Hope Levy, Marc (distant reading .txt) đ
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He started by letting her practice alone first, joining in as soon as the first few notes of âYoung Dancers in the Moonlightâ rang out.
George Rapoport stepped out of his office to listen, hiding behind the stage. Half an hour later, he sighed and returned to his business.
As the afternoon drew to a close, Simon decided they had practiced enough for a first session, and he took her to eat at a nearby restaurant.
As soon as they left, Rapoport took out his phone and called Harold.
Melly took Simon to Mimiâs. The restaurant was packed, and so they decided to grab lunch at the bar. Simon ordered two glasses of champagne.
âThat was interesting for a first attempt,â he said, clinking Mellyâs glass.
âNot good enough?â
âWeâll need to rehearse some more to get you back in the game, but I promise, you coped very well. We started with a pretty tricky piece.â
âYouâre a bad liar, which is a shame, because I have to take your word for it.â
âDonât exaggerate.â Simon smiled. He was teasing her.
âNo, seriously. I read the music, and my hands do the work without me thinking. Itâs a strange feeling. Almost disturbing.â
âI know a lot of pianists who would love to be as disturbed as you. Youâre as talented as you ever were.â
âSo whatâs the problem?â
Simon handed her the menu.
âIâm absolutely starving. What would you like? My treat.â
Betsy was surprised not to find Harold in the dining room. He was always unfailingly punctual when it came to meals. She called down the corridor, stuck her head into his office, ventured up to the bedroom, and called Walt to check whether her husband was home. The driver said he was, but didnât know where exactly he might be.
With a growing sense of niggling worry, Betsy scoured both wings of the mansion. Wondering whether she had missed anything, she retraced her steps and headed for the music room. Harold was slumped in the armchair he always sat in when listening to his daughter play, holding his head in his hands. He hadnât even heard Betsy come in.
âHarold? Whatâs wrong?â
He looked up. His face was crumpled with sorrow, and a shot of anxiety rushed through Betsy.
âHas something happened to Melly?â
âNo,â he sighed.
âDo you swear?â
âSheâs fine. Sheâs having lunch downtown.â
Betsy looked at him worriedly.
âWere you having an affair? Has she left you?â
âDonât be silly . . .â
âThen tell me whatâs wrong, Harold.â
âRapoport!â
âIs George unwell?â
âNo. Heâs highly perceptive, with a taste for cruelty that I never would have suspected.â
âIs he cheating on Nina?â
âBetsy, stop with the affairs thing. Youâre beginning to annoy me!â Harold sighed. âHe called me earlier to tell me our daughter has lost her talent. He said, âHer hands move perfectly, my dear Harold. Thatâs the least youâd expect after all these years. But the feeling, Harold. Where has her feeling gone? Melody has lost her artistic soul, Harold.â The moron felt he needed to use my name with every sentence, like a hammer striking in a nail and hitting it over and over, even once itâs disappeared into the wall. âWe canât have her back in the orchestra, Harold,â he said. âI canât tell you how much it pains me to sayâ . . .â
âTo say what?â
âI donât know. I hung up on him.â
âYou were right to do so.â
âI should buy the orchestra and have him fired.â
âYou should think of how youâre going to break the news to Melody, instead.â
âSomething happened. Mellyâs not herself. Have you seen how she dresses, now?â
âHarold . . .â
âOh please, donât you start too! I know my own name, goddamn it!â
âPlease, calm yourself and listen to me. We nearly lost her. The miracles of modern medicine brought her back to us. But the time has come for us to grieve the person she was before the accident. Itâs true; sheâs changed,â Betsy conceded. âSheâs more carefree now, less obsessed with her music. Sometimes she seems somewhere else. She speaks a little differently. Sheâs interested in other things. And in other people, which she never used to be. Her tastes have changed, and although her career might be over, one thing hasnât changed: sheâs still our daughter, Melly.â
âWell, I donât recognize her anymore! She doesnât look at me as if I were a monster. Sometimes, itâs like sheâs not even there. Her answers donât make sense, or they feel wrong. When we talk about the past, she says the wrong thing when she tries to convince us that she remembers what weâre talking about. Itâs more than that.â Harold reflected. âItâs as if sheâs never lived in this house at all. Itâs as if sheâs never shared anything at all with us. Donât say anything.â He held up a hand. âI can see it in your eyes. I know what youâre thinking. Okay, so Iâm a monster, and youâre a saint. But Iâm a monster who sees things for what they are. Youâre in denial.â
Harold strode across the room and went to shut himself in his office.
That night, Betsy couldnât sleep. A storm was rumbling across the region. The rain battered the windowpanes as lightning flashed, illuminating the bedroom. Betsy wasnât scared of the thunder, but the wind that howled through the estateâs treetops made her shiver, plunging her back into that night when everything had changed. She tossed and turned on her pillow, and thought back to Mellyâs nightmare. It hadnât been the first. One night before, she had walked past her bedroom, and heard her whimpering through the door.
At half past five in the morning, Betsy went down to the kitchen. The staff wasnât up yet, but she didnât care. She relished being alone. She made herself a cup of tea and sat down at the table. She needed to think.
When the clock struck six oâclock, she gathered her courage in both hands and left Mellyâs
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