Whisper Down the Lane Clay Chapman (i read a book txt) đ
- Author: Clay Chapman
Book online «Whisper Down the Lane Clay Chapman (i read a book txt) đ». Author Clay Chapman
MERRIN: This is your chance to atone. To confess.
BURSTYN: You know what they do to fucks like you in prison, Richie? Do you know what they will do to you when they find out why youâre there? You wonât last a fucking night, Richie. You wonât live to see your first fucking sunset.
MERRIN: Richard. Please. This is your last chance. Donât do this to yourself. Donât do this to the people you love. Your family. Talk to us. Before itâs too late.
BELLAMY: (âŠ)
MERRIN: Richard?
BELLAMY: I want my lawyer.
(INTERVIEW TERMINATED.)
DAMNED IF YOU DONâT
âRICHARD: 2013
Thereâs an elderly woman in the police station parking lot who wonât stop staring at me. Iâve never seen her before in my life. Sheâs not a part of the influx of young homeowners. Definitely old Danvers. Born, and born again, right here. Her shoulders sag forward, her spine drooping like a question mark that lost its lower bulb. She pushes an empty cart through the lot, halting long enough to take me in.
Sheâs wearing a T-shirt two sizes too big for her frame. Printed on the front, it reads: jesus saves. On the back: because he shops at walmart.
Sheâs looking at me like we know each other. Have always known each other. Her eyes trail after me as I leave the station. The woman wonât stop staring, even after I open the passenger door to Tamaraâs Cherokee and duck in. We lock eyes once more through the window.
Miss Betty. She looks exactly like Miss Betty. I havenât thought about her in years. She smiles at me, as if sheâs just recognized me, and waves. The moment her hand fans through the air, it blurs. Her fingers distort into a hazy smudge. Her lips pull back to expose a row of dried corn kernels. Diced vegetables spill from her mouth, green beans and cubed carrots tumbling down her chin. I pinch my eyes shut and push the image away as Tamara pulls out from the lot.
I spent eight hours at the precinct. Whenever I insisted on leaving, Detective Merrin found an excuse to keep me. Just one more question, he kept saying. Hold on a minuteâŠ
One more thingâŠ
Almost doneâŠ
This was a game to them. There were no formal charges. Not yet. Merrin considered me permissible to be at large, which meant I was free to go. I wasnât considered a flight risk.
Weâll be keeping an eye on you, Merrin said. Donât go too far, okay?
Where would I even go? Where could I run to now? They had already found me.
The Others.
I havenât slept for days. Iâm losing track of time. I canât think straight. Thereâs a persistent buzz in my head that only I can hear, like a paper waspâs nest, like Dunstanâs humming, throwing me off balance. I canât keep my equilibrium. Everything feels fuzzy around the edges. The sharp corners of the building look like carpet fibers to me. As soon as I stepped out of the station, the sunlight jabbed their beams directly into my eyes, fueling a slow-mounting migraine thatâs only grown worse in the Jeep. The cars, all the surrounding people, everything around me is out of focus. I canât see peopleâs faces. Their features look gauzy. I canât help but think theyâre all staring. Smiling at me.
âI just want to go home,â I sayâI think I sayâout loud. Tamara doesnât respond. I donât know if I said it loud enough. But I need to go home. Crawl into bed. Sleep. Never wake up.
Tamara hasnât said a word since she arrived at the station. Her eyes remain on the road, never meeting mine. Iâve tried talking to her, thanking her forâ
Rescuing me.
âpicking me up but she doesnât answer. I wonder if she heard me, if Iâm even talking. I keep quiet, keep to myself, my focus drifting out the window to all the people on the street.
Others.
Turning their heads.
Others.
Staring back.
Others.
Smiling.
âIs it true?â Tamara asks the windshield.
I turn to her, grateful to hear her voice. I wish she would look at me. Please, just look at me. See me. But she wonât make eye contact. Wonât acknowledge that Iâm right next to her.
âItâs not what you think it isâŠâ My voice is hoarse, my throat feels like sandpaper.
âJust tell me it isnât true. What theyâre saying.â
âTamara, pleaseâlet me explain.â I realize how hollow it sounds. There are so many things that arenât true, itâs impossible to list them all. Even I canât make the words sound right. Not when Iâm this exhausted. This empty.
âI canât let you back into our houseâanywhere near Elijah.â
âI would never hurt Eli. Never.â
âThenâŠhow?â She shakes her head, searching for the right rendition of how. There are so many versions to pick from. Which how fits here? âHe showed me, Richard.â
âShowed you what?â
âThe bruises. On his arm. I saw them this morning.â
âIââ My train of thought snaps like a bone. âDid he say how he got them?â
Where did these bruises come from? Such a simple question.
âHe wouldnât tell me. But his arm is black-and-blue.â Tamaraâs foot presses on the gas, reflexively revving the engine.
Who did this to you?
âAll I can think about is that woman, that mother, and her little girl. What they said about you.â
Was it your teacher?
âTheyâre lying, Tamaraââ
âThat girl pointed at you. She looked right at you.â
âItâs not trueââ
âShe said your name. And then IâI see Eliâs bruises and he told me about how you shouted at him andââ
âI never laid a hand on Eli!â
âWhat about Weegee?â
âWhat do you mean?â
âDo you know what happened to him?â
I donât respond.
âDid you do something to him?â
âNo! IâŠâ
âI went into your studio. Jesus, Rich, I found
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