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you? Have I asked you for anything?”

“Well,” said the Post Man, after reflecting a while, “it may be true, but⁠—”

The Apple

A youth held in his hand a round, red, luscious apple.

“Eat,” said the Spirit, “it is the apple of life.”

“I will have none of it,” said the Youth, and threw it far from him. “I will have success. I will have fame, fortune, power and knowledge.”

“Come, then,” said the Spirit.

They went together up steep and rocky paths. The sun scorched, the rain fell upon them, the mountain mists clung about them, and the snow fell in beautiful and treacherous softness, obscuring the way as they climbed. Time swiftly passed and the golden locks of the Youth took on the whiteness of the snow. His form grew bent with the toil of climbing; his hand grew weak and his voice quivering and high.

The Spirit had not changed and upon his face was the inscrutable smile of wisdom.

They stood at last upon the topmost peak. The old man that was the Youth said to the Spirit: “Give me the apple of Success. I have come upon the heights where it grows and it is mine. Be quick, for there is a strange dimness in my sight.”

The Spirit gave him an apple round and red and fair to behold.

The man bit into it and found rottenness and bitter dust.

“What is this?” he asked.

“It was the apple of Life,” said the Spirit. “It is now the apple of Success.”

A Pastel

Above all hangs the dreadful night.

He pleads with her.

His hand is on her arm.

They stand in the cold, solemn night, gazing into a brilliantly lighted room. His face is white and terror-stricken. Hers is willful, defiant, and white with the surging impulse of destiny.

Ten miles away on the Harrisburg road a draggle-tailed rooster crows, but the woman does not falter.

He pleads with her.

She shakes off his hand with a gesture of loathing, and takes a step forward toward the lighted room.

He pleads with her.

Crystal flakes of moonlight quiver on the trees above; star dust flecks the illimitable rim of the Ineligible. The whicheverness of the Absolute reigns preeminent.

Sin is below; peace above.

The whip of the north wind trails a keen lash upon them. Carriages sweep by. Frost creeps upon the stones, lies crustily along parapets, spangles and throws back in arctic scintillation the moon’s challenging rays.

He pleads with her.

At last she turns, conquered.

He has refused to treat to oysters.

A Night Errant

One of the greatest of books is the daily life around us. All that the human mind can conceive; all that the human heart can feel, and the lips tell are encompassed in the little world about us. He that beholds with understanding eyes can see beneath the thin veil of the commonplace, the romance, the tragedy and the broad comedy that is being played upon the world’s stage by the actors great and little who tread the boards of the Theater of the Universe.

Life is neither tragedy nor comedy. It is a mingling of both. High above us omnipotent hands pull the strings that choke our laughter with sobs and cause strange sounds of mirth to break in upon our deepest grief. We are marionettes that dance and cry, scarce at our own wills; and at the end, the flaring lights are out, we are laid to rest in our wooden boxes, and down comes the dark night to cover the scene of our brief triumph.

We elbow heroes on the streets as grand as any the poets have sung; in the faces of obscure women and prosy men a student of his kind can see the imprints of all the passions, both good and bad, that have illuminated the pages of song and story.

There is good in all, and we are none all good. The scholar in his library, the woodcutter in the forest, my lady in her boudoir and the painted, hard-eyed denizen of the byways⁠—we are all from the same clay.

And the hands of fate pull the strings, and we caper and pirouette; and some go up and some go down and haphazard chance or else an obscure divinity pulls us this way and that, and where are we left? Blind and chattering on the brink of an eternal unknowableness. We spring from a common root. The king and the bricklayer are equal except as to environs; the queen and the milkmaid may sit side by side with pail and crown on the ragged edge of destiny; the human heart is the same the world over; and when the judge sits upon the doings of his puppets, who will prevail?

The Post Man has an overcoat with a high collar. This is convenient in more ways than one. He turns it up when passing beggars upon the street corners, and thus shuts out their importunities and saves his conscience; he pulls it around his ears with dignified stateliness when meeting gentlemen who deal in goods which he hath bought anon; and lastly, it is useful when the weather is cold.

Sometimes when the purple shades begin to fall on Saturday evening and the cool mists creep up from the sluggish waters of the bayou the Post Man dons his useful article of apparel and hieth him forth among the hedges and the highways. He sees the seamy side through the gilding that covers the elect of the earth, and he sees the pure gold that glitters amid the mire where tread the lowly and meek of heart. He catches the note of discord in the prayer of the Pharisee on the street corner, and the jangle of the untuned bells that hang above many houses of worship. He sees strange deeds of nobility and lofty self-denial among people from whose touch respectability draws aside its skirts, and the mark of the beast upon the brow of the high and saintly.

A little here and there he jots

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