Short Fiction Ray Bradbury (always you kirsty moseley TXT) 📖

unusual amount of lights about. There were the usual street lights at each corner, but the blocks themselves were only faintly illuminated. Could it be that these remarkable people were not afraid of the dark? Incredible nonsense! Everyone was afraid of the dark. Even he himself had been afraid, as a child. It was as natural as eating.

A little boy ran by on pelting feet, followed by six others. They yelled and shouted and rolled on the dark cool October lawn, in the leaves. Lantry looked on for several minutes before addressing himself to one of the small boys who was for a moment taking a respite, gathering his breath into his small lungs, as a boy might blow to refill a punctured paper bag.

“Here, now,” said Lantry. “You’ll wear yourself out.”

“Sure,” said the boy.

“Could you tell me,” said the man, “why there are no street lights in the middle of the blocks?”

“Why?” asked the boy.

“I’m a teacher, I thought I’d test your knowledge,” said Lantry.

“Well,” said the boy, “you don’t need lights in the middle of the block, that’s why.”

“But it gets rather dark,” said Lantry.

“So?” said the boy.

“Aren’t you afraid?” asked Lantry.

“Of what?” asked the boy.

“The dark,” said Lantry.

“Ho ho,” said the boy. “Why should I be?”

“Well,” said Lantry. “It’s black, it’s dark. And after all, street lights were invented to take away the dark and take away fear.”

“That’s silly. Street lights were made so you could see where you were walking. Outside of that there’s nothing.”

“You miss the whole point⁠—” said Lantry. “Do you mean to say you would sit in the middle of an empty lot all night and not be afraid?”

“Of what?”

“Of what, of what, of what, you little ninny! Of the dark!”

“Ho ho.”

“Would you go out in the hills and stay all night in the dark?”

“Sure.”

“Would you stay in a deserted house alone?”

“Sure.”

“And not be afraid?”

“Sure.”

“You’re a liar!”

“Don’t you call me nasty names!” shouted the boy. Liar was the improper noun, indeed. It seemed to be the worst thing you could call a person.

Lantry was completely furious with the little monster. “Look,” he insisted. “Look into my eyes.⁠ ⁠…”

The boy looked.

Lantry bared his teeth slightly. He put out his hands, making a clawlike gesture. He leered and gesticulated and wrinkled his face into a terrible mask of horror.

“Ho ho,” said the boy. “You’re funny.”

“What did you say?”

“You’re funny. Do it again. Hey, gang, c’mere! This man does funny things!”

“Never mind.”

“Do it again, sir.”

“Never mind, never mind. Good night!” Lantry ran off.

“Good night, sir. And mind the dark, sir!” called the little boy.

Of all the stupidity, of all the rank, gross, crawling, jelly-mouthed stupidity! He had never seen the like of it in his life! Bringing the children up without so much as an ounce of imagination! Where was the fun in being children if you didn’t imagine things?

He stopped running. He slowed and for the first time began to appraise himself. He ran his hand over his face and bit his finger and found that he himself was standing midway in the block and he felt uncomfortable. He moved up to the street corner where there was a glowing lantern. “That’s better,” he said, holding his hands out like a man to an open warm fire.

He listened. There was not a sound except the night breathing of the crickets. Faintly there was a fire-hush as a rocket swept the sky. It was the sound a torch might make brandished gently on the dark air.

He listened to himself and for the first time he realized what there was so peculiar to himself. There was not a sound in him. The little nostril and lung noises were absent. His lungs did not take nor give oxygen or carbon-dioxide; they did not move. The hairs in his nostrils did not quiver with warm combing air. That faint purring whisper of breathing did not sound in his nose. Strange. Funny. A noise you never heard when you were alive, the breath that fed your body, and yet, once dead, oh how you missed it!

The only other time you ever heard it was on deep dreamless awake nights when you wakened and listened and heard first your nose taking and gently poking out the air, and then the dull deep dim red thunder of the blood in your temples, in your eardrums, in your throat, in your aching wrists, in your warm loins, in your chest. All of those little rhythms, gone. The wrist beat gone, the throat pulse gone, the chest vibration gone. The sound of the blood coming up down around and through, up down around and through. Now it was like listening to a statue.

And yet he lived. Or, rather, moved about. And how was this done, over and above scientific explanations, theories, doubts?

By one thing, and one thing alone.

Hatred.

Hatred was a blood in him, it went up down around and through, up down around and through. It was a heart in him, not beating, true, but warm. He was⁠—what? Resentment. Envy. They said he could not lie any longer in his coffin in the cemetery. He had wanted to. He had never had any particular desire to get up and walk around. It had been enough, all these centuries, to lie in the deep box and feel but not feel the ticking of the million insect watches in the earth around, the moves of worms like so many deep thoughts in the soil.

But then they had come and said, “Out you go and into the furnace!” And that is the worst thing you can say to any man. You cannot tell him what to do. If you say you are dead, he will want not to be dead. If you say there are no such things as vampires, by God, that man will try to be one just for spite. If you say a dead man cannot walk, he will test his limbs. If you say murder is no longer occurring, he will make it occur.