Jacob’s Room Virginia Woolf (best romance books of all time .txt) 📖

Street and Fetter Lane and Bedford Square it stirs (since it is summertime and the height of the season), plane trees spangled with electric light, and curtains still preserving the room from the dawn. People still murmur over the last word said on the staircase, or strain, all through their dreams, for the voice of the alarm clock. So when the wind roams through a forest innumerable twigs stir; hives are brushed; insects sway on grass blades; the spider runs rapidly up a crease in the bark; and the whole air is tremulous with breathing; elastic with filaments.

Only here⁠—in Lombard Street and Fetter Lane and Bedford Square⁠—each insect carries a globe of the world in his head, and the webs of the forest are schemes evolved for the smooth conduct of business; and honey is treasure of one sort and another; and the stir in the air is the indescribable agitation of life.

But colour returns; runs up the stalks of the grass; blows out into tulips and crocuses; solidly stripes the tree trunks; and fills the gauze of the air and the grasses and pools.

The Bank of England emerges; and the Monument with its bristling head of golden hair; the dray horses crossing London Bridge show grey and strawberry and iron-coloured. There is a whir of wings as the suburban trains rush into the terminus. And the light mounts over the faces of all the tall blind houses, slides through a chink and paints the lustrous bellying crimson curtains; the green wineglasses; the coffee-cups; and the chairs standing askew.

Sunlight strikes in upon shaving-glasses; and gleaming brass cans; upon all the jolly trappings of the day; the bright, inquisitive, armoured, resplendent, summer’s day, which has long since vanquished chaos; which has dried the melancholy medieval mists; drained the swamp and stood glass and stone upon it; and equipped our brains and bodies with such an armoury of weapons that merely to see the flash and thrust of limbs engaged in the conduct of daily life is better than the old pageant of armies drawn out in battle array upon the plain.

XIII

“The Height of the season,” said Bonamy.

The sun had already blistered the paint on the backs of the green chairs in Hyde Park; peeled the bark off the plane trees; and turned the earth to powder and to smooth yellow pebbles. Hyde Park was circled, incessantly, by turning wheels.

“The height of the season,” said Bonamy sarcastically.

He was sarcastic because of Clara Durrant; because Jacob had come back from Greece very brown and lean, with his pockets full of Greek notes, which he pulled out when the chair man came for pence; because Jacob was silent.

“He has not said a word to show that he is glad to see me,” thought Bonamy bitterly.

The motor cars passed incessantly over the bridge of the Serpentine; the upper classes walked upright, or bent themselves gracefully over the palings; the lower classes lay with their knees cocked up, flat on their backs; the sheep grazed on pointed wooden legs; small children ran down the sloping grass, stretched their arms, and fell.

“Very urbane,” Jacob brought out.

“Urbane” on the lips of Jacob had mysteriously all the shapeliness of a character which Bonamy thought daily more sublime, devastating, terrific than ever, though he was still, and perhaps would be forever, barbaric, obscure.

What superlatives! What adjectives! How acquit Bonamy of sentimentality of the grossest sort; of being tossed like a cork on the waves; of having no steady insight into character; of being unsupported by reason, and of drawing no comfort whatever from the works of the classics?

“The height of civilization,” said Jacob.

He was fond of using Latin words.

Magnanimity, virtue⁠—such words when Jacob used them in talk with Bonamy meant that he took control of the situation; that Bonamy would play round him like an affectionate spaniel; and that (as likely as not) they would end by rolling on the floor.

“And Greece?” said Bonamy. “The Parthenon and all that?”

“There’s none of this European mysticism,” said Jacob.

“It’s the atmosphere. I suppose,” said Bonamy. “And you went to Constantinople?”

“Yes,” said Jacob.

Bonamy paused, moved a pebble; then darted in with the rapidity and certainty of a lizard’s tongue.

“You are in love!” he exclaimed.

Jacob blushed.

The sharpest of knives never cut so deep.

As for responding, or taking the least account of it, Jacob stared straight ahead of him, fixed, monolithic⁠—oh, very beautiful!⁠—like a British Admiral, exclaimed Bonamy in a rage, rising from his seat and walking off; waiting for some sound; none came; too proud to look back; walking quicker and quicker until he found himself gazing into motor cars and cursing women. Where was the pretty woman’s face? Clara’s⁠—Fanny’s⁠—Florinda’s? Who was the pretty little creature?

Not Clara Durrant.

The Aberdeen terrier must be exercised, and as Mr. Bowley was going that very moment⁠—would like nothing better than a walk⁠—they went together, Clara and kind little Bowley⁠—Bowley who had rooms in the Albany, Bowley who wrote letters to the Times in a jocular vein about foreign hotels and the Aurora Borealis⁠—Bowley who liked young people and walked down Piccadilly with his right arm resting on the boss of his back.

“Little demon!” cried Clara, and attached Troy to his chain.

Bowley anticipated⁠—hoped for⁠—a confidence. Devoted to her mother, Clara sometimes felt her a little, well, her mother was so sure of herself that she could not understand other people being⁠—being⁠—“as ludicrous as I am,” Clara jerked out (the dog tugging her forwards). And Bowley thought she looked like a huntress and turned over in his mind which it should be⁠—some pale virgin with a slip of the moon in her hair, which was a flight for Bowley.

The colour was in her cheeks. To have spoken outright about her mother⁠—still, it was only to Mr. Bowley, who loved her, as everybody must; but to speak was unnatural to her, yet it was awful to feel, as she had done all day, that she must tell someone.

“Wait till we cross the road,” she said to the