Vanity Fair William Makepeace Thackeray (portable ebook reader .txt) 📖

document from the unlucky artist’s pen was that in which, from his dying bed, he recommended his orphan child to Miss Pinkerton’s protection. There were juvenile letters and petitions from Rebecca, too, in the collection, imploring aid for her father or declaring her own gratitude. Perhaps in Vanity Fair there are no better satires than letters. Take a bundle of your dear friend’s of ten years back⁠—your dear friend whom you hate now. Look at a file of your sister’s! how you clung to each other till you quarrelled about the twenty-pound legacy! Get down the round-hand scrawls of your son who has half broken your heart with selfish undutifulness since; or a parcel of your own, breathing endless ardour and love eternal, which were sent back by your mistress when she married the nabob⁠—your mistress for whom you now care no more than for Queen Elizabeth. Vows, love, promises, confidences, gratitude, how queerly they read after a while! There ought to be a law in Vanity Fair ordering the destruction of every written document (except receipted tradesmen’s bills) after a certain brief and proper interval. Those quacks and misanthropes who advertise indelible Japan ink should be made to perish along with their wicked discoveries. The best ink for Vanity Fair use would be one that faded utterly in a couple of days, and left the paper clean and blank, so that you might write on it to somebody else.

From Miss Pinkerton’s the indefatigable Mrs. Bute followed the track of Sharp and his daughter back to the lodgings in Greek Street, which the defunct painter had occupied; and where portraits of the landlady in white satin, and of the husband in brass buttons, done by Sharp in lieu of a quarter’s rent, still decorated the parlour walls. Mrs. Stokes was a communicative person, and quickly told all she knew about Mr. Sharp; how dissolute and poor he was; how good-natured and amusing; how he was always hunted by bailiffs and duns; how, to the landlady’s horror, though she never could abide the woman, he did not marry his wife till a short time before her death; and what a queer little wild vixen his daughter was; how she kept them all laughing with her fun and mimicry; how she used to fetch the gin from the public-house, and was known in all the studios in the quarter⁠—in brief, Mrs. Bute got such a full account of her new niece’s parentage, education, and behaviour as would scarcely have pleased Rebecca, had the latter known that such inquiries were being made concerning her.

Of all these industrious researches Miss Crawley had the full benefit. Mrs. Rawdon Crawley was the daughter of an opera-girl. She had danced herself. She had been a model to the painters. She was brought up as became her mother’s daughter. She drank gin with her father, etc. etc. It was a lost woman who was married to a lost man; and the moral to be inferred from Mrs. Bute’s tale was, that the knavery of the pair was irremediable, and that no properly conducted person should ever notice them again.

These were the materials which prudent Mrs. Bute gathered together in Park Lane, the provisions and ammunition as it were with which she fortified the house against the siege which she knew that Rawdon and his wife would lay to Miss Crawley.

But if a fault may be found with her arrangements, it is this, that she was too eager: she managed rather too well; undoubtedly she made Miss Crawley more ill than was necessary; and though the old invalid succumbed to her authority, it was so harassing and severe, that the victim would be inclined to escape at the very first chance which fell in her way. Managing women, the ornaments of their sex⁠—women who order everything for everybody, and know so much better than any person concerned what is good for their neighbours, don’t sometimes speculate upon the possibility of a domestic revolt, or upon other extreme consequences resulting from their overstrained authority.

Thus, for instance, Mrs. Bute, with the best intentions no doubt in the world, and wearing herself to death as she did by foregoing sleep, dinner, fresh air, for the sake of her invalid sister-in-law, carried her conviction of the old lady’s illness so far that she almost managed her into her coffin. She pointed out her sacrifices and their results one day to the constant apothecary, Mr. Clump.

“I am sure, my dear Mr. Clump,” she said, “no efforts of mine have been wanting to restore our dear invalid, whom the ingratitude of her nephew has laid on the bed of sickness. I never shrink from personal discomfort: I never refuse to sacrifice myself.”

“Your devotion, it must be confessed, is admirable,” Mr. Clump says, with a low bow; “but⁠—”

“I have scarcely closed my eyes since my arrival: I give up sleep, health, every comfort, to my sense of duty. When my poor James was in the smallpox, did I allow any hireling to nurse him? No.”

“You did what became an excellent mother, my dear Madam⁠—the best of mothers; but⁠—”

“As the mother of a family and the wife of an English clergyman, I humbly trust that my principles are good,” Mrs. Bute said, with a happy solemnity of conviction; “and, as long as Nature supports me, never, never, Mr. Clump, will I desert the post of duty. Others may bring that grey head with sorrow to the bed of sickness (here Mrs. Bute, waving her hand, pointed to one of old Miss Crawley’s coffee-coloured fronts, which was perched on a stand in the dressing-room), but I will never quit it. Ah, Mr. Clump! I fear, I know, that the couch needs spiritual as well as medical consolation.”

“What I was going to observe, my dear Madam,”⁠—here the resolute Clump once more interposed with a bland air⁠—“what I was going to observe when you gave utterance to sentiments which do you so much honour, was that I think you alarm yourself needlessly about our kind friend, and sacrifice your own health too prodigally in