The Slaves of Paris Émile Gaboriau (free reads .TXT) 📖

met in an affair of this kind; and as they mutually feared each other, they had tacitly agreed not to cross each other’s path in that great wilderness of crime⁠—Paris. But while Perpignan knew nothing of Mascarin’s schemes and operations, the former was very well acquainted with the ex-cook’s doings. He knew, for instance, that the income from the Inquiry Office would not cover Perpignan’s expenses, who dressed extravagantly, kept a carriage, affected artistic tastes, played cards, betted on races, and liked good dinners at the most expensive restaurants. “Where can he get his money from?” asked Mascarin of himself; and, after a long search, he succeeded in solving the riddle.

Daddy Tantaine, after leaving the doctor’s, soon arrived at the residence of M. Perpignan, and rang the bell.

A fat woman answered the door. “M. Perpignan is out,” said she.

“When will he be back?”

“Some time this evening.”

“Can you tell me where I can find him, as it is of the utmost importance to both of us that I should see him at once?”

“He did not say where he was going to.”

“Perhaps he is at the factory,” said Tantaine blandly.

The fat woman was utterly taken aback by this suggestion. “What do you know about that?” faltered she.

“You see I do know, and that is sufficient for you. Come, is he there?”

“I think so.”

“Thank you, I will call on him then. An awfully long journey,” muttered Tantaine, as he turned away; “but, perhaps, if I catch the worthy man in the midst of all his little business affairs, he will be more free in his language, and not so guarded in his actual admissions.”

The old man went to his task with a will. He passed down the Rue Toumenon, skirted the Luxemburg, and made his way into the Rue Guy Lussac; from thence he walked down the Rue Mouffetard, and thence direct into one of those crooked lanes which run between the Gobelins Factory and the Hôpital de l’Oursine. This is a portion of the city utterly unknown to the greater number of Parisians. The streets are narrow and hardly afford room for vehicles. A valley forms the centre of the place, down which runs a muddy, sluggish stream, the banks of which are densely crowded with tanyards and iron works. On the one side of this valley is the busy Rue Mouffetard, and on the other one of the outer boulevards, while a long line of sickly-looking poplars mark the course of the semi-stagnant stream. Tantaine seemed to know the quarter well, and went on until he reached the Champs des Alouettes. Then, with a sigh of satisfaction, he halted before a large, three-storied house, standing on a piece of ground surrounded by a mouldering wooden fence. The aspect of the house had something sinister and gloomy about it, and for a moment Tantaine paused as if he could not make up his mind to enter it; but at last he did so. The interior was as dingy and dilapidated as the outside. There were two rooms on the ground floor, one of which was strewn with straw, with a few filthy-looking quilts and blankets spread over it. The next room was fitted up as a kitchen; in the centre was a long table composed of boards placed on trestles, and a dirty-looking woman with her head enveloped in a coarse red handkerchief, and grasping a big wooden spoon, was stirring the contents of a large pot in which some terrible-looking ingredients were cooking. On a small bed in a corner lay a little boy. Every now and then a shiver convulsed his frame, his face was deadly pale, and his hands almost transparent, while his great black eyes glittered with the wild delirium of fever. Sometimes he would give a deep groan, and then the old beldame would turn angrily and threaten to strike him with her wooden spoon.

“But I am so ill,” pleaded the boy.

“If you had brought home what you were told, you would not have been beaten, and then you would have had no fever,” returned the woman harshly.

“Ah, me! I am sick and cold, and want to go away,” wailed the child; “I want to see mammy.”

Even Tantaine felt uneasy at this scene, and gave a gentle cough to announce his presence. The old woman turned round on him with an angry snarl. “Who do you want here?” growled she.

“Your master.”

“He has not yet arrived, and may not come at all, for it is not his day; but you can see Poluche.”

“And who may he be?”

“He is the professor,” answered the hag contemptuously.

“And where is he?”

“In the music-room.”

Tantaine went to the stairs, which were so dingy and dilapidated as to make an ascent a work of danger and difficulty. As he ascended higher, he became aware of a strange sound, something between the grinding of scissors and the snarling of cats. Then a moment’s silence, a loud execration, and a cry of pain. Tantaine passed on, and coming to a rickety door, he opened it, and in another moment found himself in what the old hag downstairs had called the music-room. The partitions of all the rooms on the floor had been roughly torn down to form this apartment; hardly a pane of glass remained intact in the windows; the dingy, whitewashed walls were covered with scrawls and drawings in charcoal. A suffocating, nauseous odor rose up, absolutely overpowering the smell from the neighboring tanyards. There was no furniture except a broken chair, upon which lay a dog whip with plaited leather lash. Round the room, against the wall, stood some twenty children, dirty, and in tattered clothes. Some had violins in their hands, and others stood behind harps as tall as themselves. Upon the violins Tantaine noticed there were chalk marks at various distances. In the middle of the room was a man, tall and erect as a dart, with flat, ugly features and lank, greasy hair hanging down on his shoulders. He, too, had a violin, and