The Cask Freeman Wills Crofts (great reads TXT) 📖

in your employment, or know of such, I most earnestly beg you to advise me. I am a private detective, working on behalf of the accused man. I guarantee no harm to the carter. On the contrary, I am willing to pay all men who answer the description five francs if they will call on me here any evening between 8:00 and 10:00, as well as 500 francs to the man who can give me the information I require.”

Repeating the manoeuvre he had employed in the case of the advertisement for Mlle. Lambert, La Touche did not add his own name and address. He signed the note Charles Epée, and headed it Hôtel d’Arles, rue de Lyon.

Next morning he took his draft to a manufactory of office supplies and arranged for copies to be made and posted to the managers of all the carting establishments in Paris, the envelopes being marked “confidential.” Then he went on to the rue de Lyon, and, in the name of Charles Epée, engaged a room at the Hôtel d’Arles.

Taking the Metro at the Place de la Bastille, he returned to the goods station in the rue Cardinet. There, after a considerable delay, he found his two friends, the porters who had unloaded the cask on that Thursday nearly two months before. Explaining that he expected the carter he was in search of to call at his hotel on some evening in the early future, he offered them five francs a day to sit in his room between 8:00 and 10:00 p.m. to identify the man, should he arrive. To this the porters willingly agreed. That evening they had their first meeting, but without success. No clean-shaven, white-haired, sharp-featured carters turned up.

When La Touche returned to his rue de La Fayette hotel he found a letter from Clifford. The police had made two discoveries. The first La Touche had realised they were bound to make sooner or later. They had learnt of Felix’s identity with the art school student who had been in love with the late Mme. Boirac, and of the short-lived engagement between the two. All the assistance which these facts gave the prosecution was therefore now at the disposal of the authorities.

The second piece of information was that Inspector Burnley had found the carter who had taken the cask from Waterloo on the Wednesday morning of the fateful week and delivered it at Charing Cross next morning, for, it seemed, both these jobs had been done by the same man.

It appeared that about 7:30 on the Tuesday evening of that week a dark, foreign-looking man with a pointed black beard had called at the office of Messrs. Johnson, the large carting agents in Waterloo Road, and had hired a dray and man for the two following days, as well as the use of an empty shed for the same period. He had instructed the carter to meet him at Waterloo Station at 10:00 next morning, Wednesday. There, on the arrival of the Southampton boat train, he had claimed the cask and had it loaded up on the dray, as was already known. The vehicle had been taken to the shed, where it had been left, the horse having been sent back to the stable. The black-bearded man had told the driver he might take the remainder of the day as a holiday, but that he wanted him to return on the following morning, Thursday, take the cask to Charing Cross, and there book it to Paris. He had handed him the amount of the freight as well as ten shillings for himself. Upon the man asking where in Paris the cask was to be sent, the other had told him he would leave it properly addressed. This he had done, for next morning the cask had a new label, bearing the name of Jaques de Belleville, Cloakroom, Gare du Nord. The carter had then left the black-bearded man in the shed with the cart and cask. Next morning he had booked the latter to Paris.

Asked if he could identify the black-bearded man, the carter said he believed he could. But he failed to do so. On being taken to see Felix, he stated the artist was like the dark foreigner, but he would not swear he was the same man.

This news interested La Touche greatly, and he sat smoking into the small hours seeing how far he could work these new facts into the theories of the crime which he and Clifford had discussed. If the prosecution were correct, Felix must have been the man who called at the cartage establishment at 7:30 on Tuesday evening. He would therefore have had undisputed possession of the cask from about 11:00 a.m. on the Wednesday until, say 7:00 on the following morning, and there were two obvious ways in which he could have put in the body. Either he could have procured another horse and taken the cask to St. Malo, where, in the privacy of the walled yard, he could have removed the statue and substituted the body, returning the cask to the shed by the same means, or he could have hidden the body in his two-seater and run it to the shed, making the exchange there. Unfortunately, La Touche saw, the facts he had just learnt would fit in only too well with the theory of Felix’s guilt.

On the other hand they supplied another period for which an alibi might be found for the artist⁠—7:30 on the Tuesday night. But, remembering his own and Clifford’s researches into the manner in which Felix spent that week, La Touche was not hopeful of help here.

The detective then turned his thoughts to Clifford’s theory of Boirac’s guilt. And immediately he saw how the news crystallised the issue of the alibi. Up to the present the alibi had been considered as a whole, the portions which had been tested and those which had not, alike included. Generally speaking, it had been argued that if Boirac were in Paris and in