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heads are numbered, and the days of our lives. In thunder as in sunshine, I stand at ease in the hands of my God. False negotiator, away! See, the scroll of the storm is rolled back; the house is unharmed; and in the blue heavens I read in the rainbow, that the Deity will not, of purpose, make war on man’s earth.”

“Impious wretch!” foamed the stranger, blackening in the face as the rainbow beamed, “I will publish your infidel notions.”

The scowl grew blacker on his face; the indigo-circles enlarged round his eyes as the storm-rings round the midnight moon. He sprang upon me; his tri-forked thing at my heart.

I seized it; I snapped it; I dashed it; I trod it; and dragging the dark lightning-king out of my door, flung his elbowed, copper sceptre after him.

But spite of my treatment, and spite of my dissuasive talk of him to my neighbors, the Lightning-rod man still dwells in the land; still travels in storm-time, and drives a brave trade with the fears of man.

The Fiddler

So my poem is damned, and immortal fame is not for me! I am nobody forever and ever. Intolerable fate!

Snatching my hat, I dashed down the criticism and rushed out into Broadway, where enthusiastic throngs were crowding to a circus in a side-street near by, very recently started, and famous for a capital clown.

Presently my old friend Standard rather boisterously accosted me.

“Well met, Helmstone, my boy! Ah! what’s the matter? Haven’t been committing murder? Ain’t flying justice? You look wild!”

“You have seen it, then!” said I, of course referring to the criticism.

“Oh, yes; I was there at the morning performance. Great clown, I assure you. But here comes Hautboy. Hautboy⁠—Helmstone.”

Without having time or inclination to resent so mortifying a mistake, I was instantly soothed as I gazed on the face of the new acquaintance so unceremoniously introduced. His person was short and full, with a juvenile, animated cast to it. His complexion rurally ruddy; his eye sincere, cheery, and gray. His hair alone betrayed that he was not an overgrown boy. From his hair I set him down as forty or more.

“Come, Standard,” he gleefully cried to my friend, “are you not going to the circus? The clown is inimitable, they say. Come, Mr. Helmstone, too⁠—come both; and circus over, we’ll take a nice stew and punch at Taylor’s.”

The sterling content, good-humor, and extraordinary ruddy, sincere expression of this most singular new acquaintance acted upon me like magic. It seemed mere loyalty to human nature to accept an invitation from so unmistakably kind and honest a heart.

During the circus performance I kept my eye more on Hautboy than on the celebrated clown. Hautboy was the sight for me. Such genuine enjoyment as his struck me to the soul with a sense of the reality of the thing called happiness. The jokes of the clown he seemed to roll under his tongue as ripe magnum-bonums. Now the foot, now the hand, was employed to attest his grateful applause. At any hit more than ordinary, he turned upon Standard and me to see if his rare pleasure was shared. In a man of forty I saw a boy of twelve; and this too without the slightest abatement of my respect. Because all was so honest and natural, every expression and attitude so graceful with genuine good-nature, that the marvelous juvenility of Hautboy assumed a sort of divine and immortal air, like that of some forever youthful god of Greece.

But much as I gazed upon Hautboy, and much as I admired his air, yet that desperate mood in which I had first rushed from the house had not so entirely departed as not to molest me with momentary returns. But from these relapses I would rouse myself, and swiftly glance round the broad amphitheatre of eagerly interested and all-applauding human faces. Hark! claps, thumps, deafening huzzas; the vast assembly seemed frantic with acclamation; and what, mused I, has caused all this? Why, the clown only comically grinned with one of his extra grins.

Then I repeated in my mind that sublime passage in my poem, in which Cleothemes the Argive vindicates the justice of the war. Ay, ay, thought I to myself, did I now leap into the ring there, and repeat that identical passage, nay, enact the whole tragic poem before them, would they applaud the poet as they applaud the clown? No! They would hoot me, and call me doting or mad. Then what does this prove? Your infatuation or their insensibility? Perhaps both; but indubitably the first. But why wail? Do you seek admiration from the admirers of a buffoon? Call to mind the saying of the Athenian, who, when the people vociferously applauded in the forum, asked his friend in a whisper, what foolish thing had he said?

Again my eye swept the circus, and fell on the ruddy radiance of the countenance of Hautboy. But its clear honest cheeriness disdained my disdain. My intolerant pride was rebuked. And yet Hautboy dreamed not what magic reproof to a soul like mine sat on his laughing brow. At the very instant I felt the dart of the censure, his eye twinkled, his hand waved, his voice was lifted in jubilant delight at another joke of the inexhaustible clown.

Circus over, we went to Taylor’s. Among crowds of others, we sat down to our stews and punches at one of the small marble tables. Hautboy sat opposite to me. Though greatly subdued from its former hilarity, his face still shone with gladness. But added to this was a quality not so prominent before; a certain serene expression of leisurely, deep good sense. Good sense and good humor in him joined hands. As the conversation proceeded between the brisk Standard and him⁠—for I said little or nothing⁠—I was more and more struck with the excellent judgment he evinced. In most of his remarks upon a variety of topics Hautboy seemed intuitively to hit the exact line between enthusiasm

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