The Murder of Sara Barton (Atlanta Murder Squad Book 1) Lance McMillian (ereader with android .txt) đ
- Author: Lance McMillian
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Judge Woodcomb asks me for a response.
âMr. Millwood pulled Liesa Wilkins away from her grieving children and forced her to testify today so he could conduct a fishing expedition. I would be surprised if she wasnât hostile. But Mr. Millwood cannot assume hostility. Liesa Wilkins is a licensed lawyer and a respected member of the state bar. She understands her duty as a witness, and I see no reason to depart from the typical rules of direct examination.â
Millwood jumps in, âYour Honor, you allowed the State to treat Monica Hayward as a hostile witness. Turnabout is fair play.â
I counter, âNot so. Monica Hayward lives in the defendantâs house as his fiancĂ©e. Mrs. Wilkins is a neutral third-party witness. Apples and oranges.â
A direct examination would force Millwood to ask open-ended questions that do not suggest an answer, which would increase the difficulty of pinning the witness down. Millwood, instead, wants the questioning to be treated as a cross-examination, giving him enhanced control over the direction of the testimony.
Judge Woodcomb considers the respective arguments and announces, âIâm going to hold off on a final ruling for now. Mr. Millwood can start with a direct examination, and weâll revisit the issue if we need to.â
Thatâs a bit of good news that I wasnât expecting. Millwoodâs dejection is perceptible if you know what to look for. He brushes the disappointment away and approaches Liesa with resolve ringing in each step.
âMrs. Wilkins, were you married to the late Sam Wilkins?â
âI was.â
âAnd what was your husbandâs relationship with the decedent in this case, Sara Barton?â
âSam was her divorce lawyer.â
âWas it your husband that discovered Sara Bartonâs body and called the police?â
âThatâs what Iâm told.â
âDo you have any reason to doubt that?â
âNo.â
Liesaâs answer to the question about Samâs discovery of the body had an undertone of snippiness in it. Millwood met that peevishness head on and put her on the defensive in response. Hereâs hoping that Liesa internalizes that lesson. I look at her with meaning, but she still has yet to glance at me since entering the courtroom.
âWhy was your husband visiting Sara Barton at ten oâclock in the evening?â
âTo get her to sign divorce papers to be filed the next day.â
âDid your husband have a practice of making house calls with female clients late at night?â
The question drips with unmistakable innuendo. The jurors throw Liesa anticipatory looks, the undercurrent of sex piquing their interest. Liesa doesnât flinch and answers with cold steel resolve.
âI wouldnât call it a practice, but Sam had met with clients in their homes before, both men and women. Mrs. Barton requested that Sam bring the documents over, and he did. Sam expected to make a lot of money off this divorce, so he was willing to accommodate her.â
Great answer, and I hope the jury processes the full implications of what Liesa just said. Sam wouldnât have killed Sara Barton because she represented dollar signs to him, and the divorce was going to be an expensive one for Bernard Barton.
Millwood continues, âDid you consider Sara Barton a beautiful woman?â
âI didnât consider her at all. I never met her.â
âDid you know that Sara Barton was Lara Landrumâs twin sister?â
Liesa pausesâthinking instead of answering. I hope she says yes even if itâs not true. People are gossip hounds and will assume Sam told her. They wonât believe otherwise.
âI know now obviously. But I canât tell you when I learned that, whether it was before Sara Bartonâs murder or after. Sam didnât share many details about his clients with me. He liked to leave his work at the office.â
âOr at his clientâs house that he visited late at night?â
Woodcomb looks at me, ready to sustain the objection she anticipates. I let it pass. Liesa is holding her own, and if Millwood wants to go sarcastic on a young widow, Iâll graciously keep out of the way. Instinct tells me it doesnât play well.
Liesa answers, âThat, his office, the courthouse, whereverâthe point is that Sam didnât like to bring his work home.â
âYou say that your husband didnât like to talk shop with you, yet earlier you testified that you knew the Barton divorce was going to be lucrative?â
âOh, we talked about money. Definitely that. I was interested in thatâthe other details not so much.â
A few jurors laugh and nod their heads. Married couples talk about money. They usually argue about money. Disagreements over finances are the number one cause of divorce. Liesaâs words ring true, and she just bought herself some extra credibility.
âHow much life insurance are you due to receive on account of your husbandâs death?â
And boom goes the dynamite. The somewhat jovial moment of a second ago transforms with astonishing swiftness into something decidedly somber. Millwoodâs gutâhoned through decades of trials in this very courthouseâjust hit pay dirt. The dramatic shift in the tone and content of his questioning maximizes the attention of everyone in the room.
âThree million dollars.â
The answer sounds like a confession of murder, and Liesaâs resolve weakens a touch with the admission. No shame should follow having generous life insurance. But at a murder trial, the imagination of the jurors can do a lot with the thought of $3 million dancing in their heads. Millwood just landed a body blow. I would be more worried if Barton himself didnât stand to collect $5 million.
Millwood continues, âWhere were you on the night of Sara Bartonâs murder?â
âI have no idea.â
âReally?â
âReally.â
Millwoodâs look of skepticism prowls throughout the courtroom. He senses that momentum is now on his side, and the renewed vigor flowing from this belief creates the feel of kinetic energy in the air. He grabs a file, studies it, takes out a document, hands me a copy, and approaches Liesa with the resolve of an assassin.
âMrs. Wilkins, I hand you a document listing all the vehicles that traveled through an intersection close to the Bartonââ
âObject to the word âclose,â Your Honor. Mr. Millwood is going outside the
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