The Autobiography of Mark Twain Mark Twain (best beach reads .TXT) 📖
- Author: Mark Twain
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The interior of this barrack is so chopped up and systemless that one cannot deal in exact numbers when trying to put its choppings-up into statistics.
In the basement or cellar there are as follows:
Stalls and boxes for many horses—right under the principal bedchamber. The horses noisily dance to the solicitations of the multitudinous flies all night.
Feed stores.
Carriage house.
Acetylene-gas plant.
A vast kitchen. Put out of use years ago.
Another kitchen.
Coal rooms.
Coke rooms.
Peat rooms.
Wood rooms.
3 furnaces.
Wine rooms.
Various storerooms for all sorts of domestic supplies.
Lot of vacant and unclassified rooms.
Labyrinth of corridors and passages, affording the stranger an absolute certainty of getting lost.
A vast cesspool! It is cleaned out every thirty years.
Couple of dark stairways leading up to the ground floor.
About twenty divisions, as I count them.
This cellar seems to be of the full dimension of the house’s foundation—say two hundred feet by sixty.
The ground floor, where I am dictating—is cut up into twenty-three rooms, halls, corridors, and so forth. The next floor above contains eighteen divisions of the like sort, one of which is the billiard room and another the great drawing-room.
The top story consists of twenty bedrooms and a furnace. Large rooms they necessarily are, for they are arranged ten on a side, and they occupy that whole space of two hundred feet long by sixty wide, except that there is a liberal passage, or hallway, between them. There are good fireplaces up there, and they would make charming bedchambers if handsomely and comfortably furnished and decorated. But there would need to be a lift—not a European lift, with its mere stand-up space and its imperceptible movement, but a roomy and swift American one.
These rooms are reached now by the same process by which they were reached in Cosimo’s time—by leg power. Their brick floors are bare and unpainted, their walls are bare and painted the favorite European color, which is now and always has been an odious stomach-turning yellow. It is said that these rooms were intended for servants only and that they were meant to accommodate two or three servants apiece. It seems certain that they have not been occupied by any but servants in the last fifty or one hundred years, otherwise they would exhibit some remains of decoration.
If, then, they have always been for the use of servants only, where did Cosimo and his family sleep? Where did the King of Würtemberg bestow his dear ones? For below that floor there are not any more than three good bedchambers and five devilish ones. With eighty cut-ups in the house and with but four persons in my family, this large fact is provable: that we can’t invite a friend to come and stay a few days with us, because there is not a bedroom unoccupied by ourselves that we could offer him without apologies. In fact, we have no friend whom we love so little and respect so moderately as to be willing to stuff him into one of those vacant cells.
Yes—where did the vanished aristocracy sleep? I mean the real aristocracy, not the American successor who required no room to speak of. To go on with my details: this little room where I am dictating these informations on this eighth day of January, 1904, is on the east side of the house. It is level with the ground and one may step from its nine- or ten-feet-high vast door into the terrace garden, which is a great, square, level space surrounded by an ornamental iron railing with vases of flowers distributed here and there along its top. It is a pretty terrace with abundant green grass, with handsome trees, with a great fountain in the middle, and with roses of various tints nodding in the balmy air and flashing back the rays of the January sun. Beyond the railing to the eastward stretches the private park, and through its trees curves the road to the far-off iron gate on the public road, where there is neither porter nor porter’s lodge nor any way to communicate with the mansion. Yet from time immemorial the Italian villa has been a fortress hermetically sealed up in high walls of masonry and with entrance guarded by locked iron gates. The gates of Italy have always been locked at nightfall and kept locked the night through. No Italian trusted his contadini neighbors in the old times, and his successor does not trust them now. There are bells and porters for the convenience of outsiders desiring to get in at other villas, but it is not the case with this one, and apparently never has been. Surely it must have happened now and then that these kings and nobilities got caught out after the gates were locked. Then how did they get in? We shall never know. The question cannot be answered. It must take its place with the other unsolved mystery of where the aristocracies slept during those centuries when they occupied this fortress.
To return to that glass door. Outside it are exceedingly heavy and coarse Venetian shutters, a fairly good defense against a catapult.
These, like the leaves of the glass door, swing open in the French fashion, and I will remark in passing that to my mind the French window is as rational and convenient as the English-American window is the reverse of this. Inside the glass door (three or four inches inside of it) are solid doors made of boards, good and strong and ugly. The shutters, the glass door, and these wooden-door defenses against intrusion of light and thieves are all armed with strong and heavy bolts which are shot up and down by the turning of a handle. These house walls being very thick, these doors and shutters and things do not
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