Villette Charlotte Brontë (summer reads .txt) 📖

to M. Paul, which potent personage was now visible in the person of the second gentleman.

M. Paul amused me; I smiled to myself as I watched him, he seemed so thoroughly in his element⁠—standing conspicuous in presence of a wide and grand assemblage, arranging, restraining, over-aweing about one hundred young ladies. He was, too, so perfectly in earnest⁠—so energetic, so intent, and, above all, so absolute; and yet what business had he there? What had he to do with music or the Conservatoire⁠—he who could hardly distinguish one note from another? I knew that it was his love of display and authority which had brought him there⁠—a love not offensive, only because so naive. It presently became obvious that his brother, M. Josef, was as much under his control as were the girls themselves. Never was such a little hawk of a man as that M. Paul! Ere long, some noted singers and musicians dawned upon the platform: as these stars rose, the comet-like professor set. Insufferable to him were all notorieties and celebrities: where he could not outshine, he fled.

And now all was prepared: but one compartment of the hall waited to be filled⁠—a compartment covered with crimson, like the grand staircase and doors, furnished with stuffed and cushioned benches, ranged on each side of two regal chairs, placed solemnly under a canopy.

A signal was given, the doors rolled back, the assembly stood up, the orchestra burst out, and, to the welcome of a choral burst, enter the King, the Queen, the Court of Labassecour.

Till then, I had never set eyes on living king or queen; it may consequently be conjectured how I strained my powers of vision to take in these specimens of European royalty. By whomsoever majesty is beheld for the first time, there will always be experienced a vague surprise bordering on disappointment, that the same does not appear seated, en permanence, on a throne, bonneted with a crown, and furnished, as to the hand, with a sceptre. Looking out for a king and queen, and seeing only a middle-aged soldier and a rather young lady, I felt half cheated, half pleased.

Well do I recall that King⁠—a man of fifty, a little bowed, a little grey; there was no face in all that assembly which resembled his. I had never read, never been told anything of his nature or his habits; and at first the strong hieroglyphics graven as with iron stylet on his brow, round his eyes, beside his mouth, puzzled and baffled instinct. Ere long, however, if I did not know, at least I felt, the meaning of those characters written without hand. There sat a silent sufferer⁠—a nervous, melancholy man. Those eyes had looked on the visits of a certain ghost⁠—had long waited the comings and goings of that strangest spectre, Hypochondria. Perhaps he saw her now on that stage, over against him, amidst all that brilliant throng. Hypochondria has that wont, to rise in the midst of thousands⁠—dark as Doom, pale as Malady, and well-nigh strong as Death. Her comrade and victim thinks to be happy one moment⁠—“Not so,” says she; “I come.” And she freezes the blood in his heart, and beclouds the light in his eye.

Some might say it was the foreign crown pressing the King’s brows which bent them to that peculiar and painful fold; some might quote the effects of early bereavement. Something there might be of both these; but these are embittered by that darkest foe of humanity⁠—constitutional melancholy. The Queen, his wife, knew this: it seemed to me, the reflection of her husband’s grief lay, a subduing shadow, on her own benignant face. A mild, thoughtful, graceful woman that princess seemed; not beautiful, not at all like the women of solid charms and marble feelings described a page or two since. Hers was a somewhat slender shape; her features, though distinguished enough, were too suggestive of reigning dynasties and royal lines to give unqualified pleasure. The expression clothing that profile was agreeable in the present instance; but you could not avoid connecting it with remembered effigies, where similar lines appeared, under phase ignoble; feeble, or sensual, or cunning, as the case might be. The Queen’s eye, however, was her own; and pity, goodness, sweet sympathy, blessed it with divinest light. She moved no sovereign, but a lady⁠—kind, loving, elegant. Her little son, the Prince of Labassecour, and young Duc de Dindonneau, accompanied her: he leaned on his mother’s knee; and, ever and anon, in the course of that evening, I saw her observant of the monarch at her side, conscious of his beclouded abstraction, and desirous to rouse him from it by drawing his attention to their son. She often bent her head to listen to the boy’s remarks, and would then smilingly repeat them to his sire. The moody King started, listened, smiled, but invariably relapsed as soon as his good angel ceased speaking. Full mournful and significant was that spectacle! Not the less so because, both for the aristocracy and the honest bourgeoisie of Labassecour, its peculiarity seemed to be wholly invisible. I could not discover that one soul present was either struck or touched.

With the King and Queen had entered their court, comprising two or three foreign ambassadors; and with them came the elite of the foreigners then resident in Villette. These took possession of the crimson benches; the ladies were seated; most of the men remained standing: their sable rank, lining the background, looked like a dark foil to the splendour displayed in front. Nor was this splendour without varying light and shade and gradation: the middle distance was filled with matrons in velvets and satins, in plumes and gems; the benches in the foreground, to the Queen’s right hand, seemed devoted exclusively to young girls, the flower⁠—perhaps, I should rather say, the bud⁠—of Villette aristocracy. Here were no jewels, no headdresses, no velvet pile or silken sheen purity, simplicity, and aërial grace reigned in that virgin band. Young heads