Heartbreak Bay (Stillhouse Lake) Rachel Caine (best e book reader for android .txt) 📖

It takes a few seconds—I blame the drugs—before what I’m holding comes into real focus, and then I feel a red streak of alarm sizzle through me, head to toe. I drop the card to the sheet and stare it like I expect it to grow fangs.

“What?” Javi asks. “Who’s it from?”

I look up at him without saying anything. He reaches over to pick up the card, and then I find words. “No, don’t touch it,” I say. “See if you can catch Prester before he leaves. Use my phone.” I point. My finger’s shaking a little from the rush of adrenaline.

Javier grabs my phone and calls Prester. He doesn’t take his eyes off me while he tells Prester to get back up here, now. Once the call’s done, he puts the phone down and says, “Are you going to tell me?”

I shake my head. “When Prester gets here.”

It takes about three long minutes before my partner slams open the door. He sweeps the whole room with a look, and I see the officer who’s been stationed outside the room has his gun drawn, ready to back Prester up. “It’s okay,” I say. “The flowers are evidence.” I point to the card and envelope, both lying on my lap. “I didn’t want to touch it more than I had to.”

Prester takes his hand off the butt of his gun and turns to nod to the KPD officer, who looks sweaty and relieved. Prester lets the door shut and comes in, putting on blue gloves while he’s walking with the unconscious precision of somebody who’s done it too much. He picks up the envelope first, examines it, then turns his attention to the card. Without a word, he opens up a small paper bag produced from his coat pocket and slides both pieces into it, and fills in the evidence tag already attached to the bag with quick pen strokes. “If you needed another reason to step back, here it is,” he says. “Getting flowers from somebody that ran you off the road is a pretty damn clear warning light.”

“Wait,” Javier says. “These flowers are from the guy who tried to kill you? Can’t you trace him with that?”

“Good chance that they were internet-ordered, probably with a pay-as-you-go cash card; this guy isn’t dumb enough to give his own name and address. But I’ll run it down regardless.”

My heartbeat picks up a painfully fast rhythm. “Prester, please be careful—”

“Kez. Don’t teach your granddad how to fish. This son of a bitch came for you. I’ll run it down, and I’ll give it to Heidt after I do.”

I don’t like it, and not just because of the danger implied in that; Prester seemed okay when he was facing down Heidt, but now he seems . . . drawn. Tired. And I see a little flicker of pain contort his face. “What’s wrong?” I ask.

Prester shakes his head. “Nothing. Tired. You rest.” He leaves before I can push the issue. Javier stares at the shutting door, then at me. Then he takes the vase of flowers and carries it out of the room. I feel relieved. Strange how oppressive that gift felt when it was just colorful, lovely flowers. When he comes back, I ask him what he did with it.

“I put them in a hazmat bag in case the TBI wants it for some reason.”

“Hazmat bag?”

“Not taking any chances, querida.”

I realize that Javi is actually afraid for me. Really, really afraid.

And now I’m afraid for him too. And Prester.

All of us.

17

GWEN

Sam and I take the kids home. We’re all tired and dispirited; seeing Kez laid up is hard on all of us, and I think it makes the kids feel especially vulnerable. I hug them both close before I get them off to bed. It’s not even that late. But I’m flat-out exhausted, gray inside with the stress of the day.

But I can’t sleep. I find myself lying awake, listening to Sam’s even, slow breathing. I finally slip out of bed and wander like a ghost. This is happening too much. I don’t want to develop insomnia, but I feel like that’s a depressing possibility. There are medications, of course, but deep down, I fear being drugged, helpless, unable to meet a threat head-on.

That’s why you’re not sleeping. Because you can’t relax for a second, Gina. You know I’m always going to be out there, maybe not physically, but I’m in the heads of people who can hurt you. Who want to hurt you.

I hate that I can still hear Melvin’s whisper at low moments like this. I visualize shredding his letter, and I feel peace descend like a light, low, cool mist. I find myself yawning, and I keep visualizing the shredder chewing up paper, chewing up emails, and those damn wanted posters. I imagine putting in every picture ever taken of Melvin Royal, from baby pictures to the photo of him screaming at the jury, and watching them spin into fragments like grim confetti. Last, I imagine taking the photo of his grave off the wall. Watching it disappear too. Like he was never here at all.

When I close my eyes this time, I sleep soundly.

When I wake, it’s because my daughter is shaking me. I blink at her tense face and sit up fast. Sam’s doing the same. He finds his voice first, but keeps it low. “What is it, honey?”

“Cops,” she whispers. “They’re outside.”

“What?” I launch myself out of bed and move to the window. I bend the blinds just enough to get a look outside at the street, and she’s right: there are two police cruisers parked in front of our house. Neither has its lights flashing. Maybe it’s a coincidence, I think, but then I see movement. There’s an officer moving around at the side of the house. Another near the front door. “Sam. Better get dressed. Lanny, get in your room, but do not lock the door, and don’t resist if