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hovering before him. It was she who reminded him of the surviving brother, Henry Harrington, and she also who suggested that he might be got hold of by means of their hosts of the day before. “He might be a hopeless crank,” objected Gayton. “That could be ascertained from the Bennetts, who knew him,” Mrs. Gayton retorted; and she undertook to see the Bennetts the very next day.

It is not necessary to tell in further detail the steps by which Henry Harrington and Dunning were brought together.

The next scene that does require to be narrated is a conversation that took place between the two. Dunning had told Harrington of the strange ways in which the dead man’s name had been brought before him, and had said something, besides, of his own subsequent experiences. Then he had asked if Harrington was disposed, in return, to recall any of the circumstances connected with his brother’s death. Harrington’s surprise at what he heard can be imagined: but his reply was readily given.

“John,” he said, “was in a very odd state, undeniably, from time to time, during some weeks before, though not immediately before, the catastrophe. There were several things; the principal notion he had was that he thought he was being followed. No doubt he was an impressionable man, but he never had had such fancies as this before. I cannot get it out of my mind that there was ill-will at work, and what you tell me about yourself reminds me very much of my brother. Can you think of any possible connecting link?”

“There is just one that has been taking shape vaguely in my mind. I’ve been told that your brother reviewed a book very severely not long before he died, and just lately I have happened to cross the path of the man who wrote that book in a way he would resent.”

“Don’t tell me the man was called Karswell.”

“Why not? that is exactly his name.”

Henry Harrington leant back. “That is final to my mind. Now I must explain further. From something he said, I feel sure that my brother John was beginning to believe⁠—very much against his will⁠—that Karswell was at the bottom of his trouble. I want to tell you what seems to me to have a bearing on the situation. My brother was a great musician, and used to run up to concerts in town. He came back, three months before he died, from one of these, and gave me his programme to look at⁠—an analytical programme: he always kept them. ‘I nearly missed this one,’ he said. ‘I suppose I must have dropped it: anyhow, I was looking for it under my seat and in my pockets and so on, and my neighbour offered me his: said “might he give it me, he had no further use for it,” and he went away just afterwards. I don’t know who he was⁠—a stout, clean-shaven man. I should have been sorry to miss it; of course I could have bought another, but this cost me nothing.’ At another time he told me that he had been very uncomfortable both on the way to his hotel and during the night. I piece things together now in thinking it over. Then, not very long after, he was going over these programmes, putting them in order to have them bound up, and in this particular one (which by the way I had hardly glanced at), he found quite near the beginning a strip of paper with some very odd writing on it in red and black⁠—most carefully done⁠—it looked to me more like Runic letters than anything else. ‘Why,’ he said, ‘this must belong to my fat neighbour. It looks as if it might be worth returning to him; it may be a copy of something; evidently someone has taken trouble over it. How can I find his address?’ We talked it over for a little and agreed that it wasn’t worth advertising about, and that my brother had better look out for the man at the next concert, to which he was going very soon. The paper was lying on the book and we were both by the fire; it was a cold, windy summer evening. I suppose the door blew open, though I didn’t notice it: at any rate a gust⁠—a warm gust it was⁠—came quite suddenly between us, took the paper and blew it straight into the fire: it was light, thin paper, and flared and went up the chimney in a single ash. ‘Well,’ I said, ‘you can’t give it back now.’ He said nothing for a minute: then rather crossly, ‘No, I can’t; but why you should keep on saying so I don’t know.’ I remarked that I didn’t say it more than once. ‘Not more than four times, you mean,’ was all he said. I remember all that very clearly, without any good reason; and now to come to the point. I don’t know if you looked at that book of Karswell’s which my unfortunate brother reviewed. It’s not likely that you should: but I did, both before his death and after it. The first time we made game of it together. It was written in no style at all⁠—split infinitives, and every sort of thing that makes an Oxford gorge rise. Then there was nothing that the man didn’t swallow: mixing up classical myths, and stories out of the Golden Legend with reports of savage customs of today⁠—all very proper, no doubt, if you know how to use them, but he didn’t: he seemed to put the Golden Legend and the Golden Bough exactly on a par, and to believe both: a pitiable exhibition, in short. Well, after the misfortune, I looked over the book again. It was no better than before, but the impression which it left this time on my mind was different. I suspected⁠—as I told you⁠—that Karswell had borne ill-will to my brother, even that he was in

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