An American Tragedy Theodore Dreiser (whitelam books .TXT) 📖

was inclined to be very genial and friendly. She snuggled down beside him on the seat, and when he, noting that the others had already drawn their girls to them in affectionate embraces, put his arm about her and drew her to him, she made no particular protest. Instead she looked up and said: “I’ll have to take my hat off, I guess.” The others laughed. There was something about her quick, crisp way which was amusing at times. Besides she had done her hair in a new way which made her look decidedly prettier, and she was anxious to have the others see it.

“Can we dance anywhere out here?” she called to the others, without looking around.

“Surest thing you know,” said Higby, who by now had persuaded Tina Kogel to take her hat off and was holding her close. “They got a player-piano and a Victrola out there. If I’d ’a’ thought, I’d ’a’ brought my cornet. I can play Dixie on that.”

The car was speeding at breakneck pace over a snowy white road and between white fields. In fact, Sparser, considering himself a master of car manipulation as well as the real owner of it for the moment, was attempting to see how fast he could go on such a road.

Dark vignettes of wood went by to right and left. Fields away, sentinel hills rose and fell like waves. A wide-armed scarecrow fluttering in the wind, its tall decayed hat awry, stood near at hand in one place. And from near it a flock of crows rose and winged direct toward a distant wood lightly penciled against a foreground of snow.

In the front seat sat Sparser, guiding the car beside Laura Sipe with the air of one to whom such a magnificent car was a commonplace thing. He was really more interested in Hortense, yet felt it incumbent on him, for the time being, anyhow, to show some attention to Laura Sipe. And not to be outdone in gallantry by the others, he now put one arm about Laura Sipe while he guided the car with the other, a feat which troubled Clyde, who was still dubious about the wisdom of taking the car at all. They might all be wrecked by such fast driving. Hortense was only interested by the fact that Sparser had obviously manifested his interest in her; that he had to pay some attention to Laura Sipe whether he wanted to or not. And when she saw him pull her to him and asked her grandly if she had done much automobiling about Kansas City, she merely smiled to herself.

But Ratterer, noting the move, nudged Lucille Nickolas, and she in turn nudged Higby, in order to attract his attention to the affectional development ahead.

“Getting comfortable up front there, Willard?” called Ratterer, genially, in order to make friends with him.

“I’ll say I am,” replied Sparser, gayly and without turning. “How about you, girlie?”

“Oh, I’m all right,” Laura Sipe replied.

But Clyde was thinking that of all the girls present none was really so pretty as Hortense⁠—not nearly. She had come garbed in a red and black dress with a very dark red poke bonnet to match. And on her left cheek, just below her small rouged mouth, she had pasted a minute square of black court plaster in imitation of some picture beauty she had seen. In fact, before the outing began, she had been determined to outshine all the others present, and distinctly she was now feeling that she was succeeding. And Clyde, for himself, was agreeing with her.

“You’re the cutest thing here,” whispered Clyde, hugging her fondly.

“Gee, but you can pour on the molasses, kid, when you want to,” she called out loud, and the others laughed. And Clyde flushed slightly.

Beyond Minaville about six miles the car came to a bend in a hollow where there was a country store and here Hegglund, Higby and Ratterer got out to fetch candy, cigarettes and ice cream cones and ginger ale. And after that came Liberty, and then several miles this side of Excelsior Springs, they sighted the Wigwam which was nothing more than an old two-story farmhouse snuggled against a rise of ground behind it. There was, however, adjoining it on one side a newer and larger one-story addition consisting of the dining-room, the dance floor, and concealed by a partition at one end, a bar. An open fire flickered cheerfully here in a large fireplace. Down in a hollow across the road might be seen the Benton River or creek, now frozen solid.

“There’s your river,” called Higby cheerfully as he helped Tina Kogel out of the car, for he was already very much warmed by several drinks he had taken en route. They all paused for a moment to admire the stream, winding away among the trees. “I wanted dis bunch to bring dere skates and go down dere,” sighed Hegglund, “but dey wouldn’t. Well, dat’s all right.”

By then Lucille Nickolas, seeing a flicker of flame reflected in one of the small windows of the inn, called, “Oh, see, they gotta fire.”

The car was parked, and they all trooped into the inn, and at once Higby briskly went over and started the large, noisy, clattery, tinny Nickelodeon with a nickel. And to rival him, and for a prank, Hegglund ran to the Victrola which stood in one corner and put on a record of “The Grizzly Bear,” which he found lying there.

At the first sounds of this strain, which they all knew, Tina Kogel called: “Oh, let’s all dance to that, will you? Can’t you stop that other old thing?” she added.

“Sure, after it runs down,” explained Ratterer, laughingly. “The only way to stop that thing is not to feed it any nickels.”

But now a waiter coming in, Higby began to inquire what everybody wanted. And in the meantime, to show off her charms, Hortense had taken the center of the floor and was attempting to imitate a grizzly bear walking on its hind