The Cutthroat Clive Cussler (summer books txt) đ
- Author: Clive Cussler
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âWe were going great guns,â moaned Jeff. âThe show was making money hand over fist.â
âIt also spends money hand over fist, which was fine as long as we filled the theaters. Now that weâre playing to some empty seats . . .â
âIf Mother catches wind of this,â said Jeff Deaver.
âDonât say it,â said Joe Deaver.
While the theatrical angels appeared fabulously wealthy to working actors and three-dollar-a-day stagehands, they actually existed on an allowance. It was generous enough to live large, but under the authority of Grandfatherâs will, which compelled them to take the Deaver family name instead of their fatherâs, their mother held the purse strings. Since Mother blamed the theater for the showgirls who had seduced Father repeatedly, she would never release the next yearâs allowance if she learned that they had lost this yearâs investing in Dr. Jekyll and Mr. Hyde.
âI will slit that damned reporterâs throat and shove his leg through it,â said Jeff.
Joe had no doubt that Jeff would kill the reporter if opportunity arose, or he might even create the opportunity. âDonât,â he said. âEven Mother would catch wind of that newspaper report.â
Mother was holed up in the familyâs Lower Merion Main Line estate. The only visitors to her fifty rooms and two hundred acresâwhich Joe and Jeff dreamed of one day inheriting to subdivideâwere her bankers and her priest.
âWhatâs this about Treasure Island? We donât have any money for another play.â
âWhich is why,â Joe explained patiently, âwe will maneuver Mr. Isaac Bell into buying into our investment in Jekyll and Hyde. If these murdered girls sink us, weâll at least get some of our money out.â
âBut why would Bell invest in Jekyll and Hyde when the papers are full of murdered girls?â
Joe Deaver said, âPartly to involve Barrett & Buchanan in his pipe dreams for Treasure Island and partly to secure employment in Dr. Jekyll and Mr. Hyde for a friend.â
Jeff Deaver grinned. At last, a motive he could understand. âSounds like the insurance man fell for an actress.â
âHelen,â said Joe. âAn attractive brunette who knows how to wear a gown. Bell claims she was a scholarship girl at Bryn Mawr who got taken under the wing of one of his investors.â
âA likely story.â
Joe shook his head emphatically. âBell is as straitlaced as youâd expect of an insurance man. And Iâm sorry to say Helen doesnât come across as your average chorus girl on the make.â
âWhat part does she want?â
âMr. Bell believes she should replace Barbara.â
âBarbara? No! Barbara makes a crackerjacks job of it. How do we know Bellâs friend is up to doing âgeneral businesswomanâ?â
Joe was running out of patience. He answered sharply.
âYour Barbara is paid twenty bucks a week to dust Jekyllâs library in one scene; speak the line âMr. Hyde hasnât come home yet, Dr. Jekyllâ in another; and get strangled any evening one of the regulars catches a cold. If Isaac Bell will cover half of our investment, I guarantee his friend Helen will be up to it.â
A Baltimore & Ohio fast freight from Pittsburgh slowed to enter the Cincinnati yards. A hobo dropped from a boxcar. A railroad detective ran after him with a billy club.
âCome here, you!â
Harry Warren did as he was told. His clothes were grimy, his hands and face smeared with coal soot, but a cop with a sharper eye might have noticed that he was fitter, stronger, and better fed than most who rode the rails.
âWhere you think youâre going?â
âHoping for Frisco.â
âYou got yourself a long walk. And a busted head for stealing rides.â The yard bull whipped his billy skyward. âTell your friends Cincinnati is off-limits.â
âDo you really want to try that?â
Warrenâs tone was almost conversational. He waited for the yard bull to reconsider, but the man swung at him anyway. Seasoned hickory whistled. Parting the air that Harry Warrenâs skull had occupied an instant earlier, the brutal blow ended up as a wild swing angled across the rail copâs torso. When it smacked the gravel by his left foot, he was off balance, with his right side exposed.
Four inches of lead pipe had materialized in Harry Warrenâs hand. He gauged his opportunity and applied the pipe to the yard bullâs skull well above his vulnerable temple with a force precisely calculated to flatten him facedown, head ringing, and legs too shaky to try to stand for several minutes.
âWhich wayâs the Lyric Theatre?â
âHuh?â
âThe Lyric. Where they show Alias Jimmy Valentine. Itâs about a detective trying to mistreat an innocent safecracker.â
An angry thumb gestured a route into the freight district.
Having ensured that he would be remembered as a tough who rode the rails if someone asked questions later, Harry Warren made a quick tour of streets clogged to a standstill by horse- and mule-drawn wagons, exasperated teamsters, and motor trucks belching blue exhaust. He breakfasted on sausages in saloons and washed them down with German beer. He met some local hard cases, and passed a pint of whiskey to a city cop; you never knew whoâd come in handy later.
Quickly absorbing the nature of the cityâskilled craftsmen packing saloons midday, their women working low-paying jobs in the factoriesâhe worked his way to the section where they showed movies, vaudeville, and plays.
The Clark Theatreâs electrics ballyhooed
DR. JEKYLL and MR. HYDE
Direct from BROADWAY
JACKSON BARRETT & JOHN BUCHANAN
Present
The Height of Mechanical Realism
Two Sensational Scenic Effects
Posters out front showed a red airplane and a speeding subway.
Warren headed next door to the Lyric.
ALIAS JIMMY VALENTINE
Direct from NEW YORK
âTop O. Henry Short Story Topped Onstageâ
âVARIETY
âNate Stewartâs expecting me,â he told the old guy at the stage door and gave a name trusted by the wrong element in Hellâs Kitchen. âTell him Quinnâs here.â
The head carpenter had received a
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