The Last of the Mohicans James Fenimore Cooper (ebook reader for laptop .TXT) 📖
- Author: James Fenimore Cooper
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“A most arbitrary, if not a hasty decision!” exclaimed Heyward, undecided whether to give vent to his growing anger, or to laugh in the other’s face. “But you speak of instruction, and of a profession; are you an adjunct to the provincial corps, as a master of the noble science of defense and offense; or, perhaps, you are one who draws lines and angles, under the pretense of expounding the mathematics?”
The stranger regarded his interrogator a moment in wonder; and then, losing every mark of self-satisfaction in an expression of solemn humility, he answered:
“Of offense, I hope there is none, to either party: of defense, I make none—by God’s good mercy, having committed no palpable sin since last entreating his pardoning grace. I understand not your allusions about lines and angles; and I leave expounding to those who have been called and set apart for that holy office. I lay claim to no higher gift than a small insight into the glorious art of petitioning and thanksgiving, as practiced in psalmody.”
“The man is, most manifestly, a disciple of Apollo,” cried the amused Alice, “and I take him under my own especial protection. Nay, throw aside that frown, Heyward, and in pity to my longing ears, suffer him to journey in our train. Besides,” she added, in a low and hurried voice, casting a glance at the distant Cora, who slowly followed the footsteps of their silent, but sullen guide, “it may be a friend added to our strength, in time of need.”
“Think you, Alice, that I would trust those I love by this secret path, did I imagine such need could happen?”
“Nay, nay, I think not of it now; but this strange man amuses me; and if he ‘hath music in his soul,’ let us not churlishly reject his company.” She pointed persuasively along the path with her riding whip, while their eyes met in a look which the young man lingered a moment to prolong; then, yielding to her gentle influence, he clapped his spurs into his charger, and in a few bounds was again at the side of Cora.
“I am glad to encounter thee, friend,” continued the maiden, waving her hand to the stranger to proceed, as she urged her Narragansett to renew its amble. “Partial relatives have almost persuaded me that I am not entirely worthless in a duet myself; and we may enliven our wayfaring by indulging in our favorite pursuit. It might be of signal advantage to one, ignorant as I, to hear the opinions and experience of a master in the art.”
“It is refreshing both to the spirits and to the body to indulge in psalmody, in befitting seasons,” returned the master of song, unhesitatingly complying with her intimation to follow; “and nothing would relieve the mind more than such a consoling communion. But four parts are altogether necessary to the perfection of melody. You have all the manifestations of a soft and rich treble; I can, by especial aid, carry a full tenor to the highest letter; but we lack counter and bass! Yon officer of the king, who hesitated to admit me to his company, might fill the latter, if one may judge from the intonations of his voice in common dialogue.”
“Judge not too rashly from hasty and deceptive appearances,” said the lady, smiling; “though Major Heyward can assume such deep notes on occasion, believe me, his natural tones are better fitted for a mellow tenor than the bass you heard.”
“Is he, then, much practiced in the art of psalmody?” demanded her simple companion.
Alice felt disposed to laugh, though she succeeded in suppressing her merriment, ere she answered:
“I apprehend that he is rather addicted to profane song. The chances of a soldier’s life are but little fitted for the encouragement of more sober inclinations.”
“Man’s voice is given to him, like his other talents, to be used, and not to be abused. None can say they have ever known me to neglect my gifts! I am thankful that, though my boyhood may be said to have been set apart, like the youth of the royal David, for the purposes of music, no syllable of rude verse has ever profaned my lips.”
“You have, then, limited your efforts to sacred song?”
“Even so. As the psalms of David exceed all other language, so does the psalmody that has been fitted to them by the divines and sages of the land, surpass all vain poetry. Happily, I may say that I utter nothing but the thoughts and the wishes of the King of Israel himself; for though the times may call for some slight changes, yet does this version which we use in the colonies of New England so much exceed all other versions, that, by its richness, its exactness, and its spiritual simplicity, it approacheth, as near as may be, to the great work of the inspired writer. I never abide in any place, sleeping or waking, without an example of this gifted work. ’Tis the six-and-twentieth edition, promulgated at Boston, Anno Domini 1744; and is entitled, ‘The Psalms, Hymns, and Spiritual Songs of the Old and New Testaments; faithfully translated into English Metre, for the Use, Edification, and Comfort of the Saints, in Public and Private, especially in New England.’ ”
During this eulogium on the rare production of his native poets, the stranger had drawn the book from his pocket, and fitting a pair of iron-rimmed spectacles to his nose, opened the volume with a care and veneration suited to its sacred purposes. Then, without circumlocution or apology, first pronounced the word “Standish,” and placing the unknown engine, already described,
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