Libertie Kaitlyn Greenidge (ebook reader browser txt) đź“–
- Author: Kaitlyn Greenidge
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Like Ella, none of these women had been to America for a very long time. The America they described was a kind of dream, where Negro people lived in perfect harmony, with kind and just laws, and every Negro woman stayed home to stitch counterpanes while her husband entered the world. I could not tell if they had been so long gone that they really believed this fantasy to be true, or if it was a collective fiction they engaged in together to pass the time, but to hear it made me wish to scream.
I attempted, once, very early on, to set them right. I told them of the red marks the whites had left on our doors. I said, “There are men following the law right now whom white men string up on trees for exercising their rights.”
There was a pause in the room. One woman covered her mouth. Another murmured, “Mercy.”
Ella did not even look up from the sewing work in her lap. Her hands moved the needle in and out of the fabric, humming like a cicada. “But there is justice in America,” she said. “It will be set right. Here, Negroes cut down other Negroes for politics, too. It is our own against our own. In America, we are not so uncivilized as that.”
I very nearly rushed across the room and ripped the embroidery from her hands. Instead, I stood and left, and I made it a habit to do so every afternoon, when I had sat long enough to be deemed polite. The only thing that saved me was the knowledge that the world my husband was building, that I was sure I would soon join him in building, was bigger than what Ella or those women could possibly imagine. I held this knowledge close to me and it cooled me in the middle of these endless, turgid afternoons, as if I had pressed a wet cloth to the back of my neck.
At some point during each discussion, a woman would excuse herself to go to Bishop Chase’s door, by prearrangement. “I forgot,” she would say, “the bishop asked to see me,” and she would get up, and none of the other women in the room would meet her eye, and Ella, especially, would double down in her viciousness as soon as the woman took her leave.
It was always the darker women, or, I should say, the less pale ones who went, and I thought that was what made Ella rage. She had the worst case of colorstruck I’d ever seen, and I figured it was so bad she was even begrudging these women the chance to talk a little salvation with her father in his library. I pitied her for it, and it made me even more wary of her.
The bishop himself avoided both Ella and me, and Ti Me, though he was home when we were, more often than not. He still did not say a word to me directly. Sometimes, he let his eye rest on the fold of my skirt or my apron and he frowned in disapproval, but he never spoke. It was strange to live in a man’s house and serve his son and not speak to him, but I thought of Mr. Grady—how shy he had been, how he had avoided speaking to me then—and I thought it must be the same with the bishop. But I did not respect the bishop or yearn to know him half as much as I had Mr. Grady. I thought of him more as an example of the worst parts of Emmanuel, and it was a relief that he did not try to talk to me. Seeing him made me scared of the kind of man my husband could possibly become. And I did not want that for him. For no one was loved in that neighborhood more than he, and it was through this love that everyone else—that is, our Haitian neighbors, not the sour-faced American women who followed Ella’s whims—said my new name with respect and pride.
“Madam Chase, se madanm mesye Emmanuel!”
I had always thought titles were silly. Or rather, the only one to be respected was “Doctor.” But I took an inordinate, stubborn pride in my new name, in the name I was now called in the streets when I walked to market with Ti Me and Ella. Madame Chase, Madame Chase, Madame Chase.
“Call me that, please,” I said, teasing Emmanuel at night, and this delighted him almost as much as the iron keys on my naked body.
“You know, Madame Chase,” he said, “it is a kind of work, to call things by their true names. To change their names.”
“A kind of work?”
“That is what we call the practice of Vodoun when it is done. A work. It is an industry for the spirit. It is a task of repair. And it can be as simple as giving something its rightful name. As I have and as the streets have done for you. And, look, you embrace it. And so we will be right.”
I wanted, so badly, to believe him.
Dear Libertie,
I feel it is time to speak plainly. There is no reason not to anymore. I have tried, as your mother, to only speak to you the truth, to remain impartial, to have you grow up with a love as pure as justice. But what good has that done? You’ve still chosen the flesh, anyways. So let me be fleshy, here, with you, since it makes no difference.
I miss you more than I thought possible. It was different when you were gone to school, and I was sure you would be returned to
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