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proper nocturnal indistinctness into the clear, hard light of positive statement. A novelist should present characters, not vivisect them publicly.⁠ ⁠…

The best, the kindliest, if not the justest course is surely to leave untold such things as Mr. Polly would manifestly have preferred untold.

Mr. Polly had declared that when the cyclist discovered him he was seeking a weapon that should make a conclusive end to Uncle Jim. That declaration is placed before the reader without comment.

The gun was certainly in possession of Uncle Jim at that time and no human being but Mr. Polly knows how he got hold of it.

The cyclist was a literary man named Warspite, who suffered from insomnia; he had risen and come out of his house near Lammam just before the dawn, and he discovered Mr. Polly partially concealed in the ditch by the Potwell churchyard wall. It is an ordinary dry ditch, full of nettles and overgrown with elder and dogrose, and in no way suggestive of an arsenal. It is the last place in which you would look for a gun. And he says that when he dismounted to see why Mr. Polly was allowing only the latter part of his person to show (and that it would seem by inadvertency), Mr. Polly merely raised his head and advised him to “Look out!” and added: “He’s let fly at me twice already.” He came out under persuasion and with gestures of extreme caution. He was wearing a white cotton nightgown of the type that has now been so extensively superseded by pyjama sleeping suits, and his legs and feet were bare and much scratched and torn and very muddy.

Mr. Warspite takes that exceptionally lively interest in his fellow-creatures which constitutes so much of the distinctive and complex charm of your novelist all the world over, and he at once involved himself generously in the case. The two men returned at Mr. Polly’s initiative across the churchyard to the Potwell Inn, and came upon the burst and damaged rook rifle near the new monument to Sir Samuel Harpon at the corner by the yew.

“That must have been his third go,” said Mr. Polly. “It sounded a bit funny.”

The sight inspirited him greatly, and he explained further that he had fled to the churchyard on account of the cover afforded by tombstones from the flight of small shot. He expressed anxiety for the fate of the landlady of the Potwell Inn and her grandchild, and led the way with enhanced alacrity along the lane to that establishment.

They found the doors of the house standing open, the bar in some disorder⁠—several bottles of whisky were afterwards found to be missing⁠—and Blake, the village policeman, rapping patiently at the open door. He entered with them. The glass in the bar had suffered severely, and one of the mirrors was starred from a blow from a pewter pot. The till had been forced and ransacked, and so had the bureau in the minute room behind the bar. An upper window was opened and the voice of the landlady became audible making enquiries. They went out and parleyed with her. She had locked herself upstairs with the little girl, she said, and refused to descend until she was assured that neither Uncle Jim nor Mr. Polly’s gun were anywhere on the premises. Mr. Blake and Mr. Warspite proceeded to satisfy themselves with regard to the former condition, and Mr. Polly went to his room in search of garments more suited to the brightening dawn. He returned immediately with a request that Mr. Blake and Mr. Warspite would “just come and look.” They found the apartment in a state of extraordinary confusion, the bedclothes in a ball in the corner, the drawers all open and ransacked, the chair broken, the lock of the door forced and broken, one door panel slightly scorched and perforated by shot, and the window wide open. None of Mr. Polly’s clothes were to be seen, but some garments which had apparently once formed part of a stoker’s workaday outfit, two brownish yellow halves of a shirt, and an unsound pair of boots were scattered on the floor. A faint smell of gunpowder still hung in the air, and two or three books Mr. Polly had recently acquired had been shied with some violence under the bed. Mr. Warspite looked at Mr. Blake, and then both men looked at Mr. Polly. “That’s his boots,” said Mr. Polly.

Blake turned his eye to the window. “Some of these tiles ’ave just got broken,” he observed.

“I got out of the window and slid down the scullery tiles,” Mr. Polly answered, omitting much, they both felt, from his explanation.⁠ ⁠…

“Well, we better find ’im and ’ave a word with ’im,” said Blake. “That’s about my business now.”

XII

But Uncle Jim had gone altogether.⁠ ⁠…

He did not return for some days. That perhaps was not very wonderful. But the days lengthened to weeks and the weeks to months and still Uncle Jim did not recur. A year passed, and the anxiety of him became less acute; a second healing year followed the first. One afternoon about thirty months after the Night Surprise the plump woman spoke of him.

“I wonder what’s become of Jim,” she said.

“I wonder sometimes,” said Mr. Polly.

X Miriam Revisited I

One summer afternoon about five years after his first coming to the Potwell Inn Mr. Polly found himself sitting under the pollard willow fishing for dace. It was a plumper, browner and healthier Mr. Polly altogether than the miserable bankrupt with whose dyspeptic portrait our novel opened. He was fat, but with a fatness more generally diffused, and the lower part of his face was touched to gravity by a small square beard. Also he was balder.

It was the first time he had found leisure to fish, though from the very outset of his Potwell career he had promised himself abundant indulgence in the pleasures of fishing. Fishing, as the golden page of English literature testifies, is a meditative and retrospective pursuit, and the varied page of memory, disregarded so long for sake of the

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