Twelfth Night William Shakespeare (best management books of all time TXT) 📖

epub:type="z3998:stage-direction">Enter Antonio and Sebastian. Antonio Will you stay no longer? nor will you not that I go with you? Sebastian By your patience, no. My stars shine darkly over me: the malignancy of my fate might perhaps distemper yours; therefore I shall crave of you your leave that I may bear my evils alone: it were a bad recompense for your love, to lay any of them on you. Antonio Let me yet know of you whither you are bound. Sebastian No, sooth, sir: my determinate voyage is mere extravagancy. But I perceive in you so excellent a touch of modesty, that you will not extort from me what I am willing to keep in; therefore it charges me in manners the rather to express myself. You must know of me then, Antonio, my name is Sebastian, which I called Roderigo. My father was that Sebastian of Messaline, whom I know you have heard of. He left behind him myself and a sister, both born in an hour: if the heavens had been pleased, would we had so ended! but you, sir, altered that; for some hour before you took me from the breach of the sea was my sister drowned. Antonio Alas the day! Sebastian A lady, sir, though it was said she much resembled me, was yet of many accounted beautiful: but, though I could not with such estimable wonder overfar believe that, yet thus far I will boldly publish her; she bore a mind that envy could not but call fair. She is drowned already, sir, with salt water, though I seem to drown her remembrance again with more. Antonio Pardon me, sir, your bad entertainment. Sebastian O good Antonio, forgive me your trouble. Antonio If you will not murder me for my love, let me be your servant. Sebastian If you will not undo what you have done, that is, kill him whom you have recovered, desire it not. Fare ye well at once: my bosom is full of kindness, and I am yet so near the manners of my mother, that upon the least occasion more mine eyes will tell tales of me. I am bound to the Count Orsino’s court: farewell. Exit. Antonio

The gentleness of all the gods go with thee!
I have many enemies in Orsino’s court,
Else would I very shortly see thee there.
But, come what may, I do adore thee so,
That danger shall seem sport, and I will go. Exit.

Scene II

A street.

Enter Viola, Malvolio following. Malvolio Were not you even now with the Countess Olivia? Viola Even now, sir; on a moderate pace I have since arrived but hither. Malvolio She returns this ring to you, sir: you might have saved me my pains, to have taken it away yourself. She adds, moreover, that you should put your lord into a desperate assurance she will none of him: and one thing more, that you be never so hardy to come again in his affairs, unless it be to report your lord’s taking of this. Receive it so. Viola She took the ring of me: I’ll none of it. Malvolio Come, sir, you peevishly threw it to her; and her will is, it should be so returned: if it be worth stooping for, there it lies in your eye; if not, be it his that finds it. Exit. Viola

I left no ring with her: what means this lady?
Fortune forbid my outside have not charm’d her!
She made good view of me; indeed, so much,
That sure methought her eyes had lost her tongue,
For she did speak in starts distractedly.
She loves me, sure; the cunning of her passion
Invites me in this churlish messenger.
None of my lord’s ring! why, he sent her none.
I am the man: if it be so, as ’tis,
Poor lady, she were better love a dream.
Disguise, I see, thou art a wickedness,
Wherein the pregnant enemy does much.
How easy is it for the proper-false
In women’s waxen hearts to set their forms!
Alas, our frailty is the cause, not we!
For such as we are made of, such we be.
How will this fadge? my master loves her dearly;
And I, poor monster, fond as much on him;
And she, mistaken, seems to dote on me.
What will become of this? As I am man,
My state is desperate for my master’s love;
As I am woman⁠—now alas the day!⁠—
What thriftless sighs shall poor Olivia breathe!
O time! thou must untangle this, not I;
It is too hard a knot for me to untie! Exit.

Scene III

Olivia’s house.

Enter Sir Toby and Sir Andrew. Sir Toby Approach, Sir Andrew: not to be a-bed after midnight is to be up betimes; and “diluculo surgere,” thou know’st⁠— Sir Andrew Nay, by my troth, I know not: but I know, to be up late is to be up late. Sir Toby A false conclusion: I hate it as an unfilled can. To be up after midnight and to go to bed then, is early: so that to go to bed after midnight is to go to bed betimes. Does not our life consist of the four elements? Sir Andrew Faith, so they say; but I think it rather consists of eating and drinking. Sir Toby Thou’rt a scholar; let us therefore eat and drink. Marian, I say! a stoup of wine! Enter Clown. Sir Andrew Here comes the fool, i’ faith. Clown How now, my hearts! did you never see the picture of “we three”? Sir Toby Welcome, ass. Now let’s have a catch. Sir Andrew By my troth, the fool has an excellent breast. I had rather than forty shillings I had such a leg, and so sweet a breath to sing, as the fool has. In sooth, thou wast in very gracious fooling last night, when thou spokest of Pigrogromitus, of the Vapians passing the equinoctial of Queubus: ’twas very good, i’ faith. I sent thee sixpence for thy leman: hadst it? Clown I did impeticos thy gratillity; for Malvolio’s nose is no whipstock: my lady has a white hand, and the Myrmidons are no bottle-ale houses. Sir Andrew Excellent!