The Way of All Flesh Samuel Butler (book club recommendations .TXT) 📖

must expect from me (even Ernest saw that it was not from Theobald at all) at any rate till after my death, which for aught any of us know may be yet many years distant. It is not a large sum, but it is sufficient if supplemented by steadiness and earnestness of purpose. Your mother and I gave you the name Ernest, hoping that it would remind you continually of⁠—” but I really cannot copy more of this effusion. It was all the same old will-shaking game and came practically to this, that Ernest was no good, and that if he went on as he was going on now, he would probably have to go about the streets begging without any shoes or stockings soon after he had left school, or at any rate, college; and that he, Theobald, and Christina were almost too good for this world altogether.

After he had written this Theobald felt quite good-natured, and sent to the Mrs. Thompson of the moment even more soup and wine than her usual not illiberal allowance.

Ernest was deeply, passionately upset by his father’s letter; to think that even his dear aunt, the one person of his relations whom he really loved, should have turned against him and thought badly of him after all. This was the unkindest cut of all. In the hurry of her illness Miss Pontifex, while thinking only of his welfare, had omitted to make such small present mention of him as would have made his father’s innuendoes stingless; and her illness being infectious, she had not seen him after its nature was known. I myself did not know of Theobald’s letter, nor think enough about my godson to guess what might easily be his state. It was not till many years afterwards that I found Theobald’s letter in the pocket of an old portfolio which Ernest had used at school, and in which other old letters and school documents were collected which I have used in this book. He had forgotten that he had it, but told me when he saw it that he remembered it as the first thing that made him begin to rise against his father in a rebellion which he recognised as righteous, though he dared not openly avow it. Not the least serious thing was that it would, he feared, be his duty to give up the legacy his grandfather had left him; for if it was his only through a mistake, how could he keep it?

During the rest of the half year Ernest was listless and unhappy. He was very fond of some of his schoolfellows, but afraid of those whom he believed to be better than himself, and prone to idealise everyone into being his superior except those who were obviously a good deal beneath him. He held himself much too cheap, and because he was without that physical strength and vigour which he so much coveted, and also because he knew he shirked his lessons, he believed that he was without anything which could deserve the name of a good quality; he was naturally bad, and one of those for whom there was no place for repentance, though he sought it even with tears. So he shrank out of sight of those whom in his boyish way he idolised, never for a moment suspecting that he might have capacities to the full as high as theirs though of a different kind, and fell in more with those who were reputed of the baser sort, with whom he could at any rate be upon equal terms. Before the end of the half year he had dropped from the estate to which he had been raised during his aunt’s stay at Roughborough, and his old dejection, varied, however, with bursts of conceit rivalling those of his mother, resumed its sway over him. “Pontifex,” said Dr. Skinner, who had fallen upon him in hall one day like a moral landslip, before he had time to escape, “do you never laugh? Do you always look so preternaturally grave?” The doctor had not meant to be unkind, but the boy turned crimson, and escaped.

There was one place only where he was happy, and that was in the old church of St. Michael, when his friend the organist was practising. About this time cheap editions of the great oratorios began to appear, and Ernest got them all as soon as they were published; he would sometimes sell a schoolbook to a secondhand dealer, and buy a number or two of the “Messiah,” or the “Creation,” or “Elijah,” with the proceeds. This was simply cheating his papa and mamma, but Ernest was falling low again⁠—or thought he was⁠—and he wanted the music much, and the Sallust, or whatever it was, little. Sometimes the organist would go home, leaving his keys with Ernest, so that he could play by himself and lock up the organ and the church in time to get back for calling over. At other times, while his friend was playing, he would wander round the church, looking at the monuments and the old stained glass windows, enchanted as regards both ears and eyes, at once. Once the old rector got hold of him as he was watching a new window being put in, which the rector had bought in Germany⁠—the work, it was supposed, of Albert Dürer. He questioned Ernest, and finding that he was fond of music, he said in his old trembling voice (for he was over eighty), “Then you should have known Dr. Burney who wrote the history of music. I knew him exceedingly well when I was a young man.” That made Ernest’s heart beat, for he knew that Dr. Burney, when a boy at school at Chester, used to break bounds that he might watch Handel smoking his pipe in the Exchange coffee house⁠—and now he was in the presence of one who, if he had not seen Handel himself, had at least seen those who had seen him.

These were oases