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would break down before his uncle and make a scene. They had said their last goodbye to one another in the garden the night before, and Philip was relieved that there was now no opportunity for them to be alone. He remained in the dining-room after breakfast in case Miss Wilkinson should insist on kissing him on the stairs. He did not want Mary Ann, now a woman hard upon middle age with a sharp tongue, to catch them in a compromising position. Mary Ann did not like Miss Wilkinson and called her an old cat. Aunt Louisa was not very well and could not come to the station, but the Vicar and Philip saw her off. Just as the train was leaving she leaned out and kissed Mr. Carey.

“I must kiss you too, Philip,” she said.

“All right,” he said, blushing.

He stood up on the step and she kissed him quickly. The train started, and Miss Wilkinson sank into the corner of her carriage and wept disconsolately. Philip, as he walked back to the vicarage, felt a distinct sensation of relief.

“Well, did you see her safely off?” asked Aunt Louisa, when they got in.

“Yes, she seemed rather weepy. She insisted on kissing me and Philip.”

“Oh, well, at her age it’s not dangerous.” Mrs. Carey pointed to the sideboard. “There’s a letter for you, Philip. It came by the second post.”

It was from Hayward and ran as follows:

My dear boy,

I answer your letter at once. I ventured to read it to a great friend of mine, a charming woman whose help and sympathy have been very precious to me, a woman withal with a real feeling for art and literature; and we agreed that it was charming. You wrote from your heart and you do not know the delightful naivete which is in every line. And because you love you write like a poet. Ah, dear boy, that is the real thing: I felt the glow of your young passion, and your prose was musical from the sincerity of your emotion. You must be happy! I wish I could have been present unseen in that enchanted garden while you wandered hand in hand, like Daphnis and Chloe, amid the flowers. I can see you, my Daphnis, with the light of young love in your eyes, tender, enraptured, and ardent; while Chloe in your arms, so young and soft and fresh, vowing she would ne’er consent⁠—consented. Roses and violets and honeysuckle! Oh, my friend, I envy you. It is so good to think that your first love should have been pure poetry. Treasure the moments, for the immortal gods have given you the Greatest Gift of All, and it will be a sweet, sad memory till your dying day. You will never again enjoy that careless rapture. First love is best love; and she is beautiful and you are young, and all the world is yours. I felt my pulse go faster when with your adorable simplicity you told me that you buried your face in her long hair. I am sure that it is that exquisite chestnut which seems just touched with gold. I would have you sit under a leafy tree side by side, and read together Romeo and Juliet; and then I would have you fall on your knees and on my behalf kiss the ground on which her foot has left its imprint; then tell her it is the homage of a poet to her radiant youth and to your love for her.

Yours always,

G. Etheridge Hayward.

“What damned rot!” said Philip, when he finished the letter.

Miss Wilkinson oddly enough had suggested that they should read Romeo and Juliet together; but Philip had firmly declined. Then, as he put the letter in his pocket, he felt a queer little pang of bitterness because reality seemed so different from the ideal.

XXXVI

A few days later Philip went to London. The curate had recommended rooms in Barnes, and these Philip engaged by letter at fourteen shillings a week. He reached them in the evening; and the landlady, a funny little old woman with a shrivelled body and a deeply wrinkled face, had prepared high tea for him. Most of the sitting-room was taken up by the sideboard and a square table; against one wall was a sofa covered with horsehair, and by the fireplace an armchair to match: there was a white antimacassar over the back of it, and on the seat, because the springs were broken, a hard cushion.

After having his tea he unpacked and arranged his books, then he sat down and tried to read; but he was depressed. The silence in the street made him slightly uncomfortable, and he felt very much alone.

Next day he got up early. He put on his tailcoat and the tall hat which he had worn at school; but it was very shabby, and he made up his mind to stop at the Stores on his way to the office and buy a new one. When he had done this he found himself in plenty of time and so walked along the Strand. The office of Messrs. Herbert Carter & Co. was in a little street off Chancery Lane, and he had to ask his way two or three times. He felt that people were staring at him a great deal, and once he took off his hat to see whether by chance the label had been left on. When he arrived he knocked at the door; but no one answered, and looking at his watch he found it was barely half past nine; he supposed he was too early. He went away and ten minutes later returned to find an office-boy, with a long nose, pimply face, and a Scotch accent, opening the door. Philip asked for Mr. Herbert Carter. He had not come yet.

“When will he be here?”

“Between ten and half past.”

“I’d better wait,” said Philip.

“What are you wanting?” asked the office-boy.

Philip was nervous,

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