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to be there⁠—don’t they ever stop chewing it?

A while after that⁠—don’t be impatient, the absinthe drip is coming now⁠—Kerner and I were dining at Farroni’s. A mandolin and a guitar were being attacked; the room was full of smoke in nice, long crinkly layers just like the artists draw the steam from a plum pudding on Christmas posters, and a lady in a blue silk and gasolined gauntlets was beginning to hum an air from the Catskills.

ā€œKerner,ā€ said I, ā€œyou are a fool.ā€

ā€œOf course,ā€ said Kerner, ā€œI wouldn’t let her go on working. Not my wife. What’s the use to wait? She’s willing. I sold that water color of the Palisades yesterday. We could cook on a two-burner gas stove. You know the ragouts I can throw together? Yes, I think we will marry next week.ā€

ā€œKerner,ā€ said I, ā€œyou are a fool.ā€

ā€œHave an absinthe drip?ā€ said Kerner, grandly. ā€œTonight you are the guest of Art in paying quantities. I think we will get a flat with a bath.ā€

ā€œI never tried one⁠—I mean an absinthe drip,ā€ said I.

The waiter brought it and poured the water slowly over the ice in the dripper.

ā€œIt looks exactly like the Mississippi River water in the big bend below Natchez,ā€ said I, fascinated, gazing at the be-muddled drip.

ā€œThere are such flats for eight dollars a week,ā€ said Kerner.

ā€œYou are a fool,ā€ said I, and began to sip the filtration. ā€œWhat you need,ā€ I continued, ā€œis the official attention of one Jesse Holmes.ā€

Kerner, not being a Southerner, did not comprehend, so he sat, sentimental, figuring on his flat in his sordid, artistic way, while I gazed into the green eyes of the sophisticated Spirit of Wormwood.

Presently I noticed casually that a procession of bacchantes limned on the wall immediately below the ceiling had begun to move, traversing the room from right to left in a gay and spectacular pilgrimage. I did not confide my discovery to Kerner. The artistic temperament is too high-strung to view such deviations from the natural laws of the art of kalsomining. I sipped my absinthe drip and sawed wormwood.

One absinthe drip is not much⁠—but I said again to Kerner, kindly:

ā€œYou are a fool.ā€ And then, in the vernacular: ā€œJesse Holmes for yours.ā€

And then I looked around and saw the Fool-Killer, as he had always appeared to my imagination, sitting at a nearby table, and regarding us with his reddish, fatal, relentless eyes. He was Jesse Holmes from top to toe; he had the long, gray, ragged beard, the gray clothes of ancient cut, the executioner’s look, and the dusty shoes of one who had been called from afar. His eyes were turned fixedly upon Kerner. I shuddered to think that I had invoked him from his assiduous southern duties. I thought of flying, and then I kept my seat, reflecting that many men had escaped his ministrations when it seemed that nothing short of an appointment as Ambassador to Spain could save them from him. I had called my brother Kerner a fool and was in danger of hell fire. That was nothing; but I would try to save him from Jesse Holmes.

The Fool-Killer got up from his table and came over to ours. He rested his hands upon it, and turned his burning, vindictive eyes upon Kerner, ignoring me.

ā€œYou are a hopeless fool,ā€ he said to the artist. ā€œHaven’t you had enough of starvation yet? I offer you one more opportunity. Give up this girl and come back to your home. Refuse, and you must take the consequences.ā€

The Fool-Killer’s threatening face was within a foot of his victim’s; but to my horror, Kerner made not the slightest sign of being aware of his presence.

ā€œWe will be married next week,ā€ he muttered absentmindedly. ā€œWith my studio furniture and some secondhand stuff we can make out.ā€

ā€œYou have decided your own fate,ā€ said the Fool-Killer, in a low but terrible voice. ā€œYou may consider yourself as one dead. You have had your last chance.ā€

ā€œIn the moonlight,ā€ went on Kerner, softly, ā€œwe will sit under the skylight with our guitar and sing away the false delights of pride and money.ā€

ā€œOn your own head be it,ā€ hissed the Fool-Killer, and my scalp prickled when I perceived that neither Kerner’s eyes nor his ears took the slightest cognizance of Jesse Holmes. And then I knew that for some reason the veil had been lifted for me alone, and that I had been elected to save my friend from destruction at the Fool-Killer’s hands. Something of the fear and wonder of it must have showed itself in my face.

ā€œExcuse me,ā€ said Kerner, with his wan, amiable smile; ā€œwas I talking to myself? I think it is getting to be a habit with me.ā€

The Fool-Killer turned and walked out of Farroni’s.

ā€œWait here for me,ā€ said I, rising; ā€œI must speak to that man. Had you no answer for him? Because you are a fool must you die like a mouse under his foot? Could you not utter one squeak in your own defence?ā€

ā€œYou are drunk,ā€ said Kerner, heartlessly. ā€œNo one addressed me.ā€

ā€œThe destroyer of your mind,ā€ said I, ā€œstood above you just now and marked you for his victim. You are not blind or deaf.ā€

ā€œI recognized no such person,ā€ said Kerner. ā€œI have seen no one but you at this table. Sit down. Hereafter you shall have no more absinthe drips.ā€

ā€œWait here,ā€ said I, furious; ā€œif you don’t care for your own life, I will save it for you.ā€

I hurried out and overtook the man in gray halfway down the block. He looked as I had seen him in my fancy a thousand times⁠—truculent, gray and awful. He walked with the white oak staff, and but for the street-sprinkler the dust would have been flying under his tread.

I caught him by the sleeve and steered him to a dark angle of a building. I knew he was a myth, and I did not want a cop to see me conversing with vacancy, for I might land in Bellevue minus

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