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Diana

Praisā€™d be Dianaā€™s fair and harmless light;
Praisā€™d be the dews, wherewith she moists the ground;
Praisā€™d be her beams, the glory of the night;
Praisā€™d be her power, by which all powers abound!

Praisā€™d be her nymphs, with whom she decks the woods;
Praisā€™d be her knights, in whom true honor lives;
Praisā€™d be that force by which she moves the floods!
Let that Diana shine, which all these gives!

In heaven, queen she is among the spheres;
She mistress-like, makes all things to be pure;
Eternity in her oft-change she bears;
She, Beauty is; by her, the fair endure.

Time wears her not; she doth his chariot guide;
Mortality below her orb is placā€™d;
By her the virtues of the stars down slide;
In her is Virtueā€™s perfect image cast!

A knowledge pure it is her worth to know:
With Circes let them dwell that think not so!

Though we discover in his verses the vices of the courtier, and they are not equally sustained, as if his genius were warped by the frivolous society of the Court, he was capable of rising to unusual heights. His genius seems to have been fitted for short flights of unmatched sweetness and vigor, but by no means for the sustained loftiness of the epic poet. One who read his verses would say that he had not grown to be the man he promised. They have occasionally a strength of character and heroic tone rarely expressed or appreciated; and powers and excellences so peculiar, as to be almost unique specimens of their kind in the language. Those which have reference to his death have been oftenest quoted, and are the best. ā€œThe Soulā€™s Errandā€16 deserves to be remembered till her mission is accomplished in the world.

We quote the following, not so well known, with some omissions, from the commencement ofā ā€”

His Pilgrimage

Give me my scallop-shell of quiet,
My staff of faith to walk upon;
My scrip of joy, immortal diet;
My bottle of salvation;
My gown of glory, (hopeā€™s true gage)
And thus Iā€™ll take my pilgrimage.

Blood must be my bodyā€™s balmer,
No other balm will here be given,
Whilst my soul, like quiet palmer,
Travels to the land of heaven,
Over all the silver mountains,
Where do spring those nectar fountains:

And I there will sweetly kiss
The happy bowl of peaceful bliss,
Drinking mine eternal fill
Flowing on each milky hill.
My soul will be adry before,
But after, it will thirst no more.

In that happy, blissful day,
More peaceful pilgrims I shall see,
That have cast off their rags of clay,
And walk apparellā€™d fresh like me.

But he wrote his poems, after all, rather with ships and fleets, and regiments of men and horse. At his bidding, navies took their place in the channel, and even from prison he fitted out fleets with which to realize his golden dreams, and invited his companions to fresh adventures.

Raleigh might well be studied if only for the excellence of his style, for he is remarkable even in the midst of so many masters. All the distinguished writers of that period possess a greater vigor and naturalness than the more modern, and when we read a quotation from one of them in the midst of a modern authority, we seem to have come suddenly upon a greener ground and greater depth and strength of soil. It is as if a green bough were laid across the page, and we are refreshed as if by the sight of fresh grass in midwinter or early spring. You have constantly the warrant of life and experience in all you read. The little that is said is supplied by implication of the much that was done. The sentences are verdurous and blooming as evergreen and flowers, because they are rooted in fact and experience; but our false and florid sentences have only the tints of flowers without their sap or roots. Where shall we look for standard English but to the words of a standard man? The word which is best said came very near not being spoken at all; for it is cousin to a deed which would have been better done. It must have taken the place of a deed by some urgent necessity, even by some misfortune, so that the truest writer will be some captive knight after all. And perhaps the fates had such a design, when, having stored Raleigh so richly with the substance of life and experience, they made him a fast prisoner, and compelled him to make his words his deeds, and transfer to his expression the emphasis and sincerity of his action.

The necessity of labor, and conversation with many men and things, to the scholar, is rarely well remembered. Steady labor with the hands, which engrosses the attention also, is the best method of removing palaver out of oneā€™s style both of talking and writing. If he has worked hard from morning till night, though he may have grieved that he could not be watching the train of his thoughts during that time, yet the few hasty lines which at evening record his dayā€™s experience will be more musical and true, than his freest but idle fancy could have furnished. He will not lightly dance at his work who has wood to cut and cord before nightfall in the short days of winter, but every stroke will be husbanded and ring soberly through the wood;17 and so will the stroke of that scholarā€™s pen, when at evening this records the story of the day, ring soberly on the ear of the reader long after the echoes of his axe have died away. The scholar may be sure he writes the tougher truths for the calluses on his palms. They give firmness to the sentence. We are often astonished at the force and precision of style to which hardworking men unpractised in writing easily attain, when required to make the effort; as if sincerity and plainness, those ornaments of style, were better taught on the farm or in the workshop than in the schools. The

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