Diary of an Ugly Duckling Langhorne, Karyn (reading rainbow books txt) đź“–
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we won’t have to wait for too long.”
Audra glanced at her watch. “I thought you said
we had an appointment.”
“We do! But Ishti’s an artist, Audra. She has to
make every style perfect, and perfection can’t be
constrained by anything as mundane as time!”
“I don’t know, Shamiyah . . .” Audra said slowly.
“Are you sure this Ishti—”
Shamiyah jabbed her in the ribs hard enough to
make Audra wince and muttered, “Lower your
voice. Ishti’s a diva—talented as hell, but a diva from
the old school, trust me. If she hears you—”
At that very moment, the voices around them
suddenly dropped from raucous to whispers.
Shamiyah’s head snapped toward the center of
salon with the energy of a young Marine coming
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to attention in the presence of a commanding
officer.
A tall woman with a pair of the highest cheek-
bones short of Native America strode into the wait-
ing area. Her hair was piled atop her head in a high,
sleek beehive of a style, its natural black colored by
streaks of bright blonde. Her skin was dark: past
mahogany, past ebony, almost as a dark as night it-
self. She had fringed her dark brown eyes with
lashes so long and carefully curved there was no
way they could have been real, and spangled the
space between lid and brow with a shimmering
silvery eye shadow. Added to the dark shade of
lipstick, Audra quickly surmised that very little
about this woman was natural . . . if indeed she was
a woman at all. There was something very “drag
queen” about the look . . . right down to the silvery
platform shoes peeking from beneath the hem of a
pair of carefully frayed jeans.
“Shamiyah!” Ishti’s voice was a mello contralto
that didn’t help Audra make any kind of final deter-
mination of gender. Audra found herself staring at
the base of the woman’s dark throat, searching for
the telltale lump of an Adam’s apple instead of lis-
tening to the woman’s words, when she stretched
out a much be-ringed hand and said, “And you
must be Audra.”
Shamiyah’s demanding elbow lashed out again,
prompting Audra to tear her thoughts away from
contemplating Ishti’s throat long enough to accept
Ishti’s hand. The fingers felt fine-boned but the skin
was hardened, calloused. Over the years, hairstyling
DIARY OF AN UGLY DUCKLING
269
and the chemical processes involved could be hard
enough on the hands to cause that, Audra knew. She
sighed, making mental plans to quiz Shamiyah on it
later, and accepted this unusual specter for the fe-
male it appeared to be for now.
“Uh . . . nice to meet you .. . uh . . . Ishti.” The
words sounded as phony as a twenty-dollar bill
with Ben Franklin wearing an eyepatch.
Fortunately, Ishti wasn’t listening. The moment af-
ter Audra released her hands, she reached for Au-
dra’s hairline, ruffling her slender, work-worn fingers
through the soft naps of Audra’s hair, making it stand
in a fluffy three-inch halo around Audra’s head.
“And this is totally virgin? Never relaxed?” She
directed the question at Shamiyah as though Audra
were too ignorant of the processes of style to know
the answer. Audra noticed that she spoke with an
approximation of a British accent that sounded as
fake as she looked.
“I had one once, years ago.” Audra answered
moving slightly to get Ishti’s fingers out of her head.
“But I didn’t have time for all the curling and
primping to make it look right, so I—”
“Audra needs something elegant enough for the
Reveal, but practical enough for her to work with
once she gets back home,” Shamiyah explained.
“She’s a corrections officer at the city prison, so—”
Ishti waved the rest of Shamiyah’s explanation
aside with a flutter of her fingers and an impatient,
“of course, of course,” while she reached again for
Audra. This time the woman grabbed her shoulders
and spun her around. Audra felt the woman’s
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breath on the nape of her neck as she inspected her
scalp.
“Color first, then extensions,” she pronounced in
a tone Audra didn’t care for at all, but before
she could open her mouth in objection, the woman
was whirling Audra back around. “Thank you,
Shamiyah,” Ishti said. “This is a worthy challenge. I
accept. But next time,” and she narrowed her eyes at
Audra as if her penetrating gaze were sufficient
force to make any point. “Tell your friend how we
dress here.” She locked her eyes on Audra, then pat-
ted her cheek condescendingly. “Style, my dear.
Style!” She pulled a long piece of black fabric from a
pocket of her jeans, and waved it at her. “Are you
ready?”
“What’s that?” Audra asked skeptically.
“Blindfold,” Shamiyah said, spinning Audra
around. “This place is crawling with mirrors.”
“I think this one . . . and this one . . . and this one.
Jewel tones will really sparkle on your skin tone,” a
little man wearing a fussy peach ascot said as he
ripped gowns off the racks so fast, Audra barely had
time to lift her sunglasses and register their colors
before she was being pushed into a fitting room . . .
which, of course, had no mirror.
It was getting frustrating now: to be able to see
the lightness of her skin all over her body and to feel
Ishti’s long, blonde-streaked extensions brushing
against her shoulder blades, but to not be able to
get even a glimpse of this final effect that was so
“breathtaking,” so “beautiful” for herself. Audra
found herself running her fingers along her chin,
DIARY OF AN UGLY DUCKLING
271
her cheekbones, her nose, trying to create a picture.
But it was useless. She needed to see.
Audra sighed, slipping the sweats off her hips
again without disturbing the pin at the waist. As she
bent for the first dress, a long, curled lock of Ishti’s
hair extensions, in a golden brownish color that de-
fied easy description, fell over her shoulders and
brushed the beige skin of her arms.
Tomorrow’s tomorrow, she thought, holding the
curl between fingers she barely recognized as her
own. Tomorrow’s tomorrow, I meet the new Audra. To-
morrow’s tomorrow, I get to wipe the slate clean, and
start all over again. Art Bradshaw is coming . . . day af-
ter tomorrow, another voice, even more eager, added,
and Audra shivered a little in a strange blend of an-
ticipation and fear.
“My God! What did you do before you came to us?
Drive trucks? Work construction?”
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