The First Men in the Moon H. Wells (howl and other poems txt) 📖

i ordered up writing materials, and addressed a letter to the New Romney Bank — the nearest, the waiter informed me — telling the manager I wished to open an account with him, and requesting him to send two trustworthy persons properly authenticated in a cab with a good horse to fetch some hundredweight of gold with which I happened to be encumbered. I signed the letter ‘Blake,’ which seemed to me to be a thoroughly respectable sort of name. This done, I got a Folkestone Blue Book,* picked out an outfitter, and asked him to send a cutter to measure me for a drab tweed suit, ordering at the same time a valise, dressing bag, brown boots, shirts, hats (to fit), and so forth; and from a watchmaker I also ordered a watch. And these letters being despatched, I had up as good a lunch as the hotel could give, and then lay smoking a cigar, as calm and ordinary as possible, until in accordance with my instructions two duly authenticated clerks came from the bank and weighed and took away my gold. After which I pulled the clothes over my ears in order to drown any knocking, and went very comfortably to sleep.

I went to sleep. No doubt it was a prosaic thing for the first man back from the moon to do, and I can imagine that the young and imaginative reader will find my behaviour disappointing. But I was horribly fatigued and bothered, and, confound it! what else was there to do? There certainly was not the remotest chance of my being believed, if I had told my story then, and it would certainly have subjected me to intolerable annoyances. I went to sleep. When at last I woke up again I was ready to face the world, as I have always been accustomed to face it since I came to years of discretion.* And so I got away to Italy, and there it is I am writing this story. If the world will not have it as fact, then the world may take it as fiction. It is no concern of mine.

And now that the account is finished, I am amazed to think how completely this adventure is gone and done with. Everybody believes that Cavor was a not very brilliant scientific experimenter who blew up his house and himself at Lympne, and they explain the bang that followed my arrival at Littlestone by a reference to the experiments with explosives that are going on continually at the government establishment of Lydd,* two miles away. I must confess that hitherto I have not acknowledged my share in the disappearance of Master Tommy Simmons,* which was that little boy’s name. That, perhaps, may prove a difficult item of corroboration to explain away. They account for my appearance in rags with two bars of indisputable gold upon the Littlestone beach in various ingenious ways — it doesn’t worry me what they think of me. They say I have strung all these things together to avoid being questioned too closely as to the source of my wealth. I would like to see the man who could invent a story that would hold together like this one. Well, they must take it as fiction — there it is.

I have told my story — and now I suppose I have to take up the worries of this terrestrial life again. Even if one has been to the moon, one has still to earn a living. So I am working here at Amalfi,* on the scenario of that play I sketched before Cavor came walking into my world, and I am trying to piece my life together as it was before ever I saw him. I must confess that I find it hard to keep my mind on the play when the moonshine comes into my room. It is full moon here, and last night I was out on the pergola for hours, staring away at that shining blankness that hides so much. Imagine it! tables and chairs, and trestles and bars of gold! Confound it! — if only one could hit on that Cavorite again! But a thing like that doesn’t come twice in a life. Here I am, a little better off than I was at Lympne, and that is all. And Cavor has committed suicide in a more elaborate way than any human being ever did before. So the story closes as finally and completely as a dream. It fits in so little with all the other things of life, so much of it is so utterly remote from all human experience, the leaping, the eating, the breathing, and these weightless times, that indeed there are moments when, in spite of my moon gold, I do more than half believe myself that the whole thing was a dream. . . .

XXII

The Astonishing Communication of Mr Julius Wendigee

When I had finished my account of my return to the earth at Littlestone I wrote, ‘The End,’ made a flourish, and threw my pen aside, fully believing that the whole story of the First Men in the Moon was done. Not only had I done this, but I had placed my manuscript in the hands of a literary agent, had permitted it to be sold, had seen the greater portion of it appear in the Strand Magazine, and was setting to work again upon the scenario of the play I had commenced at Lympne before I realised that the end was not yet. And then, following me from Amalfi to Algiers, there reached me (it is now about six months ago) one of the most astounding communications I have ever been fated to receive. Briefly, it informed me that Mr Julius Wendigee, a Dutch electrician, who has been experimenting with certain apparatus akin to the apparatus used by Mr Tesla in America,* in the hope of discovering some method of communication with Mars, was receiving day by day a