Queen Victoria Lytton Strachey (a book to read .txt) 📖

Geology, Geometry, Rhetoric, Medicine, Philosophy, and Physiology⁠—were fixed on their glittering pinnacles, high in air. The statue of Physiology was particularly admired. “On her left arm,” the official description informs us, “she bears a newborn infant, as a representation of the development of the highest and most perfect of physiological forms; her hand points towards a microscope, the instrument which lends its assistance for the investigation of the minuter forms of animal and vegetable organisms.” At last the gilded cross crowned the dwindling galaxies of superimposed angels, the four continents in white marble stood at the four corners of the base, and, seven years after its inception, in July, 1872, the monument was thrown open to the public.

But four more years were to elapse before the central figure was ready to be placed under its starry canopy. It was designed by Mr. Foley, though in one particular the sculptor’s freedom was restricted by Mr. Scott. “I have chosen the sitting posture,” Mr. Scott said, “as best conveying the idea of dignity befitting a royal personage.” Mr. Foley ably carried out the conception of his principal. “In the attitude and expression,” he said, “the aim has been, with the individuality of portraiture, to embody rank, character, and enlightenment, and to convey a sense of that responsive intelligence indicating an active, rather than a passive, interest in those pursuits of civilisation illustrated in the surrounding figures, groups, and relievos⁠ ⁠… To identify the figure with one of the most memorable undertakings of the public life of the Prince⁠—the International Exhibition of 1851⁠—a catalogue of the works collected in that first gathering of the industry of all nations, is placed in the right hand.” The statue was of bronze gilt and weighed nearly ten tons. It was rightly supposed that the simple word “Albert,” cast on the base, would be a sufficient means of identification.322

VIII Gladstone and Lord Beaconsfield I

Lord Palmerston’s laugh⁠—a queer metallic “Ha! ha! ha!” with reverberations in it from the days of Pitt and the Congress of Vienna⁠—was heard no more in Piccadilly;323 Lord John Russell dwindled into senility; Lord Derby tottered from the stage. A new scene opened; and new protagonists⁠—Mr. Gladstone and Mr. Disraeli⁠—struggled together in the limelight. Victoria, from her post of vantage, watched these developments with that passionate and personal interest which she invariably imported into politics. Her prepossessions were of an unexpected kind. Mr. Gladstone had been the disciple of her revered Peel, and had won the approval of Albert; Mr. Disraeli had hounded Sir Robert to his fall with hideous virulence, and the Prince had pronounced that he “had not one single element of a gentleman in his composition.”324 Yet she regarded Mr. Gladstone with a distrust and dislike which steadily deepened, while upon his rival she lavished an abundance of confidence, esteem, and affection such as Lord Melbourne himself had hardly known.

Her attitude towards the Tory Minister had suddenly changed when she found that he alone among public men had divined her feelings at Albert’s death. Of the others she might have said “they pity me and not my grief;” but Mr. Disraeli had understood; and all his condolences had taken the form of reverential eulogies of the departed. The Queen declared that he was “the only person who appreciated the Prince.”325 She began to show him special favour; gave him and his wife two of the coveted seats in St. George’s Chapel at the Prince of Wales’s wedding, and invited him to stay a night at Windsor. When the grant for the Albert Memorial came before the House of Commons, Disraeli, as leader of the Opposition, eloquently supported the project. He was rewarded by a copy of the Prince’s speeches, bound in white morocco, with an inscription in the royal hand. In his letter of thanks he “ventured to touch upon a sacred theme,” and, in a strain which reechoed with masterly fidelity the sentiments of his correspondent, dwelt at length upon the absolute perfection of Albert. “The Prince,” he said, “is the only person whom Mr. Disraeli has ever known who realised the Ideal. None with whom he is acquainted have ever approached it. There was in him a union of the manly grace and sublime simplicity, of chivalry with the intellectual splendour of the Attic Academe. The only character in English history that would, in some respects, draw near to him is Sir Philip Sidney: the same high tone, the same universal accomplishments, the same blended tenderness and vigour, the same rare combination of romantic energy and classic repose.” As for his own acquaintance with the Prince, it had been, he said, “one of the most satisfactory incidents of his life: full of refined and beautiful memories, and exercising, as he hopes, over his remaining existence, a soothing and exalting influence.” Victoria was much affected by “the depth and delicacy of these touches,” and henceforward Disraeli’s place in her affections was assured.326 When, in 1866, the Conservatives came into office, Disraeli’s position as Chancellor of the Exchequer and leader of the House necessarily brought him into a closer relation with the Sovereign. Two years later Lord Derby resigned, and Victoria, with intense delight and peculiar graciousness, welcomed Disraeli as her First Minister.327

But only for nine agitated months did he remain in power. The Ministry, in a minority in the Commons, was swept out of existence by a general election. Yet by the end of that short period the ties which bound together the Queen and her Premier had grown far stronger than ever before; the relationship between them was now no longer merely that between a grateful mistress and a devoted servant: they were friends. His official letters, in which the personal element had always been perceptible, developed into racy records of political news and social gossip, written, as Lord Clarendon said, “in his best novel style.” Victoria was delighted; she