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But as he suffered no one to attend him in these inspections, he concealed the blemish by some preparation which none knew better to devise.

The casting of such a mass was deemed no small triumph for the caster; one, too, in which the state might not scorn to share. The homicide was overlooked. By the charitable that deed was but imputed to sudden transports of esthetic passion, not to any flagitious quality. A kick from an Arabian charger; not sign of vice, but blood.

His felony remitted by the judge, absolution given him by the priest, what more could even a sickly conscience have desired.

Honoring the tower and its builder with another holiday, the republic witnessed the hoisting of the bells and clockwork amid shows and pomps superior to the former.

Some months of more than usual solitude on Bannadonna’s part ensued. It was not unknown that he was engaged upon something for the belfry, intended to complete it, and surpass all that had gone before. Most people imagined that the design would involve a casting like the bells. But those who thought they had some further insight, would shake their heads, with hints, that not for nothing did the mechanician keep so secret. Meantime, his seclusion failed not to invest his work with more or less of that sort of mystery pertaining to the forbidden.

Ere long he had a heavy object hoisted to the belfry, wrapped in a dark sack or cloak⁠—a procedure sometimes had in the case of an elaborate piece of sculpture, or statue, which, being intended to grace the front of a new edifice, the architect does not desire exposed to critical eyes, till set up, finished, in its appointed place. Such was the impression now. But, as the object rose, a statuary present observed, or thought he did, that it was not entirely rigid, but was, in a manner, pliant. At last, when the hidden thing had attained its final height, and, obscurely seen from below, seemed almost of itself to step into the belfry, as if with little assistance from the crane, a shrewd old blacksmith present ventured the suspicion that it was but a living man. This surmise was thought a foolish one, while the general interest failed not to augment.

Not without demur from Bannadonna, the chief-magistrate of the town, with an associate⁠—both elderly men⁠—followed what seemed the image up the tower. But, arrived at the belfry, they had little recompense. Plausibly entrenching himself behind the conceded mysteries of his art, the mechanician withheld present explanation. The magistrates glanced toward the cloaked object, which, to their surprise, seemed now to have changed its attitude, or else had before been more perplexingly concealed by the violent muffling action of the wind without. It seemed now seated upon some sort of frame, or chair, contained within the domino. They observed that nigh the top, in a sort of square, the web of the cloth, either from accident or design, had its warp partly withdrawn, and the cross threads plucked out here and there, so as to form a sort of woven grating. Whether it were the low wind or no, stealing through the stone latticework, or only their own perturbed imaginations, is uncertain, but they thought they discerned a slight sort of fitful, springlike motion, in the domino. Nothing, however incidental or insignificant, escaped their uneasy eyes. Among other things, they pried out, in a corner, an earthen cup, partly corroded and partly encrusted, and one whispered to the other, that this cup was just such a one as might, in mockery, be offered to the lips of some brazen statue, or, perhaps, still worse.

But, being questioned, the mechanician said, that the cup was simply used in his founder’s business, and described the purpose; in short, a cup to test the condition of metals in fusion. He added, that it had got into the belfry by the merest chance.

Again, and again, they gazed at the domino, as at some suspicious incognito at a Venetian mask. All sorts of vague apprehensions stirred them. They even dreaded lest, when they should descend, the mechanician, though without a flesh and blood companion, for all that, would not be left alone.

Affecting some merriment at their disquietude, he begged to relieve them, by extending a coarse sheet of workman’s canvas between them and the object.

Meantime he sought to interest them in his other work; nor, now that the domino was out of sight, did they long remain insensible to the artistic wonders lying round them; wonders hitherto beheld but in their unfinished state; because, since hoisting the bells, none but the caster had entered within the belfry. It was one trait of his, that, even in details, he would not let another do what he could, without too great loss of time, accomplish for himself. So, for several preceding weeks, whatever hours were unemployed in his secret design, had been devoted to elaborating the figures on the bells.

The clock-bell, in particular, now drew attention. Under a patient chisel, the latent beauty of its enrichments, before obscured by the cloudings incident to casting, that beauty in its shyest grace, was now revealed. Round and round the bell, twelve figures of gay girls, garlanded, hand-in-hand, danced in a choral ring⁠—the embodied hours.

“Bannadonna,” said the chief, “this bell excels all else. No added touch could here improve. Hark!” hearing a sound, “was that the wind?”

“The wind, Excellenza,” was the light response. “But the figures, they are not yet without their faults. They need some touches yet. When those are given, and the⁠—block yonder,” pointing towards the canvas screen, “when Haman there, as I merrily call him⁠—him? it, I mean⁠—when Haman is fixed on this, his lofty tree, then, gentlemen, will I be most happy to receive you here again.”

The equivocal reference to the object caused some return of restlessness. However, on their part, the visitors forbore further allusion to it, unwilling, perhaps, to let the foundling see how easily it lay within his plebeian art

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