Whisper Down the Lane Clay Chapman (i read a book txt) đ
- Author: Clay Chapman
Book online «Whisper Down the Lane Clay Chapman (i read a book txt) đ». Author Clay Chapman
The door to my classroom is open.
I notice the glow first. The slightest flicker of firelight in the otherwise dark room.
Someone broke into my classroom. My room. I feel the sting of it, the very violation of this intrusion. I should turn on the lights. There are no windows in my room since itâs located in the middle of the building. With the lights off itâs truly pitch-black. But something tells me not to hit the switch. I want to see whatâs laid out before me. Take it all in the way itâs meant to be.
By candlelight.
The desks have been rearranged into a circle. A ring of red and black votive candles are positioned on the desktops, drawing me in but not quite illuminating the center of the circle.
I step inside, even though I know I shouldnât. I shouldnât be entering this space.
Run, Sean says. RUN.
But I canât. I canât turn back. Not now. Not ever. Someone has done this for me and me alone. They want me to see this.
To bear witness.
The flames flicker when I step in, my very presence in the room disturbing the air. My eyes roam, adjusting to the darkness, seeing what I couldnât before. All the pictures on the walls, all my studentsâ drawings, have been defiled, each one crossed out with frenzied Xs. Pictures of families slashed in magic marker. Ceramic pinch pots shattered. Our papier-mĂąchĂ© projects have been torn open and thrown to the floor. But the center of the room is clear. Clean.
I want to be clean.
There are markings on the floor. Even before I can see it completely, I know what it is.
A pentagram.
Just like the opening scene from the movie. Like the ritual I described to Kinderman. To all those adults who lapped up my story like so much spilled milk.
I feel eyes on me. The shadows in the room shift. Something is moving. Behind me. Over my shoulders. In the corners. Something hiding inside the dark. I turn and see them. All of them.
Dolls. A ring of puppets stripped of clothing. Theyâre the same kind of anatomically correct puppets youâd find in a therapistâs office. Point to where the bad man touched youâŠThere have to be dozens of them, too many to count, all of them left in various sexual positions around the room. A fucking orgy in the toy shop. I can almost hear them moaningâno, singing.
I walk toward the pentagram.
This is for me.
All for me.
Thatâs when I see it. A severed hand. Perched upright, palm facing the entrance. Facing me. The fingers are so small. Even from a safe distance, I can tell itâs a childâs.
The gray boy. Heâs come back for me.
His fingernails shine like the sun, the tips on fire, burning toward heaven.
Waving at me.
Hungry, Sean? Take. Eat. For this is my bodyâŠ
Someone shrieks behind me, pulling me out of my reverie. Miss Gordon screams in the doorway.
DAMNED IF YOU DO
âSEAN: 1983
âIf youâre just now tuning in, youâre watching Satanâs Playground: Devil Worship in America,â Manuel Cassavetes soberly intoned, speaking directly to the camera. âIâd like to encourage parents to please make sure your children are not watching this unsupervised.â
The glare of the studio lights was too bright for Sean. He couldnât help but wince and squirm in his seat. His hair clung to his sweaty brow. His suit was itchy. His collar only grew tighter at his neck, his tie constricting around his throat.
âWhat you are about to hear is shocking,â Mr. Cassavetes continued. âIt is heinous. But above all elseâŠit is very, very real.â
Sean kept his attention on his host.
âThough we may never know what the exact number is,â he said with scripted precision, âas of this live broadcast, it is estimated that there are over a million practicing Satanists in the United States. One million. The mind can only reel at such a staggering figure.â
A woman from the studio audience gasped, using her hand to fan herself with Pentecostal furor. She reminded Sean of Miss Betty. How long had it been since heâd seen her?
This felt more like church services to Sean. Mr. Cassavetes preached his own televised form of fire and brimstone. The producers populated their pews with a motley assortment of audience membersâchurchgoers, self-professed devil worshippers, heavy-metal fans, and schoolmarms. A few waved homemade signs.
keep satan away from our babies.
mcdonalds donates 2 the devil! ray kroc gives 20% to satan.
the devil doesnât belong in our schools.
From where Sean sat, they were a shapeless mass of silhouettes. He hardly understood why he was here. He only knew that grown-ups had become very interested in his story.
âThese devil worshippers are a highly organized, well-funded operation wholly unknown to those around them,â Cassavetes said. âThey can be members of your church, your school, your own family. They can be the parents of your childrenâs classmates, politicians, or even police officers. The people we trust with our safety, our lives. TheyâŠareâŠeverywhere.â
The moment the man with the headset announced they were taking a commercial break, Mr. Cassavetes seemed like a completely different person. His body relaxed. All that fury faded.
He was nothing but smiles now.
âOn fire tonight,â he said to no one in particular as a cluster of fussy assistants swarmed around him, powdering his temples and touching up his subtle eye shadow. His unnaturally tan skin seemed incapable of perspiring. One assistant took a small, fine-toothed comb and groomed his mustache. That mustacheâfull-bodied, perfectly coiffedâwas clearly Mr. Cassavetesâs most distinguishing feature, Sean thought.
âBetter pace yourself,â the man with the headset said. âEighty-four minutes to go.â
âYou ainât seen nothing yetâŠâ
Mr. Cassavetes glanced over at Sean as his team continued to primp. When they made eye contact, Mr. Cassavetes gave Sean a wink. Just a little something between the two of them.
Donât worry, kid, that glint in Mr. Cassavetesâs eye said. We got thisâŠ
Sean and his mother had originally been in the live studio audience in the front row. At one point during the
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