The Voyage Out Virginia Woolf (the chimp paradox .txt) 📖

an expression of vindictive energy and triumph combined. The blood and the ugly wriggling fascinated Rachel, so that although she knew that someone had come up behind and was standing beside her, she did not turn round until the old woman had settled down on the bench beside the others. Then she looked up sharply, because of the ugliness of what she had seen. It was Miss Allan who stood beside her.

“Not a pretty sight,” said Miss Allan, “although I daresay it’s really more humane than our method.⁠ ⁠… I don’t believe you’ve ever been in my room,” she added, and turned away as if she meant Rachel to follow her. Rachel followed, for it seemed possible that each new person might remove the mystery which burdened her.

The bedrooms at the hotel were all on the same pattern, save that some were larger and some smaller; they had a floor of dark red tiles; they had a high bed, draped in mosquito curtains; they had each a writing-table and a dressing-table, and a couple of armchairs. But directly a box was unpacked the rooms became very different, so that Miss Allan’s room was very unlike Evelyn’s room. There were no variously coloured hatpins on her dressing-table; no scent-bottles; no narrow curved pairs of scissors; no great variety of shoes and boots; no silk petticoats lying on the chairs. The room was extremely neat. There seemed to be two pairs of everything. The writing-table, however, was piled with manuscript, and a table was drawn out to stand by the armchair on which were two separate heaps of dark library books, in which there were many slips of paper sticking out at different degrees of thickness. Miss Allan had asked Rachel to come in out of kindness, thinking that she was waiting about with nothing to do. Moreover, she liked young women, for she had taught many of them, and having received so much hospitality from the Ambroses she was glad to be able to repay a minute part of it. She looked about accordingly for something to show her. The room did not provide much entertainment. She touched her manuscript. “Age of Chaucer; Age of Elizabeth; Age of Dryden,” she reflected; “I’m glad there aren’t many more ages. I’m still in the middle of the eighteenth century. Won’t you sit down, Miss Vinrace? The chair, though small, is firm.⁠ ⁠… Euphues. The germ of the English novel,” she continued, glancing at another page. “Is that the kind of thing that interests you?”

She looked at Rachel with great kindness and simplicity, as though she would do her utmost to provide anything she wished to have. This expression had a remarkable charm in a face otherwise much lined with care and thought.

“Oh no, it’s music with you, isn’t it?” she continued, recollecting, “and I generally find that they don’t go together. Sometimes of course we have prodigies⁠—” She was looking about her for something and now saw a jar on the mantelpiece which she reached down and gave to Rachel. “If you put your finger into this jar you may be able to extract a piece of preserved ginger. Are you a prodigy?”

But the ginger was deep and could not be reached.

“Don’t bother,” she said, as Miss Allan looked about for some other implement. “I daresay I shouldn’t like preserved ginger.”

“You’ve never tried?” enquired Miss Allan. “Then I consider that it is your duty to try now. Why, you may add a new pleasure to life, and as you are still young⁠—” She wondered whether a buttonhook would do. “I make it a rule to try everything,” she said. “Don’t you think it would be very annoying if you tasted ginger for the first time on your deathbed, and found you never liked anything so much? I should be so exceedingly annoyed that I think I should get well on that account alone.”

She was now successful, and a lump of ginger emerged on the end of the buttonhook. While she went to wipe the buttonhook, Rachel bit the ginger and at once cried, “I must spit it out!”

“Are you sure you have really tasted it?” Miss Allan demanded.

For answer Rachel threw it out of the window.

“An experience anyhow,” said Miss Allan calmly. “Let me see⁠—I have nothing else to offer you, unless you would like to taste this.” A small cupboard hung above her bed, and she took out of it a slim elegant jar filled with a bright green fluid.

“Creme de Menthe,” she said. “Liqueur, you know. It looks as if I drank, doesn’t it? As a matter of fact it goes to prove what an exceptionally abstemious person I am. I’ve had that jar for six-and-twenty years,” she added, looking at it with pride, as she tipped it over, and from the height of the liquid it could be seen that the bottle was still untouched.

“Twenty-six years?” Rachel exclaimed.

Miss Allan was gratified, for she had meant Rachel to be surprised.

“When I went to Dresden six-and-twenty years ago,” she said, “a certain friend of mine announced her intention of making me a present. She thought that in the event of shipwreck or accident a stimulant might be useful. However, as I had no occasion for it, I gave it back on my return. On the eve of any foreign journey the same bottle always makes its appearance, with the same note; on my return in safety it is always handed back. I consider it a kind of charm against accidents. Though I was once detained twenty-four hours by an accident to the train in front of me, I have never met with any accident myself. Yes,” she continued, now addressing the bottle, “we have seen many climes and cupboards together, have we not? I intend one of these days to have a silver label made with an inscription. It is a gentleman, as you may observe, and his name is Oliver.⁠ ⁠… I do not think I could forgive you, Miss Vinrace, if you broke