Take What You Can Carry Gian Sardar (classic romance novels .txt) š
- Author: Gian Sardar
Book online Ā«Take What You Can Carry Gian Sardar (classic romance novels .txt) šĀ». Author Gian Sardar
And sheād heard it was better there. Heād told people that. Already, though sheād barely conceived of the idea of going to Kurdistan, it felt like a challenge. Both to know him and to knock herself off the safe ledge from which she viewed the world. Because while others made a difference, she sat at a desk. Reserved in her risk, her electric bolt of curiosity constantly kept in check by a heavy layer of caution. And going to Iraq would break that. Though even the idea made her nervous, the fact was, she was far more terrified of being scared, of forever being that person who didnāt experience life because of fear.
āTake me,ā she said.
He was surprised, and she saw it flood his faceāsomething she knew was happiness. He wanted to take her. But then it changed. āI didnāt say I was going.ā He paused, drumming his fingers on the letter. āI donāt know if I should.ā
āWhy?ā
āItās hard, facing what youāve left.ā
āBecause you have it so much better than they do?ā
The green clock on the wall ticked. āTo say it like that.ā
āBut thatās it, right?ā
He folded the letter along its original creases. āHaving left anywhere, for any reasonāitās a lot to return. But you donāt want to go. Itās not a vacation.ā
āIt doesnāt need to be a vacation. Itās going home. Itās important. And you said itās not that bad.ā
Though he was calm, she saw it in him, a tightness about to unwind. The flip side of his charm, the other angle of the two-headed snakeāthat passion that drew people in, that kept people glued to their seats, was the same that fueled his words and could make a pleasant dinner party go awry with rants on the Kurdish plightāthough, sheād noticed, not his own. His peoplesā story, but not his.
āNot that bad. Americaās tolerance for what is bad, itās different from ours. Kent Stateāpeople will talk about that for decades. How could the National Guard do that to their own people, they cry. Iraqās government, the Baāathist government, they used napalm on us. Bombs. You name it, they got it and used it on us.ā
He paused, and she saw the anger had already moved into his eyes. Quick, lit like an anonymous fire, present in a matter of seconds. Sheād seen it before. They all had. But because it was usually gin-fueled, their solution was to walk away or help him to bed. But now she stood there. She wouldnāt move. She would listen, and he would take her. She knew.
He continued. āVillages incinerated. Faces of children burned off. Did anyone take to the streets for us? Were there signs, picketing? Did anyone know?ā
āI know.ā
āBecause I told you. Not because you read about it. Here, the Weather Underground, the New World Liberation Frontāthey bomb in protest. Power stations, banks. For impact. For interruption. Not to kill. There, itās to kill. To destroy a people. For genocide.ā
Moments like these, she tried to extract the truth from the tendency he had to constantly find himself upon a stage. Not that she didnāt believe him, but his words often swelled with drink, and an audience riveted with joy or fear was what he craved. Already there was a ring of wet on the kitchen table from his gin and tonicās base.
āThe fighting,ā he said. āThere are clashes still.ā
āBut where your family is?ā Because heād made it seem that they were fine. And again she saw the fact that though his stories were often passionate or angry or despondent, very few were ever personal, as if he could tread upon a territory only just outside his own. And if it was indeed dangerous where his family lived, that, too, would be something crucial heād held back.
āTheyāre fine,ā he said at last. āBut only years ago, we were at war. You feel that still.ā
āBut if itās safe, I could meet your family. I could see where youāre from. What if this is it? The best chance we get? The best chance you get?ā
He watched her, and she saw it once moreāhe wanted to go, and he wanted to go with her. Then he shrugged and sat back in the chair, and in his eyes she saw the beginning.
And now sheās on a plane sheās realized is making an emergency landing, and understanding that the calm she saw on the faces around her had really been acceptance, and that for people who grew up where she was going, a flock of pigeons was not often the cause of trouble. Prayer beads have begun to slip through hands.
āAnother five things,ā she says as the plane makes a sudden dip.
āMulberry trees. Sweet like wine right on the branch. Caves with Neanderthal bones and fields with huge chunks of white marble. And waterfalls. Springs that go right through housesāā
āWhat? Why would you love that?ā
āWho doesnāt love running water? And the people. This is the best part. Generous. Friendly, like nothing you have known. The hardest thing is saying no, because they will invite you into their houses and feed you even if youāve never met them, even if they donāt have food for themselves.ā
Despite her rising panic, she smiles. One part of his personality explained.
āNow, tell me about Washington,ā he says.
āI canāt. You go again.ā
āJust five things you love.ā
āNo. Iāll cry.ā
Turning to face her, his eyes flicker to the window. The ground feels closer. She wonders what heās seeing but wonāt look.
āKnock-knock,ā he says.
At this moment, a knock-knock joke. She laughs, a strange laugh of release and incredulity and fear. āWhoās there?ā
āControl freak. Now you say, āControl freak who?āā A pause. āDid you get it? The control freak is telling you what to ask next. You got it?ā A jump as the plane lifts before a sharp descent. āDonāt worry. I wonāt let anything happen to you.ā
āYouāll catch the plane? The Kurdish Superman?ā
āNothing will
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