A Portrait of the Artist as a Young Man James Joyce (self help books to read TXT) 📖

—She’s easy to find, Cranly said.

His hat had come down on his forehead. He shoved it back and in the shadow of the trees Stephen saw his pale face, framed by the dark, and his large dark eyes. Yes. His face was handsome and his body was strong and hard. He had spoken of a mother’s love. He felt then the sufferings of women, the weaknesses of their bodies and souls: and would shield them with a strong and resolute arm and bow his mind to them.

Away then: it is time to go. A voice spoke softly to Stephen’s lonely heart, bidding him go and telling him that his friendship was coming to an end. Yes; he would go. He could not strive against another. He knew his part.

—Probably I shall go away, he said.

—Where? Cranly asked.

—Where I can, Stephen said.

—Yes, Cranly said. It might be difficult for you to live here now. But is it that that makes you go?

—I have to go, Stephen answered.

—Because, Cranly continued, you need not look upon yourself as driven away if you do not wish to go or as a heretic or an outlaw. There are many good believers who think as you do. Would that surprise you? The church is not the stone building nor even the clergy and their dogmas. It is the whole mass of those born into it. I don’t know what you wish to do in life. Is it what you told me the night we were standing outside Harcourt Street station?

—Yes, Stephen said, smiling in spite of himself at Cranly’s way of remembering thoughts in connection with places. The night you spent half an hour wrangling with Doherty about the shortest way from Sallygap to Larras.

—Pothead! Cranly said with calm contempt. What does he know about the way from Sallygap to Larras? Or what does he know about anything for that matter? And the big slobbering washingpot head of him!

He broke into a loud long laugh.

—Well? Stephen said. Do you remember the rest?

—What you said, is it? Cranly asked. Yes, I remember it. To discover the mode of life or of art whereby your spirit could express itself in unfettered freedom.

Stephen raised his hat in acknowledgement.

—Freedom! Cranly repeated. But you are not free enough yet to commit a sacrilege. Tell me would you rob?

—I would beg first, Stephen said.

—And if you got nothing, would you rob?

—You wish me to say, Stephen answered, that the rights of property are provisional, and that in certain circumstances it is not unlawful to rob. Everyone would act in that belief. So I will not make you that answer. Apply to the jesuit theologian Juan Mariana de Talavera who will also explain to you in what circumstances you may lawfully kill your king and whether you had better hand him his poison in a goblet or smear it for him upon his robe or his saddlebow. Ask me rather would I suffer others to rob me or, if they did, would I call down upon them what I believe is called the chastisement of the secular arm?

—And would you?

—I think, Stephen said, it would pain me as much to do so as to be robbed.

—I see, Cranly said.

He produced his match and began to clean the crevice between two teeth. Then he said carelessly:

—Tell me, for example, would you deflower a virgin?

—Excuse me, Stephen said politely, is that not the ambition of most young gentlemen?

—What then is your point of view? Cranly asked.

His last phrase, sour smelling as the smoke of charcoal and disheartening, excited Stephen’s brain, over which its fumes seemed to brood.

—Look here, Cranly, he said. You have asked me what I would do and what I would not do. I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it call itself my home, my fatherland, or my church: and I will try to express myself in some mode of life or art as freely as I can and as wholly as I can, using for my defence the only arms I allow myself to use⁠—silence, exile and cunning.

Cranly seized his arm and steered him round so as to lead him back towards Leeson Park. He laughed almost slyly and pressed Stephen’s arm with an elder’s affection.

—Cunning indeed! he said. Is it you? You poor poet, you!

—And you made me confess to you, Stephen said, thrilled by his touch, as I have confessed to you so many other things, have I not?

—Yes, my child, Cranly said, still gaily.

—You made me confess the fears that I have. But I will tell you also what I do not fear. I do not fear to be alone or to be spurned for another or to leave whatever I have to leave. And I am not afraid to make a mistake, even a great mistake, a lifelong mistake, and perhaps as long as eternity too.

Cranly, now grave again, slowed his pace and said:

—Alone, quite alone. You have no fear of that. And you know what that word means? Not only to be separate from all others but to have not even one friend.

—I will take the risk, said Stephen.

—And not to have any one person, Cranly said, who would be more than a friend, more even than the noblest and truest friend a man ever had.

His words seemed to have struck some deep chord in his own nature. Had he spoken of himself, of himself as he was or wished to be? Stephen watched his face for some moments in silence. A cold sadness was there. He had spoken of himself, of his own loneliness which he feared.

—Of whom are you speaking? Stephen asked at length.

Cranly did not answer.

20 March: Long talk with Cranly on the subject of my revolt.

He had his grand manner on. I supple and suave. Attacked me on the score of love for one’s mother. Tried to