Vanity Fair William Makepeace Thackeray (portable ebook reader .txt) 📖

he thought to better his circumstances by marrying a young woman of the French nation, who was by profession an opera-girl. The humble calling of her female parent Miss Sharp never alluded to, but used to state subsequently that the Entrechats were a noble family of Gascony, and took great pride in her descent from them. And curious it is that as she advanced in life this young lady’s ancestors increased in rank and splendour.

Rebecca’s mother had had some education somewhere, and her daughter spoke French with purity and a Parisian accent. It was in those days rather a rare accomplishment, and led to her engagement with the orthodox Miss Pinkerton. For her mother being dead, her father, finding himself not likely to recover, after his third attack of delirium tremens, wrote a manly and pathetic letter to Miss Pinkerton, recommending the orphan child to her protection, and so descended to the grave, after two bailiffs had quarrelled over his corpse. Rebecca was seventeen when she came to Chiswick, and was bound over as an articled pupil; her duties being to talk French, as we have seen; and her privileges to live cost free, and, with a few guineas a year, to gather scraps of knowledge from the professors who attended the school.

She was small and slight in person; pale, sandy-haired, and with eyes habitually cast down: when they looked up they were very large, odd, and attractive; so attractive that the Reverend Mr. Crisp, fresh from Oxford, and curate to the Vicar of Chiswick, the Reverend Mr. Flowerdew, fell in love with Miss Sharp; being shot dead by a glance of her eyes which was fired all the way across Chiswick Church from the school-pew to the reading-desk. This infatuated young man used sometimes to take tea with Miss Pinkerton, to whom he had been presented by his mamma, and actually proposed something like marriage in an intercepted note, which the one-eyed apple-woman was charged to deliver. Mrs. Crisp was summoned from Buxton, and abruptly carried off her darling boy; but the idea, even, of such an eagle in the Chiswick dovecot caused a great flutter in the breast of Miss Pinkerton, who would have sent away Miss Sharp but that she was bound to her under a forfeit, and who never could thoroughly believe the young lady’s protestations that she had never exchanged a single word with Mr. Crisp, except under her own eyes on the two occasions when she had met him at tea.

By the side of many tall and bouncing young ladies in the establishment, Rebecca Sharp looked like a child. But she had the dismal precocity of poverty. Many a dun had she talked to, and turned away from her father’s door; many a tradesman had she coaxed and wheedled into good-humour, and into the granting of one meal more. She sat commonly with her father, who was very proud of her wit, and heard the talk of many of his wild companions⁠—often but ill-suited for a girl to hear. But she never had been a girl, she said; she had been a woman since she was eight years old. Oh, why did Miss Pinkerton let such a dangerous bird into her cage?

The fact is, the old lady believed Rebecca to be the meekest creature in the world, so admirably, on the occasions when her father brought her to Chiswick, used Rebecca to perform the part of the ingénue; and only a year before the arrangement by which Rebecca had been admitted into her house, and when Rebecca was sixteen years old, Miss Pinkerton majestically, and with a little speech, made her a present of a doll⁠—which was, by the way, the confiscated property of Miss Swindle, discovered surreptitiously nursing it in school-hours. How the father and daughter laughed as they trudged home together after the evening party (it was on the occasion of the speeches, when all the professors were invited) and how Miss Pinkerton would have raged had she seen the caricature of herself which the little mimic, Rebecca, managed to make out of her doll. Becky used to go through dialogues with it; it formed the delight of Newman Street, Gerrard Street, and the Artists’ quarter: and the young painters, when they came to take their gin-and-water with their lazy, dissolute, clever, jovial senior, used regularly to ask Rebecca if Miss Pinkerton was at home: she was as well known to them, poor soul! as Mr. Lawrence or President West. Once Rebecca had the honour to pass a few days at Chiswick; after which she brought back Jemima, and erected another doll as Miss Jemmy: for though that honest creature had made and given her jelly and cake enough for three children, and a seven-shilling piece at parting, the girl’s sense of ridicule was far stronger than her gratitude, and she sacrificed Miss Jemmy quite as pitilessly as her sister.

The catastrophe came, and she was brought to the Mall as to her home. The rigid formality of the place suffocated her: the prayers and the meals, the lessons and the walks, which were arranged with a conventual regularity, oppressed her almost beyond endurance; and she looked back to the freedom and the beggary of the old studio in Soho with so much regret, that everybody, herself included, fancied she was consumed with grief for her father. She had a little room in the garret, where the maids heard her walking and sobbing at night; but it was with rage, and not with grief. She had not been much of a dissembler, until now her loneliness taught her to feign. She had never mingled in the society of women: her father, reprobate as he was, was a man of talent; his conversation was a thousand times more agreeable to her than the talk of such of her own sex as she now encountered. The pompous vanity of the old schoolmistress, the foolish good-humour of her sister, the silly chat and scandal of the elder girls, and the frigid