Dead Souls Nikolai Gogol (phonics story books TXT) 📖

possible rate. But he did not tackle his landowners haphazard: he rather selected such of them as seemed more particularly suited to his taste, or with whom he might with the least possible trouble conclude identical agreements; though, in the first instance, he always tried, by getting on terms of acquaintanceship⁠—better still, of friendship⁠—with them, to acquire the souls for nothing, and so to avoid purchase at all. In passing, my readers must not blame me if the characters whom they have encountered in these pages have not been altogether to their liking. The fault is Chichikov’s rather than mine, for he is the master, and where he leads we must follow. Also, should my readers gird at me for a certain dimness and want of clarity in my principal characters and actors, that will be tantamount to saying that never do the broad tendency and the general scope of a work become immediately apparent. Similarly does the entry to every town⁠—the entry even to the Capital itself⁠—convey to the traveller such an impression of vagueness that at first everything looks grey and monotonous, and the lines of smoky factories and workshops seem never to be coming to an end; but in time there will begin also to stand out the outlines of six-storied mansions, and of shops and balconies, and wide perspectives of streets, and a medley of steeples, columns, statues, and turrets⁠—the whole framed in rattle and roar and the infinite wonders which the hand and the brain of men have conceived. Of the manner in which Chichikov’s first purchases were made the reader is aware. Subsequently he will see also how the affair progressed, and with what success or failure our hero met, and how Chichikov was called upon to decide and to overcome even more difficult problems than the foregoing, and by what colossal forces the levers of his far-flung tale are moved, and how eventually the horizon will become extended until everything assumes a grandiose and a lyrical tendency. Yes, many a verst of road remains to be travelled by a party made up of an elderly gentleman, a britchka of the kind affected by bachelors, a valet named Petrushka, a coachman named Selifan, and three horses which, from the Assessor to the skewbald, are known to us individually by name. Again, although I have given a full description of our hero’s exterior (such as it is), I may yet be asked for an inclusive definition also of his moral personality. That he is no hero compounded of virtues and perfections must be already clear. Then what is he? A villain? Why should we call him a villain? Why should we be so hard upon a fellow man? In these days our villains have ceased to exist. Rather it would be fairer to call him an acquirer. The love of acquisition, the love of gain, is a fault common to many, and gives rise to many and many a transaction of the kind generally known as “not strictly honourable.” True, such a character contains an element of ugliness, and the same reader who, on his journey through life, would sit at the board of a character of this kind, and spend a most agreeable time with him, would be the first to look at him askance if he should appear in the guise of the hero of a novel or a play. But wise is the reader who, on meeting such a character, scans him carefully, and, instead of shrinking from him with distaste, probes him to the springs of his being. The human personality contains nothing which may not, in the twinkling of an eye, become altogether changed⁠—nothing in which, before you can look round, there may not spring to birth some cankerous worm which is destined to suck thence the essential juice. Yes, it is a common thing to see not only an overmastering passion, but also a passion of the most petty order, arise in a man who was born to better things, and lead him both to forget his greatest and most sacred obligations, and to see only in the veriest trifles the Great and the Holy. For human passions are as numberless as is the sand of the seashore, and go on to become his most insistent of masters. Happy, therefore, the man who may choose from among the gamut of human passions one which is noble! Hour by hour will that instinct grow and multiply in its measureless beneficence; hour by hour will it sink deeper and deeper into the infinite paradise of his soul. But there are passions of which a man cannot rid himself, seeing that they are born with him at his birth, and he has no power to abjure them. Higher powers govern those passions, and in them is something which will call to him, and refuse to be silenced, to the end of his life. Yes, whether in a guise of darkness, or whether in a guise which will become converted into a light to lighten the world, they will and must attain their consummation on life’s field: and in either case they have been evoked for man’s good. In the same way may the passion which drew our Chichikov onwards have been one that was independent of himself; in the same way may there have lurked even in his cold essence something which will one day cause men to humble themselves in the dust before the infinite wisdom of God.

Yet that folk should be dissatisfied with my hero matters nothing. What matters is the fact that, under different circumstances, their approval could have been taken as a foregone conclusion. That is to say, had not the author pried over-deeply into Chichikov’s soul, nor stirred up in its depths what shunned and lay hidden from the light, nor disclosed those of his hero’s thoughts which that hero would have not have disclosed even to his most intimate friend; had the