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most important item in the general account. It need hardly be hinted how paper comes into use with seedsmen, as envelopes. These are mostly made of yellowish paper, folded square; and when filled, are all but flat, and being stamped, and superscribed with the nature of the seeds contained, assume not a little the appearance of business letters ready for the mail. Of these small envelopes I used an incredible quantity⁠—several hundred of thousands in a year. For a time I had purchased my paper from the wholesale dealers in a neighboring town. For economy’s sake, and partly for the adventure of the trip, I now resolved to cross the mountains, some sixty miles, and order my future paper at the Devil’s Dungeon paper-mill.

The sleighing being uncommonly fine toward the end of January, and promising to hold so for no small period, in spite of the bitter cold I started one gray Friday noon in my pung, well fitted with buffalo and wolf robes; and, spending one night on the road, next noon came in sight of Woedolor Mountain.

The far summit fairly smoked with frost; white vapors curled up from its white-wooded top, as from a chimney. The intense congelation made the whole country look like one petrification. The steel shoes of my pung craunched and gritted over the vitreous, chippy snow, as if it had been broken glass. The forests here and there skirting the route, feeling the same all-stiffening influence, their inmost fibres penetrated with the cold, strangely groaned⁠—not in the swaying branches merely, but likewise in the vertical trunk⁠—as the fitful gusts remorseless swept through them. Brittle with excessive frost, many colossal tough-grained maples, snapped in twain like pipe-stems, cumbered the unfeeling earth.

Flaked all over with frozen sweat, white as a milky ram, his nostrils at each breath sending forth two horn-shaped shoots of heated respiration, Black, my good horse, but six years old, started at a sudden turn, where, right across the track⁠—not ten minutes fallen⁠—an old distorted hemlock lay, darkly undulatory as an anaconda.

Gaining the Bellows’-pipe, the violent blast, dead from behind, all but shoved my high-backed pung uphill. The gust shrieked through the shivered pass, as if laden with lost spirits bound to the unhappy world. Ere gaining the summit, Black, my horse, as if exasperated by the cutting wind, slung out with his strong hind legs, tore the light pung straight uphill, and sweeping grazingly through the narrow notch, sped downward madly past the ruined sawmill. Into the Devil’s Dungeon horse and cataract rushed together.

With might and main, quitting my seat and robes, and standing backward, with one foot braced against the dashboard, I rasped and churned the bit, and stopped him just in time to avoid collision, at a turn, with the bleak nozzle of a rock, couchant like a lion in the way⁠—a roadside rock.

At first I could not discover the paper-mill.

The whole hollow gleamed with the white, except, here and there, where a pinnacle of granite showed one windswept angle bare. The mountains stood pinned in shrouds⁠—a pass of Alpine corpses. Where stands the mill? Suddenly a whirling, humming sound broke upon my ear. I looked, and there, like an arrested avalanche, lay the large whitewashed factory. It was subordinately surrounded by a cluster of other and smaller buildings, some of which, from their cheap, blank air, great length, gregarious windows, and comfortless expression, no doubt were boardinghouses of the operatives. A snow-white hamlet amidst the snows. Various rude, irregular squares and courts resulted from the somewhat picturesque clusterings of these buildings, owing to the broken, rocky nature of the ground, which forbade all method in their relative arrangement. Several narrow lanes and alleys, too, partly blocked with snow fallen from the roof, cut up the hamlet in all directions.

When, turning from the traveled highway, jingling with bells of numerous farmers⁠—who, availing themselves of the fine sleighing, were dragging their wood to market⁠—and frequently diversified with swift cutters dashing from inn to inn of the scattered villages⁠—when, I say, turning from that bustling main-road, I by degrees wound into the Mad Maid’s Bellows’-pipe, and saw the grim Black Notch beyond, then something latent, as well as something obvious in the time and scene, strangely brought back to my mind my first sight of dark and grimy Temple Bar. And when Black, my horse, went darting through the Notch, perilously grazing its rocky wall, I remembered being in a runaway London omnibus, which in much the same sort of style, though by no means at an equal rate, dashed through the ancient arch of Wren. Though the two objects did by no means correspond, yet this partial inadequacy but served to tinge the similitude not less with the vividness than the disorder of a dream. So that, when upon reining up at the protruding rock I at last caught sight of the quaint groupings of the factory-buildings, and with the traveled highway and the Notch behind, found myself all alone, silently and privily stealing through deep-cloven passages into this sequestered spot, and saw the long, high-gabled main factory edifice, with a rude tower⁠—for hoisting heavy boxes⁠—at one end, standing among its crowded outbuildings and boardinghouses, as the Temple Church amidst the surrounding offices and dormitories, and when the marvelous retirement of this mysterious mountain nook fastened its whole spell upon me, then, what memory lacked, all tributary imagination furnished, and I said to myself, This is the very counterpart of the Paradise of Bachelors, but snowed upon, and frost-painted in a sepulchre.

Dismounting, and warily picking my way down the dangerous declivity⁠—horse and man both sliding now and then upon the icy ledges⁠—at length I drove, or the blast drove me, into the largest square, before one side of the main edifice. Piercingly and shrilly the shotted blast blew by the corner; and redly and demoniacally boiled Blood River at one side. A long woodpile, of many scores of cords, all glittering in mail of crusted ice, stood crosswise in the square.

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