THE H-BOMB GIRL Stephen Baxter (ebook and pdf reader TXT) đ
- Author: Stephen Baxter
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âWhatâs going on, Mister Mann?â
âTonight Iâm Harry. Got that? And these chaps here are military policemen. Weâve got more troops outside. A few hundred actually.â
âI didnât see them,â Joe said ruefully.
âWell, thatâs their job.â His accent was almost comically Spitfire-pilot, like Terry Thomas or David Niven. He was immensely reassuring to Joel, now he was here, and in command.
âYouâve come for Laura, havenât you?â
âI certainly have, and about ruddy time. She has a Key.â
âI know about that.â
âYes, more than you should, I dare say. The point is that it has a little radio gadget buried inside the plastic. It gives off a tiny signalânot much, but enough to pick up if you know what youâre looking for.â
âYou tracked the Key.â
âPrecisely. And as it happens, the Key, I presume still in Lauraâs possessionââ
âYes.â
ââis just the other side of that wall.â
âYouâre kidding.â
âNot at all. There arenât that many tunnels under Liverpool, for heavenâs sake. And in a few minutes weâre going to go busting through the brickwork and then weâll see whatâs what. Eh?
âNow, look here, Joel. We know weâre dealing with some rum coves here. Iâve been finding out about them since Laura told me she was having trouble with Mort. We know they are calling themselves the âHegemony.â Warmongersâthereâs always a few of those bally fools about. Thereâve been rumours of some kind of conspiracy that might even cross the Iron Curtain. Now theyâve been whipping everybody up, forcing through evacuation and martial law, making the authorities overreact to the whole Cuba mess. Thereâs really been no need for all this, and now weâre going to sort it out. What I need to know from you is what weâre going to come up against on the other side of that wall.â
âI donât know for sure,â Joel said. He couldnât tell Harry that Miss Wells and the Minuteman were from the future. Lauraâs dad or not, he just wouldnât believe it, and they would all waste time. âTheyâre soldiers. A military organisation. I donât know what theyâll have. But theyâre armed.â
âWell, so are we,â Harry said grimly. âPrivate Cooper here is carrying what can only be described as a bazooka. Donât ask where heâs hiding it. One reason for your pinched expression, eh, Hen-coop?â
âIf you say so, sir.â
âWeâre just waiting for this beat combination to start up their racket. Theyâre sure to be heard from the other side of this bally wall. That might distract our opponents while we blow in the brickwork, just for a second or two. Surprise, you see, Joel. A second can make all the difference.â
âThe difference between life and death?â Joel asked.
Harry looked at him. âYou know, you shouldnât be here. Chaps like you are supposed to be protected from this sort of thing by chaps like me. You stick with me when the balloon goes up.â
Mickey Poole stepped forward. âWhat do you want us to do?â
Harry looked at him dubiously. âThanks for the offer. Leave it to the professionals.â
âTheyâve got our pals in there.â He glanced at Joel. âAnd our lead singer?â
Joel nodded.
Private Cooper murmured, âExtra bodies wouldnât hurt, sir, if it comes to hand to hand. And besides, when we blow the walls in half this crowd of capering kids is going to fall through with us.â
Bert Muldoon growled, âHand to hand? Fist to goolie more like.â
Mickey Poole grinned. âWoodbines to the rescue. Theyâll make a film out of this.â
Joel saw that Billy Waddle was trying to back off. âWhat about you, Billy? Bernâs in there. With your kid inside her.â
âIt wasnât my fault. Itâs up to the bird not to get up the duff.â
The other Woodbines glared at him.
Joel said, âYouâve run out on her once before. You going to run again?â
âAll right, all right,â Billy said. âCount me in.â
Harry looked at the group on stage, who were still fixing their instruments, messing with their amps, mucking about with the crowd. âTake their time, donât they?â
âThatâs musicians for you,â Joel said.
âIf you can call them that. Not my cup of tea, Iâm afraid.â Harry grinned at the dapper man. âDo you think your boys will make enough noise to cover us?â
âOh, I think so. Thatâs the one thing theyâre good at, above all else.â
âThanks for all your help, Mr Epstein.â
That sardonic voice sounded from the stage again, now hugely amplified. âWell, weâre in tune. Or as much as we ever are. Thanks very much for coming. Or if you didnât come, thanks for nothing, but youâre not here, so what do I care. The four minute warningâs just sounded, but George has been taking his slimming pills so we should be able to pack in a full setâŠâ
The crowd roared, and surged forward again. On stage, smoke curling around them, the dazzling light caught the musiciansâ hair and profiles. Before the stage, under the Cavernâs brick arches, shining young faces swayed like flowers.
âOur first numberâs called âI Saw Her Standing There.â One two three four!â
A guitar lick crashed down from the brick roof, and the group just launched themselves into the music. The song was a driving rocker, and the words, blunt and direct, were about sex and lust and joy. Everybody screamed, and the noise and the energy in the Cavern rose and rose.
Joel stopped thinking. He gave himself up to the music, and jumped and yelled with everybody else. Just for a few seconds he forgot everything in his complicated life except the primal force of the song. Just for a few seconds, he was at home.
The group crashed into a howling middle eight, and everybody screamed louder.
And it was back to business.
âThis is it,â Harry yelled over the din. âJoel, you stay behind me. Behind me, got that? Cooper, you others, you know what to do.â
âYes,
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