His Masterpiece Émile Zola (e textbook reader TXT) 📖

a minute. Who ever heard of trifling with painting? Then the mother made big eyes at the little one, and held him while the painter quickly sketched an arm or a leg. Claude obstinately kept at it for weeks, tempted as he felt by the pretty tones of that childish skin. It was not as a father, but as an artist, that he gloated over the boy as the subject for a masterpiece, blinking his eyes the while, and dreaming of some wonderful picture he would paint. And he renewed the experiment again and again, watching the lad for days, and feeling furious when the little scamp would not go to sleep at times when he, Claude, might so well have painted him.

One day, when Jacques was sobbing, refusing to keep still, Christine gently remarked:

“My dear, you tire the poor pet.”

At this Claude burst forth, full of remorse:

“After all! you are right; I’m a fool with this painting of mine. Children are not intended for that sort of thing.”

The spring and summer sped by amidst great quietude. They went out less often; they had almost given up the boat, which finished rotting against the bank, for it was quite a job to take the little one with them among the islets. But they often strolled along the banks of the Seine, without, however, going farther afield than a thousand yards or so. Claude, tired of the everlasting views in the garden, now attempted some sketches by the riverside, and on such days Christine went to fetch him with the child, sitting down to watch him paint, until they all three returned home with flagging steps, beneath the ashen dusk of waning daylight. One afternoon Claude was surprised to see Christine bring with her the old album which she had used as a young girl. She joked about it, and explained that to sit behind him like that had roused in her a wish to work herself. Her voice was a little unsteady as she spoke; the truth was that she felt a longing to share his labour, since this labour took him away from her more and more each day. She drew and ventured to wash in two or three watercolours in the careful style of a schoolgirl. Then, discouraged by his smiles, feeling that no community of ideas would be arrived at on that ground, she once more put her album aside, making him promise to give her some lessons in painting whenever he should have time.

Besides, she thought his more recent pictures very pretty. After that year of rest in the open country, in the full sunlight, he painted with fresh and clearer vision, as it were, with a more harmonious and brighter colouring. He had never before been able to treat reflections so skilfully, or possessed a more correct perception of men and things steeped in diffuse light. And henceforth, won over by that feast of colours, she would have declared it all capital if he would only have condescended to finish his work a little more, and if she had not remained nonplussed now and then before a mauve ground or a blue tree, which upset all her preconceived notions of colour. One day when she ventured upon a bit of criticism, precisely about an azure-tinted poplar, he made her go to nature and note for herself the delicate bluishness of the foliage. It was true enough, the tree was blue; but in her inmost heart she did not surrender, and condemned reality; there ought not to be any blue trees in nature.

She no longer spoke but gravely of the studies hanging in the dining-room. Art was returning into their lives, and it made her muse. When she saw him go off with his bag, his portable easel, and his sunshade, it often happened that she flung herself upon his neck, asking:

“You love me, say?”

“How silly you are! Why shouldn’t I love you?”

“Then kiss me, since you love me, kiss me a great deal, a great deal.”

Then accompanying him as far as the road, she added:

“And mind you work; you know that I have never prevented you from working. Go, go; I am very pleased when you work.”

Anxiety seemed to seize hold of Claude, when the autumn of the second year tinged the leaves yellow, and ushered in the cold weather. The season happened to be abominable; a fortnight of pouring rain kept him idle at home; and then fog came at every moment, hindering his work. He sat in front of the fire, out of sorts; he never spoke of Paris, but the city rose up over yonder, on the horizon, the winter city, with its gaslamps flaring already at five o’clock, its gatherings of friends, spurring each other on to emulation, and its life of ardent production, which even the frosts of December could not slacken. He went there thrice in one month, on the pretext of seeing Malgras, to whom he had, again, sold a few small pictures. He no longer avoided passing in front of Faucheur’s inn; he even allowed himself to be waylaid at times by old Porrette, and to accept a glass of white wine at the inn, and his glance scoured the room as if, despite the season, he had been looking for some comrades of yore, who had arrived there, perchance, that morning. He lingered as if awaiting them; then, in despair at his solitude, he returned home, stifling with all that was fermenting within him, ill at having nobody to whom he might shout the thoughts which made his brain almost burst.

However, the winter went by, and Claude had the consolation of being able to paint some lovely snow scenes. A third year was beginning, when, towards the close of May, an unexpected meeting filled him with emotion. He had that morning climbed up to the plateau to find a subject, having at last grown tired of the banks of the Seine; and at the bend of