The Devil May Dance Tapper, Jake (classic books for 7th graders txt) đ
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âWhat was it that Lord Beaverbrook said about haggling over the price?â Margaret asked. Charlie knew the answer but didnât respond.
Several martinis later, Margaret was deep in conversation with Janet Leigh at a two-top. It was that time of the nightâor, technically, the morningâwhen parties take on lives of their own and libations explain almost any detour.
Their conversation had started innocently enough with Margaret reintroducing herself to Leigh at the sinks in the ladiesâ room.
âItâs probably a clichĂ© at this point for someone to tell you she hasnât taken a shower without fear since seeing Psycho,â Margaret said as she reapplied her lipstick in the mirror to a knowing chuckle from Leigh, âbut I have to wonder if it was traumatic for you too.â
âAre you kidding? I almost stopped taking showers,â Leigh said, dabbing her nose with a powder puff. âAnd Iâm always facing the door, watching, no matter where the showerhead is.â
Margaret laughed. âYou have no idea how much better that makes me feel.â
Leigh reached over and gently caressed Margaretâs cheek as a sister might. The two closed their purses, wandered to the bar, then found a table, drinks in hand. The shower scene, Leigh confided, was the most difficult shoot of her life; though it lasted just forty-five seconds in the movie, it was composed of fifty-two cuts requiring seventy-eight camera setups. It took more than seven days to film, Leigh said. The shower water was ice cold, the blood was Hersheyâs chocolate sauce, the sound effects came from a knife plunging into a casaba melon, and a body double was used for every shot in which the audience didnât see her face.
âMarli Renfro was her name,â Leigh said. âA stripper from Dallas. One of the first Playboy cover girls! Sheâs shooting some dreck right now, a soft-core comedy, the only gig she could get.â She tsked knowingly and took a sip of her cosmopolitan.
âWell, at least sheâs safe from these octopuses,â Margaret said. âOctopi,â she corrected herself.
Leigh laughed. âTheyâre a handsy bunch, arenât they,â she said. âAs soon as they found out Tony was leaving me for that teenager, every one of them stepped right on up for a piece.â
It hadnât hit the papers yet, but Leighâs husband, actor Tony Curtis, had filed for divorce and was leaving her for Christine Kaufmann, his seventeen-year-old costar in the film Taras Bulba.
âFrank was first in line, of course,â Leigh continued. âTony had me served right before we shot the train scene on Manchurian and the attempts to âconsoleâ me began shortly thereafter.â She smiled modestly. âBut Iâve heard far too many horror stories.â
âWhat do you mean?â
Leigh looked around the room. Charlie and Lawford were deep in conversation, as were Giancana and Judy, but most of the remaining crowd was gathered around the main table where Sinatra, Frankenheimer, and others regaled the guests with uproarious tales.
âDonât get me wrong, Frank is a real charmer,â Leigh said. âHeâs just also kind of, well, unstable.â
âHe has moods,â Margaret agreed.
âSammy even gave those dark moods a nicknameââStormy Weather.ââ Leigh chuckled. âBut Iâm talking about real problems. He tried to kill himself a couple times after breakups with Ava. And I donât mean like threatening to do it or taking two extra aspirin or any of that bullshit Hollywood drama. I mean gun in hand, Ava trying to wrestle it away, bullet goes through the door. Scary stuff.â
Leigh reached into her purse and withdrew a pack of cigarettes and a gold lighter. She offered a smoke to Margaret, who accepted, feeling wild.
âI donât know much aboutâŠcelebritiesâ personal lives,â Margaret said not particularly truthfully, searching for a more respectful term than gossip.
âYou donât?â Leigh asked. âWell, I wish more people were like you. Itâs bad enough Tonyâs shtupping a teenager, but soon enough the whole worldâs going to find out.â She downed her cosmo and motioned for another. âWorst thing is, Charlotte Goode tried to warn me and I dismissed her.â
âYou know Charlotte?â Margaret asked.
âEveryone knows Charlotteâand she knows everything,â Leigh said. âThank God she prints only a fraction of it.â
âReally?â Margaret asked. âWhy does she hold back?â
âI donât know,â Leigh said. âSheâs barely touched anything relating to Frank. She wrote about how horrible Ava was to him, thoughâjust awful. Really cruel. But she didnât print anything about the abortions Ava got that broke Frankâs heart. Or his suicide attempts.â
âHow do you know Charlotte even knew about them?â Margaret asked.
âSweetie, Charlotte told me herself,â Leigh said. She sighed and looked at the main table. âAnd now Frank is getting his revenge on our whole gender. Poor Juliet better watch out or sheâll end up just like Betty.â
Margaret knew âBettyâ was the actress Lauren Bacall, the widow of Sinatraâs idol Humphrey Bogart. But that was where her understanding ended.
Someone in the dining room turned up the volume of the background music, blasting Joey Dee and the Starliters singing âPeppermint Twistâ: In a night like this, a peppermint twist. Round and round, up and downâŠ
âIâm afraid I donât know what Frank did to Betty,â Margaret said.
Leigh looked around to make sure no one was listening. âFrank idolized Bogie, you know. Worshipped him. Him and Bogie and Bacall and Judy Garlandâthey were the original Rat Pack, the real Rat Pack. This is all just nonsense.â Her expression turned sour and she waved her hand toward the main table and then around the room, as if everything at Toots Shorâs that night was a joke.
âSo Bogie got cancer and died inâŠwhen was it?â Leigh continued. âIn â57, I think. And then Frank started dating Betty. It got seriousâquick. He proposed. But he wanted it to be a secret. Bogie had died only like a year before. One day she went out to see a picture with SwiftyâLazar, you know, the agentâand a reporter was there and asked about the engagement and she told the truth. She admitted it. I mean, why not, right? So it was going to
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