch lived in the house with his mother in those days and when he was a young boy went to school at the Winesburg High School. Old citizens remembered him as a quiet, smiling youth inclined to silence. He walked in the middle of the road when he came into town and sometimes read a book. Drivers of teams had to shout and swear to make him realize where he was so that he would turn out of the beaten track and let them pass.

When he was twenty-one years old Enoch went to New York City and was a city man for fifteen years. He studied French and went to an art school, hoping to develop a faculty he had for drawing. In his own mind he planned to go to Paris and to finish his art education among the masters there, but that never turned out.

Nothing ever turned out for Enoch Robinson. He could draw well enough and he had many odd delicate thoughts hidden away in his brain that might have expressed themselves through the brush of a painter, but he was always a child and that was a handicap to his worldly development. He never grew up and of course he couldn’t understand people and he couldn’t make people understand him. The child in him kept bumping against things, against actualities like money and sex and opinions. Once he was hit by a street car and thrown against an iron post. That made him lame. It was one of the many things that kept things from turning out for Enoch Robinson.

In New York City, when he first went there to live and before he became confused and disconcerted by the facts of life, Enoch went about a good deal with young men. He got into a group of other young artists, both men and women, and in the evenings they sometimes came to visit him in his room. Once he got drunk and was taken to a police station where a police magistrate frightened him horribly, and once he tried to have an affair with a woman of the town met on the sidewalk before his lodging house. The woman and Enoch walked together three blocks and then the young man grew afraid and ran away. The woman had been drinking and the incident amused her. She leaned against the wall of a building and laughed so heartily that another man stopped and laughed with her. The two went away together, still laughing, and Enoch crept off to his room trembling and vexed.

The room in which young Robinson lived in New York faced Washington Square and was long and narrow like a hallway. It is important to get that fixed in your mind. The story of Enoch is

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