Short Fiction O. Henry (comprehension books TXT) 📖

Helen sat down and looked mournfully at her hand. Well she might. Three suitors had kissed it, mounted their red roan steeds and ridden away.

In an hour entered the mysterious stranger with the haunting eyes. Helen was in the willow rocker, knitting a useless thing in cotton-wool. He ricocheted from the stairs and stopped for a chat. Sitting across the table from her, he also poured out his narrative of love. And then he said: “Helen, do you not remember me? I think I have seen it in your eyes. Can you forgive the past and remember the love that has lasted for twenty years? I wronged you deeply⁠—I was afraid to come back to you⁠—but my love overpowered my reason. Can you, will you, forgive me?”

Helen stood up. The mysterious stranger held one of her hands in a strong and trembling clasp.

There she stood, and I pity the stage that it has not acquired a scene like that and her emotions to portray.

For she stood with a divided heart. The fresh, unforgettable, virginal love for her bridegroom was hers; the treasured, sacred, honored memory of her first choice filled half her soul. She leaned to that pure feeling. Honor and faith and sweet, abiding romance bound her to it. But the other half of her heart and soul was filled with something else⁠—a later, fuller, nearer influence. And so the old fought against the new.

And while she hesitated, from the room above came the soft, racking, petitionary music of a violin. The hag, music, bewitches some of the noblest. The daws may peck upon one’s sleeve without injury, but whoever wears his heart upon his tympanum gets it not far from the neck.

This music and the musician called her, and at her side honor and the old love held her back.

“Forgive me,” he pleaded.

“Twenty years is a long time to remain away from the one you say you love,” she declared, with a purgatorial touch.

“How could I tell?” he begged. “I will conceal nothing from you. That night when he left I followed him. I was mad with jealousy. On a dark street I struck him down. He did not rise. I examined him. His head had struck a stone. I did not intend to kill him. I was mad with love and jealousy. I hid nearby and saw an ambulance take him away. Although you married him, Helen⁠—”

“Who are you?” cried the woman, with wide-open eyes, snatching her hand away.

“Don’t you remember me, Helen⁠—the one who has always loved you best? I am John Delaney. If you can forgive⁠—”

But she was gone, leaping, stumbling, hurrying, flying up the stairs toward the music and him who had forgotten, but who had known her for his in each of his two existences, and as she climbed up she sobbed, cried and sang: “Frank! Frank! Frank!”

Three mortals thus juggling with years as though they were billiard balls, and my friend, the reporter, couldn’t see anything funny in it!

This document is intended to strike somewhere between a temperance lecture and the “Bartender’s Guide.” Relative to the latter, drink shall swell the theme and be set forth in abundance. Agreeably to the former, not an elbow shall be crooked.

Bob Babbitt was “off the stuff.” Which means⁠—as you will discover by referring to the unabridged dictionary of Bohemia⁠—that he had “cut out the booze”; that he was “on the water wagon.” The reason for Bob’s sudden attitude of hostility toward the “demon rum”⁠—as the white ribboners miscall whiskey (see the “Bartender’s Guide”), should be of interest to reformers and saloon-keepers.

There is always hope for a man who, when sober, will not concede or acknowledge that he was ever drunk. But when a man will say (in the apt words of the phrase-distiller), “I had a beautiful skate on last night,” you will have to put stuff in his coffee as well as pray for him.

One evening on his way home Babbitt dropped in at the Broadway bar that he liked best. Always there were three or four fellows there from the downtown offices whom he knew. And then there would be highballs and stories, and he would hurry home to dinner a little late but feeling good, and a little sorry for the poor Standard Oil Company. On this evening as he entered he heard someone say: “Babbitt was in last night as full as a boiled owl.”

Babbitt walked to the bar, and saw in the mirror that his face was as white as chalk. For the first time he had looked Truth in the eyes. Others had lied to him; he had dissembled with himself. He was a drunkard, and had not known it. What he had fondly imagined was a pleasant exhilaration had been maudlin intoxication. His fancied wit had been drivel; his gay humors nothing but the noisy vagaries of a sot. But, never again!

“A glass of seltzer,” he said to the bartender.

A little silence fell upon the group of his cronies, who had been expecting him to join them.

“Going off the stuff, Bob?” one of them asked politely and with more formality than the highballs ever called forth.

“Yes,” said Babbitt.

Someone of the group took up the unwashed thread of a story he had been telling; the bartender shoved over a dime and a nickel change from the quarter, ungarnished with his customary smile; and Babbitt walked out.

Now, Babbitt had a home and a wife⁠—but that is another story. And I will tell you that story, which will show you a better habit and a worse story than you could find in the man who invented the phrase.

It began away up in Sullivan County, where so many rivers and so much trouble begins⁠—or begin; how would you say that? It was July, and Jessie was a summer boarder at the Mountain Squint Hotel, and Bob, who was just out of college, saw her one day⁠—and they were married in September.