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him practically a new person⁠—and committed, especially, in his own house, which somehow made his sense of it a deeper thing⁠—he took an interest in seeing how far the connection could carry him, could perhaps even lead him, and in thus putting to the test, for pleasant verification, what Fanny Assingham had said, at the last, about the difference such a girl could make. She was really making one now, in their simplified existence, and a very considerable one, though there was no one to compare her with, as there had been, so usefully, for Fanny⁠—no Mrs. Rance, no Kitty, no Dotty Lutch, to help her to be felt, according to Fanny’s diagnosis, as real. She was real, decidedly, from other causes, and Mr. Verver grew in time even a little amused at the amount of machinery Mrs. Assingham had seemed to see needed for pointing it. She was directly and immediately real, real on a pleasantly reduced and intimate scale, and at no moments more so than during those⁠—at which we have just glanced⁠—when Mrs. Noble made them both together feel that she, she alone, in the absence of the queen-mother, was regent of the realm and governess of the heir. Treated on such occasions as at best a pair of dangling and merely nominal court-functionaries, picturesque hereditary triflers entitled to the petites entrĂ©es but quite external to the State, which began and ended with the Nursery, they could only retire, in quickened sociability, to what was left them of the Palace, there to digest their gilded insignificance and cultivate, in regard to the true Executive, such snuff-taking ironies as might belong to rococo chamberlains moving among china lapdogs.

Every evening, after dinner, Charlotte Stant played to him; seated at the piano and requiring no music, she went through his “favourite things”⁠—and he had many favourites⁠—with a facility that never failed, or that failed but just enough to pick itself up at a touch from his fitful voice. She could play anything, she could play everything⁠—always shockingly, she of course insisted, but always, by his own vague measure, very much as if she might, slim, sinuous and strong, and with practised passion, have been playing lawn-tennis or endlessly and rhythmically waltzing. His love of music, unlike his other loves, owned to vaguenesses, but while, on his comparatively shaded sofa, and smoking, smoking, always smoking, in the great Fawns drawing-room as everywhere, the cigars of his youth, rank with associations⁠—while, I say, he so listened to Charlotte’s piano, where the score was ever absent but, between the lighted candles, the picture distinct, the vagueness spread itself about him like some boundless carpet, a surface delightfully soft to the pressure of his interest. It was a manner of passing the time that rather replaced conversation, but the air, at the end, none the less, before they separated, had a way of seeming full of the echoes of talk. They separated, in the hushed house, not quite easily, yet not quite awkwardly either, with tapers that twinkled in the large dark spaces, and for the most part so late that the last solemn servant had been dismissed for the night.

Late as it was on a particular evening toward the end of October, there had been a full word or two dropped into the still-stirring sea of other voices⁠—a word or two that affected our friend even at the moment, and rather oddly, as louder and rounder than any previous sound; and then he had lingered, under pretext of an opened window to be made secure, after taking leave of his companion in the hall and watching her glimmer away up the staircase. He had for himself another impulse than to go to bed; picking up a hat in the hall, slipping his arms into a sleeveless cape and lighting still another cigar, he turned out upon the terrace through one of the long drawing-room windows and moved to and fro there for an hour beneath the sharp autumn stars. It was where he had walked in the afternoon sun with Fanny Assingham, and the sense of that other hour, the sense of the suggestive woman herself, was before him again as, in spite of all the previous degustation we have hinted at, it had not yet been. He thought, in a loose, an almost agitated order, of many things; the power that was in them to agitate having been part of his conviction that he should not soon sleep. He truly felt for a while that he should never sleep again till something had come to him; some light, some idea, some mere happy word perhaps, that he had begun to want, but had been till now, and especially the last day or two, vainly groping for. “Can you really then come if we start early?”⁠—that was practically all he had said to the girl as she took up her bedroom light. And “Why in the world not, when I’ve nothing else to do, and should, besides, so immensely like it?”⁠—this had as definitely been, on her side, the limit of the little scene. There had in fact been nothing to call a scene, even of the littlest, at all⁠—though he perhaps didn’t quite know why something like the menace of one hadn’t proceeded from her stopping halfway upstairs to turn and say, as she looked down on him, that she promised to content herself, for their journey, with a toothbrush and a sponge. There hovered about him, at all events, while he walked, appearances already familiar, as well as two or three that were new, and not the least vivid of the former connected itself with that sense of being treated with consideration which had become for him, as we have noted, one of the minor yet so far as there were any such, quite one of the compensatory, incidents of being a father-in-law. It had struck him, up to now, that this particular balm was a mixture of which Amerigo, as through some

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