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still complaining? It all grows steadily worse and worse, year after year, and if one happens to like living in a city in his own native land, there’s nowhere to escape to. I suppose National Avenue⁠—poor thing, look at the wreck of it!⁠—I say I suppose it couldn’t have hoped to escape the fate of Fifth Avenue; for the same miserable ruction is going on all over the country. My illustrious brother and his kind have ruined everything that was peaceful and everything that was clean⁠—they began by murdering the English language, and now they’ve murdered all whiteness. Beauty is dead.”

“Isn’t that only a question of your definition?” McMillan inquired.

“Why is it?”

“For one reason, because everything’s a question of definitions.”

“No, it isn’t,” Harlan returned somewhat brusquely; and Martha sat in silence, amused to perceive that her two callers had straightway resumed a tilting not infrequent when they met. A lady’s part was only to preside at the joust. “There’s only one definition of beauty,” Harlan added to his contradiction.

“What is it?”

“The one Athens believed in.”

“It won’t do for that brother of yours,” his antagonist returned. “The Greeks are dead, and you can’t tie Dan and his sort down to a dead definition. The growth isn’t beautiful to you, but it is to them, or else they wouldn’t make it. Of course you’re sure you’re right about your own definition, but they’re so busy making what they’re sure is beautiful they don’t even know that anybody disagrees with them. It won’t do you the slightest good to disagree with them, either.”

“Why not?”

“Because they’ve got everything in their hands,” George McMillan replied cheerfully;⁠—“and they’re too busy to listen to anyone who isn’t making something besides criticisms.”

“And for that reason,” Harlan began, “all of us who care for what’s quiet and cool and charming in life are to hold our peace and let⁠—”

He was interrupted, unable to make himself heard because of a shattering uproar that came from beyond the iron fence to the south. A long and narrow motor car, enamelled Chinese red, stood in the Oliphants’ driveway, and an undersized boy of sixteen had just run out of the house and jumped into the driver’s seat. Dusk had not fallen darkly; he saw the group upon the neighbouring veranda well enough, but either thought it too much effort to salute Martha and his uncles, or was preoccupied with the starting of his car;⁠—he gave no sign of being aware of them. Evidently the unmuffled machine-gun firing of his exhaust was delightful to his young ears, for he increased its violence to the utmost, although the noise was unlawful, and continued it as he shot the car down the drive, out of the gates and down the street at a speed also unlawful.

“There, at least,” Harlan said, “is something of which criticism might possibly be listened to with good effect⁠—even by my busy brother.”

But George laughed and shook his head. “No. That’s the very last thing he’d allow you to criticize. He’d only tell you that Henry is ‘the finest young man God ever made!’ In fact, that’s what he told me yesterday evening when I dined there; and I had more than a suspicion I’d caught a whiff of something suggesting a cocktail from our mutual nephew, as he came in for a hurried dinner between speedings. But that isn’t Dan’s fault.”

“Yes, it is,” Harlan said. “Giving a sixteen-year-old boy a car like that!”

“No, the fault is my sister’s. What’s a boy to do when his mother keeps him hanging around Paris so long in the autumn that it’s too late for him to make up his classwork, and he has only a tutor to cajole? I don’t blame Henry much. In fact, the older I grow the less I blame anything.”

“No?” Harlan said. “I’m afraid the world won’t get anywhere very fast unless there are some people to point out its mistakes.”

But the other bachelor jouster was not at all disconcerted by this reproof, nor by the tone of it, which was incautiously superior. “By George, Oliphant, I always have believed you were really a true Westerner under that surface of yours! The way you said ‘the world won’t get anywhere very fast’ was precisely in the right tone. You’re reverting to type, and if the reversion doesn’t stop I shan’t be surprised to hear of your breathing deep of the smoke and calling it ‘Prosperity’ with the best of them!”

Harlan was displeased. “I suppose the smoke comes under your definition of beauty, too, doesn’t it?”

“It isn’t my definition,” George explained. “I was groping for Dan’s. Yes, I think the smoke’s beautiful to him because he believes it means growth and power, and he thinks they’re beautiful.”

“I dare say. Would you consider it a rational view for any even half-educated man to hold⁠—that soft-coal smoke is beautiful? Do you think so, Martha, when it makes pneumonia epidemic, ruins everything white that you have in your house and everything white that you wear? Do you?”

“It’s pretty trying,” she answered, as a conscientious housewife, but added hopefully: “We’ll get rid of it some day, though. So many people are complaining of it I’m sure they’ll do something about it before long.”

Harlan laughed dryly, for he had hoped she would say that. “I’ve been rereading John Evelyn’s diary,” he said. “Evelyn declared the London smoke was getting so dreadful that a stop would have to be put to it somehow. The king told him to devise a plan for getting rid of it, and Evelyn set about it quite hopefully. That was in the latter part of the seventeenth century. Evelyn is dead, but the smoke’s still there.”

“And yet,” George McMillan said coolly, “I’m told they’ve made quite a place of London, in spite of that!”

Martha laughed aloud, and Harlan was so unfortunate as to be annoyed. “It seems rather a childish argument in view of the fact that we sit here in the atmosphere of what might well be a freight yard,”

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