Scarhaven Keep J. S. Fletcher (early reader chapter books TXT) 📖

response of lip and eye. “I don’t do things by halves. I say⁠—they’re gone! But⁠—I’m here. Come, now⁠—I’ve made a clean breast of it all. The thing’s over and done with. There’s nothing to prevent Miss Greyle there coming into her rights⁠—I can prove ’em⁠—my father can prove them. So⁠—is it any use doing what that old gentleman’s just worrying to do? You can all see what he wants⁠—he’s dying to hand me over to the police.”

Sir Cresswell Oliver rose, glanced at Audrey and her mother, received some telepathic communication from them, and assumed his old quarterdeck manner.

“Not tonight, I think, Petherton,” he said authoritatively. “No⁠—certainly not tonight!”

Some months later, when Audrey Greyle had come into possession of Scarhaven, and had married Copplestone in the little church behind her mother’s cottage, she and her husband, to satisfy a mutual and long-cherished desire, visited a certain romantic and retired part of the country. And in the course of their wanderings they came across a very pretty village, and in it a charmingly situated retreat, which looked so attractive from the road along which they were walking that they halted and peered at it through its trimly-kept boundary hedge. And there, seated in the easiest of chairs on the smoothest of lawns, roses about him, a cigar in his mouth, the newspaper in his hand, a glass at his elbow, they saw Peter Chatfield. They looked at him for a long moment; then they looked at each other and smiled delightedly, as children might smile at a pleasure-giving picture, and they passed on in silence. But when that village lay behind them, Copplestone gave his wife a sly glance, and permitted himself to make an epigram.

“Chatfield!” he said musingly. “Chatfield!⁠—sublimely ungrateful that he isn’t in Dartmoor.”

Colophon

Scarhaven Keep
was published in 1922 by
J. S. Fletcher.

This ebook was produced for
Standard Ebooks
by
Dave Halliday,
and is based on a transcription produced in 2006 by
Juliet Sutherland, Mary Meehan, and The Online Distributed Proofreading Team
for
Project Gutenberg
and on digital scans available at the
Internet Archive.

The cover page is adapted from
Landscape with the Ruins of the Castle of Egmond,
a painting completed between 1650⁠–⁠1655 by
Jacob van Ruisdael.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
May 10, 2019, 11:35 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/j-s-fletcher/scarhaven-keep.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you can’t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

Copyright laws are different around the world. If you’re not located in the U.S., check with your local laws before using this ebook.

Non-authorship activities performed on public domain items⁠—so-called “sweat of the brow” work⁠—don’t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work they’ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesn’t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.