Essays Henry David Thoreau (little bear else holmelund minarik .txt) 📖

solid and unquestionable piece of poetic work than that episode of “The Ancient Monk,” in Past and Present, at once idyllic, narrative, heroic; a beautiful restoration of a past age. There is nothing like it elsewhere that we know of. The History of the French Revolution is a poem, at length translated into prose⁠—an Iliad, indeed, as he himself has it⁠—“The destructive wrath of Sansculotism: this is what we speak, having unhappily no voice for singing.”

One improvement we could suggest in this last, as indeed in most epics, that he should let in the sun oftener upon his picture. It does not often enough appear, but it is all revolution, the old way of human life turned simply bottom upward, so that when at length we are inadvertently reminded of the “Brest Shipping,” a St. Domingo colony, and that anybody thinks of owning plantations, and simply turning up the soil there, and that now at length, after some years of this revolution, there is a falling off in the importation of sugar, we feel a queer surprise. Had they not sweetened their water with revolution then? It would be well if there were several chapters headed “Work for the Month,”⁠—Revolution-work inclusive, of course⁠—“Altitude of the Sun,” “State of the Crops and Markets,” “Meteorological Observations,” “Attractive Industry,” “Day Labor,” etc., just to remind the reader that the French peasantry did something beside go without breeches, burn châteaus, get ready knotted cords, and embrace and throttle one another by turns. These things are sometimes hinted at, but they deserve a notice more in proportion to their importance. We want not only a background to the picture, but a ground under the feet also. We remark, too, occasionally, an unphilosophical habit, common enough elsewhere, in Alison’s History of Modern Europe, for instance, of saying, undoubtedly with effect, that if a straw had not fallen this way or that, why then⁠—but, of course, it is as easy in philosophy to make kingdoms rise and fall as straws. The old adage is as true for our purpose, which says that a miss is as good as a mile. Who shall say how near the man came to being killed who was not killed? If an apple had not fallen then we had never heard of Newton and the law of gravitation; as if they could not have contrived to let fall a pear as well.

The poet is blithe and cheery ever, and as well as nature. Carlyle has not the simple Homeric health of Wordsworth, nor the deliberate philosophic turn of Coleridge, nor the scholastic taste of Landor, but, though sick and under restraint, the constitutional vigor of one of his old Norse heroes, struggling in a lurid light, with Jötuns still, striving to throw the old woman, and “she was Time”⁠—striving to lift the big cat⁠—and that was “the Great World-Serpent, which, tail in mouth, girds and keeps up the whole created world.” The smith, though so brawny and tough, I should not call the healthiest man. There is too much shop-work, too great extremes of heat and cold, and incessant ten-pound-ten and thrashing of the anvil, in his life. But the haymaker’s is a true sunny perspiration, produced by the extreme of summer heat only, and conversant with the blast of the zephyr, not of the forge-bellows. We know very well the nature of this man’s sadness, but we do not know the nature of his gladness. There sits Bull in the court all the year round, with his hoarse bark and discontented growl⁠—not a cross dog, only a canine habit, verging to madness some think⁠—now separated from the shuddering travelers only by the paling, now heard afar in the horizon, even melodious there; baying the moon o’ nights, baying the sun by day, with his mastiff mouth. He never goes after the cows, nor stretches in the sun, nor plays with the children. Pray give him a longer rope, ye gods, or let him go at large, and never taste raw meat more.

The poet will maintain serenity in spite of all disappointments. He is expected to preserve an unconcerned and healthy outlook over the world, while he lives. Philosophia practica est eruditionis meta, philosophy practiced is the goal of learning; and for that other, Oratoris est celare artem, we might read, Herois est celare pugnam, the hero will conceal his struggles. Poetry is the only life got, the only work done, the only pure product and free labor of man, performed only when he has put all the world under his feet, and conquered the last of his foes.

Carlyle speaks of Nature with a certain unconscious pathos for the most part. She is to him a receded but ever memorable splendor, casting still a reflected light over all his scenery. As we read his books here in New England, where there are potatoes enough, and every man can get his living peacefully and sportively as the birds and bees, and need think no more of that, it seems to us as if by the world he often meant London, at the head of the tide upon the Thames, the sorest place on the face of the earth, the very citadel of conservatism. Possibly a South African village might have furnished a more hopeful, and more exacting audience, or in the silence of the wilderness and the desert, he might have addressed himself more entirely to his true audience posterity.

In his writings, we should say that he, as conspicuously as any, though with little enough expressed or even conscious sympathy, represents the Reformer class, and all the better for not being the acknowledged leader of any. In him the universal plaint is most settled, unappeasable and serious. Until a thousand named and nameless grievances are righted, there will be no repose for him in the lap of nature, or the seclusion of science and literature. By foreseeing it he hastens the crisis in the